Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.Written by
You can almost hear the beat of her strange wild heart...as the screen's greatest actress, in her greatest role, thrillingly portrays this dangerous daughter of Dixie...half angel, half siren-all woman! See more »
William Wyler was torn between a contractual need to finish Henry Fonda's scenes by December and his knowledge that Bette Davis would give her best performance if he shot her role in sequence. As the film fell behind schedule, Wallis and Warner fumed that the director had spent two days on a scene with only Davis and co-star George Brent. See more »
Preston Dillard is seen entering a street level door, then going downstairs to the gentlemen's bar. New Orleans has a notoriously high water table, so buildings would not have had basements or lower levels. See more »
Boy, stop here.
Might as well get us a bottle.
Julie'll have plenty to drink at the ball.
Yes, pardon Dick - always messed up with cherries n' such. Come on.
Wait right here.
Yes sir, Mr. Cantrell sir.
[Buck and Dick enter the St. Louis Hotel]
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The credits are blurred across the screen See more »
Also available in a computer colorized version. See more »
Bette Davis dominates the whole movie with a mesmerizing performance,which earned her a second Oscar. As the love of her life we find a young and handsome Henry Fonda.Davis,who sometimes overacted gloriously, is kept more subdued by master director William Wyler. Her performance is the better for it.George Brent,playing the other male lead, has rarely been better.As the southerner unable to change his obsolete ways,he's a marvel.The musical score by Max Steiner is one of his best and adds to the brilliant depiction of a bygone era. Depiction of African-Americans in movies from this era are often very racist, but I found some scenes were they were portrayed more sympathetic than in other movies of the thirties. Jezebel is one of the best movies I have seen with Bette Davis.
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