After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible robot is sent from 2029 to 1984 to assassinate a young waitress, whose unborn son will lead humanity in a war against sentient machines, while a human soldier from the same war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
Ridley Scott credits Warren Beatty with the discovery of Sigourney Weaver. Apparently he had just seen her onstage and recommended her wholeheartedly to producer David Giler. See more »
(at around 8 mins) When Dallas is first entering Mother, as he passes through the last doorway... when he is seen outside the door, one of the lights on the door-frame is burned out (on his left) but in the next shot, it is lit. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
See more »
The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
In April of 2019 Ridley Scott re-released Alien in 4K HDR for both the Theatrical version and the Director's Cut. The biggest changes to the film made were to the Director's Cut. The Cocoon scene with Dallas was omitted, along with various cuts and additional scenes added in for pacing purposes. For example, the new Directors cut includes the Dallas with Mother scene in which Dallas is informed of his fate which was not in the original 2003 Director's Cut.. Since the re-release of Alien in 4K it has been unclear why Scott continued to market this cut as the "2003" version when in fact it should be labeled on the cover as the "2019" Directors Cut considering the gross amount of previous scenes omitted from the '03 version and the changes made in the new cut. See more »
Three words perfectly describe ALIEN: Long, dark and ominous.
You know you're in for a good time when even the opening title gives you a shiver. The music plays perfectly as the word 'ALIEN' slowly appears, line by line. Then there are the establishing shots of the ship; poorly maintained, claustrophobic.
And then there's basically forty minutes of people in a ship pondering and eating and getting along (or not). The film has one little thing that allows it to draw you along so slowly - a promise. A promise made by the advertisements and hype that this was going to kick your ass. You just had to wait.
But when it happens, it happens. Though the film doesn't speed up per se, there's a lot more happening in front of the screen to make it at least look like stuff's going on. The first half crawls almost depressingly, but the second half catches your eye and refuses to let go.
I suggest everyone sees this film. Even if you skip through the beginning, you need to see this. It defined sci-fi and horror all in one.
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