After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform.After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform.After investigating a mysterious transmission of unknown origin, the crew of a commercial spacecraft encounters a deadly lifeform.
- Won 1 Oscar
- 19 wins & 22 nominations total
Summary
Featured reviews
What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.
Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.
The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.
As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.
The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.
This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.
All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.
The facehugger terrified me as a kid.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
I feel that this part is inspired by Bava's Planet of the Vampires.
The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.
This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.
But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
The dark, cold beauty of this film will never be equaled.
Storyline
Did you know
- TriviaAccording to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
- Goofs(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
- Quotes
[last lines]
Ripley: Final report of the commercial starship Nostromo, third officer reporting. The other members of the crew - Kane, Lambert, Parker, Brett, Ash, and Captain Dallas - are dead. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off.
[to Jonesy the cat]
Ripley: Come on, cat.
- Crazy creditsThe title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
- Alternate versionsThe 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
- ConnectionsEdited into Star Trek: The Next Generation: Datalore (1988)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Alien, el octavo pasajero
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $84,206,106
- Opening weekend US & Canada
- $3,527,881
- May 28, 1979
- Gross worldwide
- $109,102,567
- Runtime1 hour 57 minutes
- Color
- Aspect ratio
- 2.39 : 1