When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.
Harvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
The story of Chesley "Sully" Sullenberger (Tom Hanks), an American pilot who became a hero after landing his damaged plane on the Hudson River in order to save the flight's passengers and crew.
The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the U.S.-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.
Director:
Paul Greengrass
Stars:
Tom Hanks,
Barkhad Abdi,
Barkhad Abdirahman
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Benjamin Gates (Nicolas Cage) must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.
NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.
Famous symbologist on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a madman from unleashing a global virus that would wipe out half of the world's population.Written by
Sony Pictures Entertainment
When Langdon opens Ignazio's e-mail, the apostrophe in "they're" is inverted (in fact, it is not an apostrophe but an okina), but when several close-ups are shown in the next shots (obviously not filmed off the same screen or any screen at all), the apostrophe is correct. See more »
Quotes
[first lines]
Bertrand Zobrist:
[on TV]
It took the Earth's population 100,000 years to reach a billion people. And then just 100 more to reach two billion.
See more »
This review is from the perspective of someone who hasn't read the book but still knows his/her movies.
The movie's start is very confusing at first, where Robert Langdon has some visions but they don't really seem necessary and so it takes quite some time to establish the plot. It lacks the inclusion of Renaissance artists' work or a history lesson here or there, they are there, with the main focus on Dante, however it's still not as much as compared to the previous 2 movies, which just made them so much more interesting.
There a couple of plot twists in the movie but nothing that might throw you off your seat or make the movie more interesting.
Hans Zimmer's background score felt under par compared to the beautiful scores and themes he has given for The Da Vinci Code and Angels and Demons and countless other movies.
Another thing that I felt lacking was a final turn in the end, like a final nail in the coffin, like the previous 2 movies had.
Overall, I don't know about Dan Brown's novel, but the writing of the script was not up to the mark.
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This review is from the perspective of someone who hasn't read the book but still knows his/her movies.
The movie's start is very confusing at first, where Robert Langdon has some visions but they don't really seem necessary and so it takes quite some time to establish the plot. It lacks the inclusion of Renaissance artists' work or a history lesson here or there, they are there, with the main focus on Dante, however it's still not as much as compared to the previous 2 movies, which just made them so much more interesting.
There a couple of plot twists in the movie but nothing that might throw you off your seat or make the movie more interesting.
Hans Zimmer's background score felt under par compared to the beautiful scores and themes he has given for The Da Vinci Code and Angels and Demons and countless other movies.
Another thing that I felt lacking was a final turn in the end, like a final nail in the coffin, like the previous 2 movies had.
Overall, I don't know about Dan Brown's novel, but the writing of the script was not up to the mark.