Jezebel (1938)

In 1850s Louisiana, a free-spirited Southern belle loses her fiancé due to her stubborn vanity and pride, and vows to win him back.

Director:

William Wyler

Writers:

Clements Ripley (screen play), Abem Finkel (screen play)

Stars:

Bette Davis, Henry Fonda, George Brent

Won 2 Oscars. Another 3 wins & 4 nominations.

Cast

Cast overview, first billed only:
Bette Davis	...	Julie Marsden
Henry Fonda	...	Preston Dillard
George Brent	...	Buck Cantrell
Margaret Lindsay	...	Amy Bradford Dillard
Donald Crisp	...	Dr. Livingstone
Fay Bainter	...	Aunt Belle Massey
Richard Cromwell	...	Ted Dillard
Henry O'Neill	...	General Theopholus Bogardus
Spring Byington	...	Mrs. Kendrick
John Litel	...	Jean La Cour
Gordon Oliver	...	Dick Allen
Janet Shaw	...	Molly Allen
Theresa Harris	...	Zette
Margaret Early	...	Stephanie Kendrick
Irving Pichel	...	Huger

Storyline

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.

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Plot Keywords:

based on play | southern belle | american civil war | 19th century | 1850s | 

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Taglines:

No one could forget the girl with the sweetest lips in Dixie...and the wickedest heart in all the world!

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Genres:

Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English French

Release Date:

26 March 1938 (USA)

Also Known As:

Jezabel

Filming Locations:

Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, California, USA

Box Office

Budget:

$1,250,000 (estimated)

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

104 min (TCM print)

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

In order to minimize the impact of potentially going over budget (as this film did), director William Wyler shot all of the most expensive scenes first.

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Goofs

In the scene in which Julie is sewing her dress she hums "Beautiful Dreamer". The story takes place 1852-53 and "Beautiful Dreamer" wasn't written until 1864.

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Quotes

Aunt Belle: Pres has always loved you in white. If he isn't simply bowled over by it, I won't know what to think.
Julie: [speaking to an assistant who carries off a red dress] Wait a minute. Bring that over here. Saucy, isn't it?
Aunt Belle: And vulgar!
Julie: Yes, isn't it? Come on, get me out of this.
Aunt Belle: Julie, what are you doing?
Julie: If it fits me, I'm gonna wear it to the Olympus Ball.
Aunt Belle: A red dress to the Olympus Ball? Why, you're out of your senses.
Julie: ...Mary Vickers couldn't possibly do it justice.
Aunt Belle: Child, you're out of your mind. You ...
[...]

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Crazy Credits

The credits are blurred across the screen

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Alternate Versions

Also available in a computer colorized version.

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Connections

Spoofed in Fletch Lives (1989)

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Soundtracks

Beautiful Dreamer
(1862) (uncredited)
Music and Lyrics by Stephen Foster
Sung and hummed by Bette Davis

User Reviews

"1852, we're in 1852 darling, not the dark ages"

Jezebel was Bette Davis's consolation prize for losing the Scarlett O'Hara sweepstakes. Considering the sacrifice that the title character makes in this film, it is fitting and proper that Davis got this role because she could have had Scarlett, but she wouldn't make Gone With the Wind if it included Errol Flynn as Rhett Butler.

Julie Marsden is as willful and and spiteful a southern belle as Scarlett O'Hara ever could be. But Scarlett would never deliberately violate the code the way Julie does and wear that red dress to a cotillion. Just simply not done in the best families.

Bette Davis is Julie and while she's going to be married to the very proper Henry Fonda, she likes the idea that she can still turn the head of every young blade in New Orleans. Especially George Brent's head as the dashing Buck Cantrell.

When Fonda doesn't jump at her beck and call he prefers doing business to catering to her whims she decides on a daring move. This is a woman who cannot stand not being the center of attention. She wears a red dress to a cotillion when polite society dictates that all the unmarried young ladies wear white. When she does, New Orleans society shuns her as effectively as the Amish can and Davis retreats to her plantation upriver.

Fonda goes north and returns after a while to New Orleans with Margaret Lindsay who he is now married to. An insult our southern belle won't put up with. Davis sets in motion a string of events that results in a lot of tragedy.

I have to say that just a description of the plot seems a bit ridiculous at times, but Bette Davis does make this whole thing quite believable. She won her second Oscar for Best Actress in this film and as her aunt who occasionally gives her a reality check every now and then Fay Bainter was named Best Supporting Actress of 1938.

Fonda and Brent are fine in their parts, but they are in support of Bette Davis in a Bette Davis film. Another performance I liked is that of Donald Crisp as the doctor who fights a lot of prejudice and ignorance in New Orleans in trying to deal with yellow fever.

Looming over all of the film is the knowledge we have that this society will come crashing down in another eight years or so in events so well told in Gone With the Wind. This film should be seen back to back with Gone With the Wind as a view of southern society.

This was Bette Davis's first film with director William Wyler who she admired above all other directors. Davis was not generous with praise for colleagues so any kind words towards one are really something. Apparently Wyler did have the magic touch in handling Bette.

Jezebel is one of Bette Davis's finest films, maybe not the finest, but definitely right up there. Unlike Davis's first Oscar for Dangerous which she said was a consolation for not winning for Of Human Bondage, this one she was proud of. And we're proud of it too.