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Jezebel (1938)

Approved | | Drama, Romance | 26 March 1938 (USA)
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In 1850s Louisiana, a free-spirited Southern belle loses her fiancé due to her stubborn vanity and pride, and vows to win him back.

Director:

William Wyler

Writers:

Clements Ripley (screen play), Abem Finkel (screen play) | 2 more credits »
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Won 2 Oscars. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bette Davis ... Julie Marsden
Henry Fonda ... Preston Dillard
George Brent ... Buck Cantrell
Margaret Lindsay ... Amy Bradford Dillard
Donald Crisp ... Dr. Livingstone
Fay Bainter ... Aunt Belle Massey
Richard Cromwell ... Ted Dillard
Henry O'Neill ... General Theopholus Bogardus
Spring Byington ... Mrs. Kendrick
John Litel ... Jean La Cour
Gordon Oliver ... Dick Allen
Janet Shaw ... Molly Allen
Theresa Harris ... Zette
Margaret Early ... Stephanie Kendrick
Irving Pichel ... Huger
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Storyline

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

You can almost hear the beat of her strange wild heart...as the screen's greatest actress, in her greatest role, thrillingly portrays this dangerous daughter of Dixie...half angel, half siren-all woman! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French

Release Date:

26 March 1938 (USA) See more »

Also Known As:

Jezabel See more »

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Box Office

Budget:

$1,250,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

William Wyler was torn between a contractual need to finish Henry Fonda's scenes by December and his knowledge that Bette Davis would give her best performance if he shot her role in sequence. As the film fell behind schedule, Wallis and Warner fumed that the director had spent two days on a scene with only Davis and co-star George Brent. See more »

Goofs

Preston Dillard is seen entering a street level door, then going downstairs to the gentlemen's bar. New Orleans has a notoriously high water table, so buildings would not have had basements or lower levels. See more »

Quotes

[first lines]
Buck Cantrell: [to cabby] Boy, stop here.
[to Dick]
Buck Cantrell: Might as well get us a bottle.
Dick Allen: Julie'll have plenty to drink at the ball.
Buck Cantrell: Yes, pardon Dick - always messed up with cherries n' such. Come on.
[to cabby]
Buck Cantrell: Wait right here.
Driver: Yes sir, Mr. Cantrell sir.
[Buck and Dick enter the St. Louis Hotel]
See more »

Crazy Credits

The credits are blurred across the screen See more »

Alternate Versions

Also available in a computer colorized version. See more »

Connections

Featured in P.S. I Love You (2007) See more »

Soundtracks

Beautiful Dreamer
(1862) (uncredited)
Music and Lyrics by Stephen Foster
Sung and hummed by Bette Davis
See more »

Frequently Asked Questions

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User Reviews

 
Excellent Davis
21 November 2006 | by nnnn45089191See all my reviews

Bette Davis dominates the whole movie with a mesmerizing performance,which earned her a second Oscar. As the love of her life we find a young and handsome Henry Fonda.Davis,who sometimes overacted gloriously, is kept more subdued by master director William Wyler. Her performance is the better for it.George Brent,playing the other male lead, has rarely been better.As the southerner unable to change his obsolete ways,he's a marvel.The musical score by Max Steiner is one of his best and adds to the brilliant depiction of a bygone era. Depiction of African-Americans in movies from this era are often very racist, but I found some scenes were they were portrayed more sympathetic than in other movies of the thirties. Jezebel is one of the best movies I have seen with Bette Davis.


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