In 2021, the biggest gain in film viewing is to get to know ryuke Hamaguchi again. Murakami's works are not good for film and television. Li Cangdong focuses on releasing the poetic and tragic beauty of the characters in his works, while Hamaguchi does the opposite. He hides the characters' sadness everywhere with extreme restraint, but he can also explode amazing emotional power at the end. In this film, the carrier of communication between the characters is the protagonist's car. Several people are emotionally dead and reborn, but they slowly unfold in this narrow space. In combination with shanghamakou's fine carving of the text, they finally tell a story that looks very bloody at a glance. In addition to the emotional line, the troupe line has also refreshed the film viewing experience in many places. Good art is never limited by national boundaries, language or even physiological ability. This is also the reason for the increasing rise of Asian films in recent years. Good films can shine anywhere. It should only be a matter of time before ryuke Hamaguchi is recognized as a higher award.