When a plague devastated life on Earth, the population died or became a sort of zombie living in the dark. Dr. Robert Morgan is the unique healthy survivor on the planet, having a routine life for his own survival: he kills the night creatures along the day and maintains the safety of his house, to be protected along the night. He misses his beloved wife and daughter, consumed by the outbreak, and he fights against his loneliness to maintain mentally sane. When Dr. Morgan finds the contaminated Ruth Collins, he uses his blood to heal her and he becomes the last hope on Earth to help the other contaminated survivors. But the order of this new society is scary.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To more accurately show how grueling it was for his character to survive, Vincent Price insisted on lifting real people into the back of his car instead of dummies. This is why it seems he's taking extra care with the bodies. For the scene at the pit, however, he's handling dummies for obvious reasons. See more »
The first station wagon Morgan has (a Chevy) turns into a Ford (look for the 4 headlights) and back to the Chevy (2 headlights). He eventually ends up with the Ford after the zombies wreck the Chevy. See more »
There are at least two versions of this movie in common release. The Diamond DVD release version and second one, that has been shown at least once on TBS late morning in 1993/4. The aforementioned baby scene has some minor closing dialog to be a bit more faithful to Richard Matheson's intentions with his novel's ending. Depending on if the ending is trimmed or not, another edit may exist in the opening credits. A bizarre inclusion of a grey box that obscures some of the copyright credits. See more »
Seems like a great film ...but for all the wrong reasons?
I like this film, and definitely associate it with my childhood, via the inside cover of an old issue of Famous Monsters that pictured a vampire arm groping around the door for Vincent Price. I gazed at that photo as the magazine wore out, for years before I actually got to see the film.
Vincent Price is always good to see. But as he is not a terribly physical actor, he looks awkward doing some of the things he is called on to do here, like dragging a body to the edge of a pit and heaving it in, pounding a stake into a vampire heart, or hurling a mirror across the room in disgust and despair. Not standing about with cocktail in hand, dressed to the nines and oozing wicked sophistication, he looks about as out of place as Cary Grant would setting a trash can out at the curb.
I ask, in the title of this review, if we like this film "for all the wrong reasons" because, inescapably, I find it pitched at a sort of self-pity, tapping into the allure of images of yourself alone at the center of the human universe, of satisfied contemplation of the stupid folly of Man the Scientist, the Politician, the Warrior, that will bring the end of his own species. --In a word, it seems to inhabit a place that is the near-exclusive province of the truly isolated, disaffected and fantasy-prone adolescent.
Being aware of this demographic skew doesn't invalidate the real and strong emotional place the film creates and enables anybody else to inhabit. But I do wonder about the effusive, near-idolatrous over-analysis this film has been known to elicit. I think it would be a pity if, through the growing cult of this film, we come to be less moved by horror --the whole precept on which Matheson's novel and the film are based-- than seduced by the film's image of post-apocalyptic solitude, which can lapse into full-blown gloating misanthropy with just a slight nudge.
I find Last Man oppressively tragic and sobering and depressing-- and always, always utterly absorbing. Even tenth time watched, it feels like you are watching your own funeral, listening to nothing less than taps being sounded for your own species. This is, not to be too glib, the films greatest strength AND weakness.
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