A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers intel for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora.Written by
The Massie Twins
Sigourney Weaver plays a James Cameron persona for her character in this film. Sigourney stated in an interview, "I teased him because to me I'm playing Jim Cameron in the movie as this kind of brilliant, approach-driven, idealistic perfectionist. But that same somebody has a great heart underneath. So I have to say I was always kind of channeling him." See more »
In the scene where Parker is shown playing golf on the indoor golf course in RDA, the first time he hits the ball, there are two other balls lying on the course side by side. In the next shot, two are distant from each other and in the shot after that, they are in their original position. See more »
When I was lying in the V.A. hospital with a big hole blown through the middle of my life, I started having these dreams of flying. I was free. But sooner or later, you always have to wake up.
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There are no opening credits of any kind (outside of the 20th Century Fox title card). The title of the film doesn't appear on screen until the end of the movie. See more »
Released to commemorate the 2010 Earth Day, the 171-minute Special edition includes the following additional scenes:
The first flight across Pandora is longer, with the helicopter flying past the Stuurmbeast herd. Grace informs Norm and Jake about it.
The squad reaches the abandoned school. It reveals that Grace teaches English to the Na'vi children until a serious incident came about (bullet holes around, etc..) which was insinuated about.
Jake and Neytiri running through the neon-lit woods is slightly longer.
When Jake joins the circle, a little Na'vi girl smiles at him curiously, but her father holds her back. Neytiri then arrives and hands Jake a fruit.
Jake tries to ask Neytiri her name, but she seems annoyed by that.
Jake, Grace and Norm proceed from the helicopter to the secluded laboratory. There's an explanation about the mountains.
At night, Jake and Neytiri run through the luminescent forest.
After Jake touches the Fan Lizard, it flies away in a radiant glow. Its fellow species follow suit and, to the delight of Jake and Neytiri, raise themselves into the air.
As Jake and the other Na'vi climb the mountain, Neytiri flies past them on her banshee, Seze.
The Na'vi goes for an aerial hunt for Stuurmbeast. Jake shoots one and exclaims in excitement. Neytiri follow suit as well.
The Na'vi destroy the Hell Trucks of the mining company.
The next morning, Wainfleet's squad sifts through the remains of the Hell Trucks. Turns out that Na'vi kill the soldiers as well. Quaritch and Selfridge watch the live broadcast.
Tsu'tey's fall from the sky is longer. A few plants decelerate and break his fall.
The scene with the Hammerhead Titanotheres has been extended.
The fight between Neytiri on a Thanathor and Quaritch is slightly longer.
Tsu'Tey's death: he knows he is dying and appoints Jake to be his successor. He insists Jake to kill him because by Na'vi customs, Jake has to pass him to the Eywa by killing him by his own hands. Neytiri starts to cry. Jake reluctantly complies with his wish, stabbing him by the knife as the camera passes by him.
The end credits has an addition of using Discovery Zone's Bless the Plague soundtrack. The copyright year has been replaced with 2010.
A film with the scope of James Cameron's Avatar was always going to be a risk both artistically and financially, especially in today's economic climate. Whether it will pay off monetarily is a question only time can answer, but this viewer can at the very least attest to it being an artistic triumph.
Avatar brings us as close as cinema ever has to actually visiting an alien world. The beautiful environs, the exotic creatures and incredibly lifelike natives of Pandora arrest the senses, visually, aurally and emotionally. The world in Avatar is the true star of the show. The amount of detail and work that has gone into bringing this new world alive is seriously impressive, and it will be a while before we see anything that overtakes it in scope and quality. WETA Workshop and ILM have truly outdone themselves.
Relative newcomer, Aussie Sam Worthington provides a solid human heart amongst all the science-fiction/fantasy beauty and Zoe Saldana gives an impressive performance as the 8 foot tall Na'vi, Neytiri. Even though the characters they both play are blue, giant, catlike aliens, they managed to evoke a chemistry and likability that pierces through the special effects.
That's not to say that everything is perfect. The story is basic and dare I say, clichéd and predictable. We have seen it plenty of times in all forms of media. The bad guys are cartoonishly evil, and sadly paper thin. The love story, while charming, is also clichéd despite being between man and alien. But in the face of these shortcomings, Avatar is a success because its storytelling lies in the brilliant visuals.
Avatar is a beautiful piece of film and a true event. It does exactly what cinema was always intended to - it takes us away from our problems and worries for a few hours and gives us memorable images which will undoubtedly and deservedly enter into the cultural lexicon to stay for the foreseeable future.
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