It's Only the End of the World (2016)

Louis (Gaspard Ulliel), a terminally ill writer, returns home after a long absence to tell his family that he is dying.

Director:

Xavier Dolan

Writers:

Xavier Dolan (screenplay by), Jean-Luc Lagarce (based on play by)

Stars:

Gaspard Ulliel, Marion Cotillard, Léa Seydoux

12 wins & 24 nominations.

Cast

Complete credited cast:
Nathalie Baye	...	La mère
Vincent Cassel	...	Antoine
Marion Cotillard	...	Catherine
Léa Seydoux	...	Suzanne
Gaspard Ulliel	...	Louis
Antoine Desrochers	...	Pierre Jolicoeur
William Boyce Blanchette	...	Louis (15 ans)
Sasha Samar	...	Chauffeur de taxi
Arthur Couillard	...	Petit garçon - avion
Emile Rondeau	...	Louis (5-6 ans)
Théodore Pellerin	...	Antoine (16-22 ans)
Jenyane Provencher	...	Jeune fille - trampoline

Storyline

After 12 years of absence, Louis (Gaspard Ulliel), a writer, goes back to his hometown, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fuelled by loneliness and doubt, while all attempts of empathy are sabotaged by people's incapacity to listen and love.

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Plot Keywords:

illness | returning home | incommunicability | gay lead character | childhood memory | 

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Taglines:

Great! A Little Gem!

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Genres:

Drama

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Details

Official Sites:

Official Facebook Official Facebook [UK]

Country:

Canada France

Language:

French

Release Date:

30 June 2017 (USA)

Also Known As:

It's Only the End of the World

Filming Locations:

Sainte-Dorothée, Laval, Québec, Canada

Box Office

Budget:

$7,400,000 (estimated)

Cumulative Worldwide Gross:

$9,000,000, 31 December 2017

Company Credits

Production Co:

Sons of Manual,MK2 Productions,France 2 Cinéma

Technical Specs

Runtime:

97 min

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Gaspard Ulliel and Vincent Cassel have previously appeared together in Brotherhood of the Wolf (2001). In real life, Ulliel dated Cassel's younger sister, Cécile Cassel, from 2005 to 2007. Cecile Cassel is also one of Marion Cotillard's best friends.

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Quotes

Antoine Knipper: We think silent people are good listeners. But I shut up so people leave me alone.

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Connections

Version of Juste la fin du monde de Jean-Luc Lagarce (2010)

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Soundtracks

Rondo alla turca (Turkish March) 3rd movement from Piano Sonata No. 11 in A major, K. 331
(uncredited)
Composed by Wolfgang Amadeus Mozart

User Reviews

Performance-driven salvation

I think it's beautiful when creators explain more in shadows and silences than in dialogue and obvious visual cues. There is true brilliance to be found in the hidden and the unsaid; oftentimes, the truth comes in subtle ripples than in galvanized waves, and it's exceptional to come across true masters of the craft who are willing to respectfully handle such an intricate technique without becoming dull and overbearing.

Regrettably, such is not the case here.

Dolan tries to sweep us off our feet with anthropocentric framing and a flowing stream of ethereal brushings of color and emotion, something he does well, I can't deny him that. In the meanwhile though, he seems to be neglecting the actual plot which is painfully lacking on so many points, this movie is rendered into nothing more than a neophyte's attempt at a college- level, arthousy project.

Fortunate that the entirety of the cast is strong enough to redeem this effort by generously depositing spiritful performances, thankfully seeming to overcome the dire facts that the writing is listless, the plot is dormant, and the whole movie seems painfully mannered and conditional. So much so, that the viewer is bound to be left confused and, at times, attacked by the drip-fed, self-folding, monotonous interactions that ultimately serve to dress the movie with no pragmatic value at all.

In aiming for elegance and allure, Dolan fails to dish out a well-founded, coherent film, leaving us with nothing more than an unprogressive fable that tiptoes along the verge of deforming from 'suspended' to 'backwards'. And all very chaotically wrapped in out-of-place musical choices, not enhancing but rather debasing the scenes, pulling the viewer out of the experience in flabbergasted eye-rolls.

My point of view: Overlooking the feeble dialogue, overall repetitiveness, plot stagnancy and forced emotive filming techniques, I rather enjoyed the performances -- and here is where I rate this. It's Only The End of the World is a lifeless attempt, devoid of any true passion and it could have very easily broken down into oblivion the moment the end titles started rolling - if it weren't for Vincent Cassel's very last scene which, yet again, validates him as one of the Greats.

Lucky for me I will always have that to remember.