In Paris, a family is victim of a tragic incident, when the patriarch is accused by his wife of pedophilia. Years later, the three sisters have independent dysfunctional lives and never see each other. The middle sister Sophie finds that her beloved husband and photographer Pierre is unfaithful and is having an affair with Julie and he leaves her. When the lover discovers that Pierre has two children, she ends the affair. The youngest, Anne, is student of Sorbonne and has a crush and gets pregnant of her professor Frédéric, who is married and father of her best friend. The oldest sister, Céline, is a lonely woman that periodically travels by train to visit her handicapped dumb mother Marie that is trapped in a wheelchair in an asylum for elders. When the stranger Sébastien contacts Céline, she believes he is a shy admirer; however, after an awkward encounter, he reveals secrets from the past that will affect the relationship among the sisters.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Just saw this film at TIFF. I was quite moved by it. The voting stats here claim the film was better received by females than males. I can understand this completely. The characters all had elements a woman could relate to and some of the scenes just felt so real. Particularly the scene involving Emmanuelle Beart and her husband in the kitchen. Gosh, don't you just want to kiss her bee-stung lips?
I feel it was masterfully executed by the director (who seemed like a nice guy during his Q&A session -- great sense of humour). The cinematography, the editing, the performances. Fabulous. You could tell that Danis has a real passion for film-making and has clearly studied the greats with an exceptional eye for detail. His self-proclaimed homage to Krzysztof Kieslowski hit the mark for me with it's claustrophobic interiors and dark females haunted desperate secrets. I highly recommend this film.
31 of 42 people found this review helpful.
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