After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
Yaphet Kotto was sent a script, off the back of his recent success with Live and Let Die (1973), although it took some time and deliberation between Kotto and his agent, before he was offered the part. See more »
The ship's computer, "Mother", deciphers the signal from the derelict ship and determines it to be a warning. Accepting that the crew was deliberately put into the path of the beacon by Weyland-Yutani, not to mention the events of the film's prequels, gives the company decades, possibly, to have deciphered the true nature of the signal despite it being of alien origin. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Other changes in the Director's Cut: As in the Theatrical Version, Brett stops in the the landing strut chamber to wet his face during the sequence where he is searching for Jones the cat. In the Directors Cut, we see a shot looking up at the landing strut with the Alien rather unexpectedly in the foreground, head bowed, swaying from side to side. Another change concerning Jones the cat: when Ripley encounters the Alien in the corridor having just set the self-destruct sequence, instead of the Alien looking curiously at Jones in his cat box, it gives him a brief glance before violently swatting the box aside. (This explains why in both versions of the film the cat box is flipped on its side and not where Ripley left it when she returns to collect Jones.) See more »
The beginning of one of the greatest series of all time. This film will always remain a classic. It's scary, influential and insanely entertaining. Not just that but Ridley Scott actually has a great sense of style and mood and he plays with that a lot, to make us shiver. There's also an interesting mystery surrounding the Alien which we know practically nothing about. Sigourney Weaver is just as powerful as usual and really brings strength to the film; they make one. Last but not least, the musical score. Wow! It's fantastic. I think the Alien series is known for that aspect as well. Let's hope they'll continue the series and dang we need it all on DVD !
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