After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.Written by
Jean-Marc Rocher and Nina <firstname.lastname@example.org><email@example.com>
As Phillip leaves his room to go to supper you hear the house start to rumble and it shows the hallway shaking,you can tell that this is done by having the camera moved around as the candles and other miscellaneous items in the hall don't move at all. See more »
Madeline and I are like figures of fine glass. The slightest touch and we may shatter. Both of us suffer from a morbid acuteness of the senses. Mine is the worst for having existed the longer, but both of us are afflicted with it. Any sort of food more exotic then the most pallid mash is unendurable to my taste buds. Any sort of garment other then the softest, is agony to my flesh. My eyes are tormented by all but the faintest illumination. Odors assail me constantly, and as I've said, sounds ...
See more »
A new version premiered on August 6, 2010 at the Prospect Park Bandshell in Brooklyn, New York, with a live score by Marco Benevento commissioned by BRIC / Arts / Media / Bklyn. This version, presented on DVD, featured numerous psychedelic overlays and superimposed and inserted flash-forwards, including an early appearance of the famous blood-covered hands shot and other moments from the climax earlier in the film. See more »
A Gothic classic and one of Roger Corman's best films.
Corman's first Poe film (out of eight) is one of the best adaptations of the familiar story (rivaled only by French director Jean Epstein's superb, yet completely different, 1928 version) and was a critical and commercial success in its day on a meager $125,000 budget. Vincent Price is superb as Roderick Usher, an eternally tortured soul who lives in a crumbling castle with his sister Madeline (Myrna Fahey) and faithful butler Bristol (nicely etched by Harry Ellerbe). When Philip Winthrop (bland Mark Damon) shows up to take Madeline away, Roderick's incestuous feelings come to surface and the terror begins. Highlights include Damon's colorful nightmare sequence and Price's explanation of the Usher family history.
HOUSE OF USHER is intelligent, subtle and effective, with good sets and costumes and excellent work from scripter Richard Matheson, composer Les Baxter, cameraman Floyd Crosby and art director Daniel Haller--all united by Corman's smart, stylish, fluent direction. Truly deserving of it's reputation as horror classic.
29 of 33 people found this review helpful.
Was this review helpful to you?
| Report this