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Meryl Streep in ‘Ironweed’: A look back at her seventh Oscar nomination, the competition and the outcome

Meryl Streep in ‘Ironweed’: A look back at her seventh Oscar nomination, the competition and the outcome
This article marks Part 7 of the 21-part Gold Derby series analyzing Meryl Streep at the Oscars. Join us as we look back at Meryl Streep’s nominations, the performances that competed with her, the results of each race and the overall rankings of the contenders.

On paper, “Heartburn” (1986) had the sound of a surefire smash. The picture reunited the talented trio from “Silkwood” (1983) – leading lady Meryl Streep, director Mike Nichols and screenwriter Nora Ephron. Production on the film hit a snag early on, as Nichols, seeing no magic between he and Streep, fired leading man Mandy Patinkin after mere days of shooting. Things would presumably still be A-ok, however, if not better, considering Patinkin’s replacement was none other than Jack Nicholson, hot as ever with his Academy Awards victory for “Terms of Endearment” (1983) and success the year prior with “Prizzi’s Honor” (1985).

That summer, “Heartburn” hit theaters to reviews
See full article at Gold Derby »

The Whales of August

This look at the ‘adjustments’ of old age and the pain of nostalgia is a prime opportunity to admire a pair of legendary actresses. David Barry’s play observes the intersection of several interesting personalities on one glorious late-summer day. Bette Davis and Lillian Gish earn our full attention, backed by memorable turns from Ann Sothern and Vincent Price, directed by Lindsay Anderson.

The Whales of August

Blu-ray

Kl Studio Classics

1987 / Color / 1:85 widescreen / 90 min. / 30th Anniversary Edition / Street Date December 19, 2017 / available through Kino Lorber / 29.95

Starring: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, Harry Carey Jr., Frank Grimes, Margaret Ladd, Tisha Stering, Mary Steenburgen.

Cinematography: Mike Fash

Film Editor: Nicolas Gaster

Production Design: Jocelyn Herbert

Original Music: Alan Price

Written by David Berry, from his play

Produced by Mike Kaplan, Carolyn Pfeiffer

Directed by Lindsay Anderson

Every once in a while a ‘sunset’ movie comes along, a picture seemingly
See full article at Trailers from Hell »

The Cannes Red Carpet Creates Global Brand Excitement

The Cannes Red Carpet Creates Global Brand Excitement
For almost two weeks every year, the Côte d’Azur comes to a near standstill as the glitterati descend upon Cannes for the film festival. Over seven decades, iconic images snapped by a phalanx of photographers have immortalized the famed festival, and cemented the marriage between the worlds of film and fashion. Which begs the question: What’s a major Cannes moment worth to a fashion brand by way of impact?

A Cannes moment is priceless, says Micaela Erlanger, who dressed Lupita Nyong’o in grasshopper green Gucci in 2015. “That moment in particular was a special one,” says Erlanger, “because it was the first red carpet moment under Alessandro Michele’s creative direction, and for it to be so well received, and highly covered by the press, really solidified the brand.”

“It’s very difficult to measure the impact,” says Said Cyrus, co-founder and head of design at Catherine Walker,
See full article at Variety - Film News »

David Berry Dies; ‘Whales Of August’ Scribe Was 73

David Berry, whose play The Whales Of August, about two elderly sisters living on the coast of Maine became a 1987 film vehicle for Lillian Gish and Bette Davis, died December 16 at his home in Brooklyn. He was 73. Berry, a Vietnam War veteran, also was the author of G.R. Point, a somber drama about soldiers working at a graves registration center in the war zone, where they placed the remains of dead combatants in body bags for return home. The short-lived 1979 Broadway…
See full article at Deadline Movie News »

NYC Weekend Watch: Fassbinder Favorites, Buñuel, Queer Cinema, King Hu & More

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

You’ve read of Rainer Werner Fassbinder‘s ten favorite films — now you can see them. The German titan’s beloved titles are celebrated in a new series: Johnny Guitar screens this Friday; Saturday offers Gentlemen Prefer Blondes, The Night of the Hunter, and the rarely seen The Red Snowball Tree; on Sunday, one can
See full article at The Film Stage »

The Vincent Price Collection III

Shout Factory opens the crypt once more, for the last remaining UA and Aip fright movies starring our favorite gentleman of horror. The label lays on the extras, with Steve Haberman commentaries and episodes of Science Fiction Theater. Now where are the Vincent Price cooking shows? The Vincent Price Collection III Master of the World, The Tower of London, Diary of a Madman, An Evening with Edgar Allan Poe, Cry of the Banshee Blu-ray Scream (Shout!) Factory 1961-72 / B&W + Color / 1:85 & 1:66 widescreen / 420 min. / Street Date February 16, 2016 / 69.97 Starring Vincent Price Directed by William Witney, Roger Corman, Reginald Le Borg, Kenneth Johnson, Gordon Hessler.

Reviewed by Glenn Erickson

Scream Factory now brings us Part Three of its Vincent Price collection, pretty much emptying the closet over at MGM. Not counting his twilight feature The Whales of August every Vincent Price film under the MGM banner will soon be out on Blu-ray.
See full article at Trailers from Hell »

10 Memorable Vincent Price Characters

United Artists

In a career that spanned 7 decades, Vincent Price played every character from The Invisible Man to Sir Walter Raleigh, he worked with directors such as Otto Preminger, Alfred Hitchcock and Mario Bava, was good friends with Christopher Lee, Peter Cushing and Boris Karloff and even, courtesy of Thames Television, hosted his own cookery show. And that’s just scratching the surface.

Price is one of Hollywood’s genuine legends, a bona fide movie star with an immediately recognisable voice, and as with most legends, he was looked down upon by the Establishment before finding acceptance within the horror community. From The Invisible Man Returns (1940) to Edward Scissorhands (1990), he created a gallery of characters that deserve to be the envy of most “mainstream” performers.

At a time when voicing cartoon characters was considered at odds with “serious” acting, Price proved you could do both, voicing the villainous Professor Ratigan
See full article at Obsessed with Film »

Theater Review: The Velocity of Autumn Ticks Off Every Item on the Bad Playwriting Checklist

  • Vulture
Theater Review: The Velocity of Autumn Ticks Off Every Item on the Bad Playwriting Checklist
In 1981, after seeing a very bad play called The Whales of August, I invented a party game. The rules are simple: Using nouns that don’t belong together — one of which ideally suggests the sad passage of time — create a portentous but nonsensical title for a future television-type stage drama. My favorites until today were November’s Carburetor and The Last Gesundheit of Indian Summer. But ladies and gentlemen, we have a new winner in The Velocity of Autumn. This new Broadway production is ridiculous not just on the copyright page of the script by Eric Coble but also on every page thereafter.Start with the premise: 79-year-old Alexandra (played by that 86-year-old powerhouse, Estelle Parsons) has barricaded herself in her Brooklyn brownstone, threatening to light hundreds of Molotov cocktails if she is not allowed to spend her remaining years among the familiar comforts of home. (A living will might
See full article at Vulture »

Vincent Price: The British Connection

As the undisputed king of American gothic, Vincent Price holds a unique position regarding his association with British horror. From the mid sixties, nearly all his films were made in the UK, and while not as distinguished as The House of Usher (1960), Tales of Terror (1962) and The Raven (1963), they are not without interest. As an actor perfectly suited to English gothic, Price’s output includes two career-defining performances. In a nutshell, he had the best of both worlds.

Masque of the Red Death (1964)

The British phase of his career began with a bang. After directing all of Price’s Poe chillers for American International Pictures, Roger Corman wanted to give the formula a fresh approach by making his next film in England. Aip’s Samuel Z Arkoff and James H Nicholson had already produced several European films, so the next step was to establish a London base with Louis M Heyward in charge.
See full article at Shadowlocked »

Rooney Was No Andy Hardy in Real Life: Longest Film Career Ever?

Mickey Rooney dead at 93: Four-time Oscar nominee, frequent Judy Garland co-star may have had the longest film career ever (photo: Mickey Rooney ca. 1940) Mickey Rooney, four-time Academy Award nominee and one of the biggest domestic box-office draws during the studio era, died of "natural causes" on Sunday, April 6, 2014, at his home in the Los Angeles suburb of North Hollywood. The Brooklyn-born Rooney (as Joseph Yule Jr., on September 23, 1920) had reportedly been in ill health for some time. He was 93. Besides his countless movies, and numerous television and stage appearances, Mickey Rooney was also known for his stormy private life, which featured boozing and gambling, some widely publicized family infighting (including his testifying in Congress in 2011 about elder abuse), his filing for bankruptcy in 1962 after having earned a reported $12 million (and then going bankrupt again in 1996), his eight marriages — including those to actresses Ava Gardner, Martha Vickers, and Barbara Ann Thomason
See full article at Alt Film Guide »

Happy Birthday, Bette Davis! Here Are 5 Phenomenal GIFs Of The Silver Screen Goddess

Bette Davis in Jezebel (1938)

Today would've been Bette Davis' 105th birthday, and I hope your seatbelts have been fastened, because it's been a bumpy (albeit legendary) ride for the two-time Oscar winner. Before I unleash five perfect Bette Davis GIFs on you, here are a few philosophical questions about the silver screen's most sarcastic dame.

1) Why does no one talk about The Whales of August? I don't care how boring it was. It had Davis and Gish, who dared to live until the 1990s, people.

2) Why do so few people reference Bette Davis' gig as the original matriarch of Aaron Spelling's Hotel and how she was replaced by Anne Baxter during the series?

3) Is anyone else heartbroken that Bette Davis' classic advice to L.A. residents -- "Take Fountain" -- barely applies anymore? With that damn school blocking Fountain on the East side of Hollywood, the
See full article at The Backlot »

Letter: Harry Carey Jr and the golden era of American cinema

A melancholy history of Hollywood recounted in terms of the offspring of its greatest personalities would reveal a litany of also-rans, failures and addicts. Harry Carey Jr was one of the happy exceptions to that rule. His father was John Ford's favourite actor; the director dedicated his 1948 film Three Godfathers to "the memory of Harry Carey – bright star of the early western sky". Ford's The Searchers (1956) ended with John Wayne standing, one arm across his chest, in a pose made famous by Carey Sr.

Carey Jr worked prolifically with Andrew V McLaglen, the son of Victor McLaglen, another of Ford's stock company. For that director he made many episodes of TV westerns and roughly a dozen films, often starring Wayne and James Stewart, including The Rare Breed (1966), Bandolero! (1968), Something Big (1971) and Cahill (1973).

Carey was sought out by American directors who recalled the golden era of their national cinema and his part in it.
See full article at The Guardian - Film News »

Oscar Snub? Supporting Actress 1987

Witches of Eastwick 25th anniversary week ends this weekend. I intended to do much more but we'll see what little can be conjured still.

Cherries, Oatmeal, Satan and her weak husband just make her sick!

Film Experience Trivia: Veronica Cartwright was the star of the very first episode of Craig's "Take Three" series right here (well, at the old location) in 2010. He spotlighted her work in three genre pieces (Alien in which she was originally cast as Ripley (!!!) , Invasion of the Body Snatchers and The Witches of Eastwick) concluding that she is the sci-fi-horror scream queen. On Witches:

Cartwright's skill at creating profoundly memorable characters is none more evident than in Witches: you see the very bile rise up in Felicia's face; she vehemently means every word in her religious rants, summoning up as she does some kind of wicked, wrathful acting goddess. With cherry-scented vomit (or even hospital oatmeal) smeared ungainly across her mouth,
See full article at FilmExperience »

Tarzan, Ann Sothern, Ingrid Bergman: Warner Achive

John Carter, based on the John Carter of Mars series written by Edgar Rice Burroughs, was released last weekend with underwhelming box-office results in North America. Expect a more enthusiastic reception for the Warner Archive's release of the late '60s television series Tarzan (season one, in two parts) in celebration of the Lord of the Apes' 100th anniversary. Ron Ely stars, while guests include former Tarzan Jock Mahoney, Academy Award nominee Julie Harris (The Member of the Wedding), Star Trek's Nichelle Nichols, Woody Strode, Russ Tamblyn, Maurice Evans, Jack Elam, and Chips Rafferty. Also coming out via the Warner Archive Collection are several lesser-known titles that should definitely be worth a look, especially considering the talent involved. Released in a newly remastered print, the 1941 drama Rage in Heaven was directed by W.S. Van Dyke (aka "One-Take Woody"), and stars Ingrid Bergman, Robert Montgomery, and George Sanders. Christopher Isherwood contributed to the screenplay.
See full article at Alt Film Guide »

Ten silent super-stars facing the advent of 'talkies'

The great movie pioneer D.W. Griffiths once said “we do not want now and we shall never want the human voice with our films.” Shame he failed to realise that film-making is a technical medium that will always develop. In the last 100 years we have had the introduction of colour, trick photography, 3D and CGI, among other numerous innovations such as CinemaScope - and even Smellovision. But none of these compare to the most revolutionary of cinematic changes: sound.

The silent era of the twenties holds little more than curiosity-value for many modern film fans. Other than a few notable exceptions such as Nosferatu (1922) and The Phantom of the Opera (1925), it’s become a long-forgotten part of cinema history. But back then we had the Brad Pitts and Angelina Jolies of their day! Big stars and talented actors who sadly failed to survive the test of time.

The coming of sound was controversial,
See full article at Shadowlocked »

Vincentennial Nominated for a Rondo Award for Best Fan Event

Vincentennial, the Vincent Price 100th Birthday Celebration, which took place here in St. Louis last Spring and was covered in depth at We Are Movie Geeks, has been nominated for a Rondo Award for “Best Fan Event”. Now in their tenth year, The Rondo Awards are prestigious Fan Awards given out annually for the year’s best horror-related stuff–movies, magazines,articles, toys, etc. The Rondos are completely fan-based; nominees are selected by horror film fans and focus specifically on the horror genre. The awards are debated at The Classic Horror Film Board and presented at the Wonderfest Hobby Expo in May in Louisville, Ky. The awards are named for Rondo Hatton, the 1940′s-era character actor whose glandular disease resulted in a misshapen face and brutish appearance (an article I wrote for Wamg about Mr. Hatton can be found Here)

The Rondos have 31 categories covering all aspects of film and the horror genre in general,
See full article at WeAreMovieGeeks.com »

The Whales Of August Review: d: Lindsay Anderson Powerful and Compelling Drama

Lillian Gish, Bette Davis in Lindsay Anderson's The Whales of August The Whales Of August Review Pt.1 Libby is also possessive of her sister, resenting the relationship between Sarah and Mr. Maranov. When Sarah invites the man to dinner, Libby scowls, "I will not eat his fish!" More cutting dialogue continues over dinner, during which Libby is rude to the point of insulting their guest. When the subject turns to the past, Libby emphatically insists, "Photographs fade. Memories live forever." Mr. Maranov, however, notes, "Alas, Mrs Strong. Memories can fade too." Libby snaps, "That has not been my experience!" The "whales" in the title refer to the women's lost youth. Sarah and Tisha are anxious to see them one more time, but blind Libby seems not to care. Anticipating her own death, she is unable to understand why her sister continues to relish life. Once again, the contrast between
See full article at Alt Film Guide »

The Whales Of August Review: Lillian Gish, Bette Davis, Vincent Price, Ann Sothern

The Whales Of August (1987) Direction: Lindsay Anderson Cast: Lillian Gish, Bette Davis, Vincent Price, Ann Sothern, Harry Carey Jr, Mary Steenburgen, Frank Grimes, Margaret Ladd, Tisha Sterling Screenplay: David Berry; from his own play Oscar Movies, Highly Recommended Bette Davis, Vincent Price, Lillian Gish, Ann Sothern, The Whales of August According to my math, the careers of the three leading ladies — Lillian Gish, Bette Davis, and Ann Sothern — in Lindsay Anderson's The Whales of August total 191 years. And that is without taking into consideration their co-stars, among them Vincent Price and Harry Carey Jr. That's an awful lot of acting experience for one film. The Whales of August begins with the leisurely, early morning routines of two sisters living together in a small cottage on the coast of Maine in late summer. Sarah Webber (Lillian Gish) greets the day by working in the garden, dusting the house, and fixing breakfast for her blind sister,
See full article at Alt Film Guide »

The Presence of Price

The Presence of Price
An almost spectral-looking 2011 portrait by artist Rich Bernal of Vincent Price as he appeared in The Raven. Commissioned for the St. Louis Vincentennial.

2011 is the birthday centennial for Vincent Price, and the anniversary was celebrated by various magazines, blogs, film screenings and other events that honored the late actor. It was most memorably observed in Price’s hometown of St. Louis, where the Vincentennial was marked by a series of events organized primarily by Price fan Tom Stockman. Local newspaper reporter Raymond Castile and I attended many of the screenings, interviews, museum and gallery events in the more-than-month-long observance of the multifaceted man many think of as the “King of Horror.”

Raymond talked with a number of fans from around the world about their love of Price (including myself), and their encounters with him in life or on the screen. I later talked with a number of Vincent Price’s
See full article at Famous Monsters of Filmland »

Lincoln Center, TCM to Present Exhibition of Mike Kaplan's Personal Poster Collection

Lincoln Center, TCM to Present Exhibition of Mike Kaplan's Personal Poster Collection
As a lead up to next April's TCM Classic Film Festival in Hollywood, Turner Classic Movies and the Film Society of Lincoln Center are teaming up to present "Style and Motion: The Art of the Movie Poster," an exhibit to highlight the personal collection of poster designer and producer Mike Kaplan. Kaplan (The Whales of August, I'll Sleep When I'm Dead) collaborated with several poster artists during his lifetime, including portrait artist Don Bachary (A Bigger Splash), graphic artist and psychedelic record jacket designer John Van Hamersveld (Welcome to L.A.) and British airbrush artist Philip Castle, who created the unforgettable poster for A Clockwork Orange. Featured in the exhibit are some of the poster gems of the past half century, among them an original French ...
See full article at Thompson on Hollywood »
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