7.6/10
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Jezebel (1938)

Approved | | Drama , Romance | 26 March 1938 (USA)
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In 1850s Louisiana, a free-spirited Southern belle loses her fiancé due to her stubborn vanity and pride, and vows to win him back.

Director:

William Wyler

Writers:

Clements Ripley (screen play), Abem Finkel (screen play) | 2 more credits »
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Won 2 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bette Davis ... Julie Marsden
Henry Fonda ... Preston Dillard
George Brent ... Buck Cantrell
Margaret Lindsay ... Amy Bradford Dillard
Donald Crisp ... Dr. Livingstone
Fay Bainter ... Aunt Belle Massey
Richard Cromwell ... Ted Dillard
Henry O'Neill ... General Theopholus Bogardus
Spring Byington ... Mrs. Kendrick
John Litel ... Jean La Cour
Gordon Oliver ... Dick Allen
Janet Shaw ... Molly Allen
Theresa Harris ... Zette
Margaret Early ... Stephanie Kendrick
Irving Pichel ... Huger
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Storyline

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

The South's Greatest Romance See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French

Release Date:

26 March 1938 (USA) See more »

Also Known As:

Jezabel See more »

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Box Office

Budget:

$1,250,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

A song, "Jezebel" with music by Harry Warren and lyrics by Johnny Mercer was published to promote the movie but not used on the soundtrack. See more »

Goofs

As Julie hurries through the room arranging flowers, one flower falls out of the vase, but she doesn't bother with it or even seem to notice it, continues arranging them, and then moves the vase to another table. See more »

Quotes

Dr. Livingstone: You might be interested in a bit of news I got today: Preston Dillard's coming back. Arrives Friday on the packet.
Aunt Belle: What brings him?
Dr. Livingstone: This yellow fever business. We two stand together on what ought to be done about it. Now it's busted loose, he's coming back.
Aunt Belle: It's high time. I suspect I know Julie like nobody ever will. Every crook and cranny of her.
Dr. Livingstone: You ought to, Miss Belle. She's more like you than you ever were.
Aunt Belle: Maybe I love her most when she's her meanest, because I know that's when she's ...
See more »

Crazy Credits

The credits are blurred across the screen See more »

Connections

Referenced in Tales from the Warner Bros. Lot (2013) See more »

Soundtracks

Beautiful Dreamer
(1862) (uncredited)
Music and Lyrics by Stephen Foster
Sung and hummed by Bette Davis
See more »

Frequently Asked Questions

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User Reviews

Southern Discomfort
19 November 2005 | by LechuguillaSee all my reviews

The American South has always had an aura of sadness around it. I don't know why exactly. This film tends to reinforce that perception. Characters start off with high hopes for the future, only to succumb to some unfortunate fate, as a direct result of their Southern roots.

In pre-Civil War New Orleans, Julie Marsden (Bette Davis) is a wealthy young woman, engaged to respected banker Preston Dillard (Henry Fonda). But Julie is strong-willed, independent, and impetuous, traits considered unwomanly by that era's Southern aristocracy. Against Preston's wishes, Julie wears a red dress, instead of the customary white, to a gala ball. This event sets up the rest of the story.

While the support cast in "Jezebel" is fine, especially Fay Bainter, the film would not be the same without Bette Davis. I just can't see anyone else in the role of Julie. Davis' performance and the film's setting are what make this film so memorable. The costumes, the production design, the cinematography, and the music combine to convey a genuine sense of the antebellum South, with its stately manners that conceal narrow-mindedness and barbaric "chivalry".

Normally, I don't care for films whose subject matter is long ago history. But "Jezebel" is an exception, because it is so well made. I guess it is the tone of the film that really got my attention. The stately beauty of that time and place masks an underlying sadness, as a prelude to tragedy. Some might call it melodrama. But to me, that's just good drama.


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