Alonzo is an armless knife thrower and gun shooter for a circus---or so he appears. He is actually a burglar with his arms intact. He and his accomplice, Cojo (a little person), are hiding from the police, and Alonzo views his disguise as perfect, especially since it keeps from view an unusual deformity of his left hand that would immediately give him away as the burglar. Nanon, the daughter of the circus owner, is the target in his act. Although Alonzo is in love with her, Nanon's father despises him. Nanon is attracted to Malabar, the circus strong man, but she is also repulsed by his uninhibited sexual advances and desire to touch and hold her. Apparently her phobia extends to the touch of any man. Alonzo feeds her fears in the hopes that Nanon will fall in love with him since he is "armless." Because Zanzi discovers Alonzo really has arms, Alonzo kills him, but Nanon witnesses the killing without seeing Alonzo's face; however, she does see the telltale deformity of his left hand. ...Written by
Patrick Robbins <firstname.lastname@example.org>
A superb mystery thriller, unusual and startling even for a Chaney film. Lon as "The Unknown" eats, drinks, shoots a rifle and dresses with his feet. Don't miss this startling spectacle. (Print Ad- The Cobbleskill Index,((Cobbleskill, NY)) 13 October 1927)
The re-release in Spain was only in Madrid (by Artistic Metropol) and only in subtitled version. See more »
When we first meet Alonzo and he is throwing knives with his feet, the shot shows the girl against the board and there are no knives. It cuts to Alonzo throwing and when it goes back to the girl to see the impact there are knives in a silhouette around her. See more »
Malabar the Mighty, Circus Strongman:
See, Nanon! Eyes that adore you... hands that long to caress you... and strength to protect you! Why do you always draw away from me?
Why isn't he different from other men! Why doesn't he keep his hands off me?
Hands! Men's hands! How I hate them!
Men! The beasts! God would show wisdom if he took the hands from all of them!
Forgive me, Alonzo... I did not mean you.
You are the one man I can come to without fear.
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This is a truly spellbinding movie, one of the more bizarre you are likely to see. With Lon Chaney hiding from the law pretending to be an armless circus performer. Joan Crawford is stunningly beautiful as Nanon, the girl he loves. A well done serpentine story that tells more in under an hour than most films made today can tell in two hours. Chaney is the best film actor of all time, he really was the man of a thousand faces. It is a shame that some Browning/Chaney films have been lost forever, but this is one that should be watched by all, it is fantastic.
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