After 12 years of absence, Louis (Gaspard Ulliel), a writer, goes back to his hometown, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fuelled by loneliness and doubt, while all attempts of empathy are sabotaged by people's incapacity to listen and love.Written by
Drop it, mom. Jeez!
Our aerobics song. I'm obsessed, it's a real find.
Everybody found it, mom.
Translation said it's about Picasso being in love, or Picasso... anyway it wasn't clear.
[they both start dancing to O-Zone - Dragostea Din Tei]
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The story is familiar. because the portrait of dysfunctional family is not rare in the cinema of last decades. but the film has a fundamental virtue - it is a Xavier Dolan work. and that change everything. because not the conflicts, vulnerabilities, isolation, angry and fears, the return of the son are the basic aspects. but the precise and not comfortable image of loneliness. using admirable cinematography. the right actors. the close up. the forceof silence. the small gestures and shadows of memories. the admirable cold dialogues. and the last part as ideal building for a search who becomes out of target. a film who impress. not only for artistic value. but for remarkable science to present the things who are out of us being inside us. frustrations, intentions, the desire to be far by the other who could represent only the stranger. who is just an accident. so, a beautiful Xavier Dolan.
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