Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Director:
Joseph Kosinski
Stars:
Jeff Bridges,
Garrett Hedlund,
Olivia Wilde
A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time.
Director:
Mike Newell
Stars:
Jake Gyllenhaal,
Gemma Arterton,
Ben Kingsley
The ancient war between humans and a race of giants is reignited when Jack, a young farmhand fighting for a kingdom and the love of a princess, opens a gateway between the two worlds.
Director:
Bryan Singer
Stars:
Nicholas Hoult,
Stanley Tucci,
Ewan McGregor
Aliens and their Guardians are hiding on Earth from intergalactic bounty hunters. They can only be killed in numerical order, and Number Four is next on the list. This is his story.
Director:
D.J. Caruso
Stars:
Alex Pettyfer,
Timothy Olyphant,
Dianna Agron
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Recall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Director:
Len Wiseman
Stars:
Colin Farrell,
Bokeem Woodbine,
Bryan Cranston
Hansel & Gretel are bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
Director:
Tommy Wirkola
Stars:
Jeremy Renner,
Gemma Arterton,
Peter Stormare
Perseus braves the treacherous underworld to rescue his father, Zeus, captured by his son, Ares, and brother Hades who unleash the ancient Titans upon the world.
Director:
Jonathan Liebesman
Stars:
Sam Worthington,
Liam Neeson,
Rosamund Pike
A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys and natives are all that stand in their way.
Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.
John Carter, a Civil War veteran, who in 1868 was trying to live a normal life, is "asked" by the Army to join, but he refuses so he is locked up. He escapes, and is pursued. Eventually they run into some Indians, and there's a gunfight. Carter seeks refuge in a cave. While there, he encounters someone who is holding some kind of medallion. When Carter touches it, he finds himself in a place where he can leap incredible heights, among other things. He later encounters beings he has never seen before. He meets a woman who helps him to discover that he is on Mars, and he learns there's some kind of unrest going on.Written by
rcs0411@yahoo.com
Disney's head of marketing during the production was MT Carney, an industry outsider who previously ran a marketing boutique in New York. See more »
Goofs
When John Carter is trying to pull the chain out of the rock in the arena, the ring fastening the chain has an obvious gap for him to unhook it easily. The gap disappears in the next shot. See more »
Quotes
Tars Tarkas:
[shouting to his men as Carter points the weapon at Tarkas]
[subtitled]
Tars Tarkas:
Don't shoot it! Don't shoot it! Don't shoot it!
[as Tarkas lunges himself onto Carter, one of his soldiers shoots Carter in the butt, after which Tarkas takes him prisoner, straps him to one of their alien horse creatures, along with some Thark hatchlings]
John Carter:
[shouting]
What is this place? Where am I?
Tars Tarkas:
[subtitled]
Virginia. It's okay, just relax.
John Carter:
Where's my damn gold?
Young Thark Warrior:
[...] See more »
Crazy Credits
The Disney castle logo at the beginning and end is tinted a deep blood red. See more »
I am a man of obsessions. For months, a movie I hadn't seen was the thing. Not Peter Jackson's THE HOBBIT, not Joss Whedon's THE AVENGERS, not even the upcoming Sam Mendes directed James Bond movie SKYFALL (which I'm excited about but it hasn't really sunk its hooks into me yet)...
No, it was Andrew Stanton's JOHN CARTER.
My excitement was not the universal feeling. Disney advertising had dropped the ball and the trailers seemed lackluster to most. Yet something within directed me toward it like a compass points to True North. There was something special about it, something just out of view in the trailers that wouldn't let me go. I trust my obsessions, always, but at some point I got to feeling a bit exhausted and just wanted to know if I was right or maybe a total loon.
I've now been to two advance screenings of JOHN CARTER.
And? Holy Living Thark! The bar on science fiction and fantasy movies has Officially Been Raised.
JOHN CARTER is based on Edgar Rice Burroughs' A Princess of Mars --a novel first published a century ago. I expected to come out of the movie with my head full of comparisons to all the things Burroughs' imagination inspired: STAR WARS, AVATAR, FLASH GORDON, etc. Understandably so, as I'm much more familiar with all of them. That didn't happen. Put simply, if STAR WARS is a kids' science fiction movie franchise that adults enjoy (and it is), then JOHN CARTER is an adult science fiction movie that kids will enjoy.
CARTER is such an immersing experience. Every moment reveals something new about Mars; about the exotic alien races and cultures that call it home, or about their individual characters. James Cameron's AVATAR showed us a world we've never seen before and it was wondrous to behold, but Andrew Stanton's JOHN CARTER is a movie so rich with detail that it left me feeling like I had been somewhere. JOHN CARTER feels like nothing so much than as if David Lean had made a science fiction epic of love and war set on Mars.
This movie has a confidence to it you won't be expecting. It's unafraid to linger over the characters, and give them time to breathe and reveal themselves. My favorite decade for movies is the 1960s, and JOHN CARTER has some of the epic adventure movies of that time running through it like a seam of gold. There's a bit of LAWRENCE OF ARABIA in there as I alluded to before, and perhaps a touch of ZULU and SPARTACUS is mixed in with the Martian airships and predator cities. Old fashioned storytelling magic and 21st century movie sorcery have combined into a film that's a pulp sci-fi masterpiece.
To the ERB faithful: please relax. Yes, there are changes from the novel; no, they are not the arbitrary changes made in inferior movie adaptations where the filmmaker just wants to do his/her own ideas. Every change is made to tell Burroughs' story or reveal some aspect of Burroughs' characters in a way more befitting a movie instead of a novel.
Going into this, I had absurdly high expectations. A friend of mine told me he was worried the movie wouldn't live up to them and that frankly I was starting to sound a little crazy. Well, the movie went and exceeded my expectations. I love it, and give it a 10/10. I'm definitely going to see it at least six times in the theater, and will finally buy a Blu-Ray player just to watch it at home.
I realize this review sounds over the top. That's just how excited I am about the movie. Perhaps in a previous life I was an ancient Greek by the name of Hyperboles? Anyway, see the movie. I guarantee that even if you don't like it as much as I did, you'll see where I was coming from with this gushing review.
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I am a man of obsessions. For months, a movie I hadn't seen was the thing. Not Peter Jackson's THE HOBBIT, not Joss Whedon's THE AVENGERS, not even the upcoming Sam Mendes directed James Bond movie SKYFALL (which I'm excited about but it hasn't really sunk its hooks into me yet)...
No, it was Andrew Stanton's JOHN CARTER.
My excitement was not the universal feeling. Disney advertising had dropped the ball and the trailers seemed lackluster to most. Yet something within directed me toward it like a compass points to True North. There was something special about it, something just out of view in the trailers that wouldn't let me go. I trust my obsessions, always, but at some point I got to feeling a bit exhausted and just wanted to know if I was right or maybe a total loon.
I've now been to two advance screenings of JOHN CARTER.
And? Holy Living Thark! The bar on science fiction and fantasy movies has Officially Been Raised.
JOHN CARTER is based on Edgar Rice Burroughs' A Princess of Mars --a novel first published a century ago. I expected to come out of the movie with my head full of comparisons to all the things Burroughs' imagination inspired: STAR WARS, AVATAR, FLASH GORDON, etc. Understandably so, as I'm much more familiar with all of them. That didn't happen. Put simply, if STAR WARS is a kids' science fiction movie franchise that adults enjoy (and it is), then JOHN CARTER is an adult science fiction movie that kids will enjoy.
CARTER is such an immersing experience. Every moment reveals something new about Mars; about the exotic alien races and cultures that call it home, or about their individual characters. James Cameron's AVATAR showed us a world we've never seen before and it was wondrous to behold, but Andrew Stanton's JOHN CARTER is a movie so rich with detail that it left me feeling like I had been somewhere. JOHN CARTER feels like nothing so much than as if David Lean had made a science fiction epic of love and war set on Mars.
This movie has a confidence to it you won't be expecting. It's unafraid to linger over the characters, and give them time to breathe and reveal themselves. My favorite decade for movies is the 1960s, and JOHN CARTER has some of the epic adventure movies of that time running through it like a seam of gold. There's a bit of LAWRENCE OF ARABIA in there as I alluded to before, and perhaps a touch of ZULU and SPARTACUS is mixed in with the Martian airships and predator cities. Old fashioned storytelling magic and 21st century movie sorcery have combined into a film that's a pulp sci-fi masterpiece.
To the ERB faithful: please relax. Yes, there are changes from the novel; no, they are not the arbitrary changes made in inferior movie adaptations where the filmmaker just wants to do his/her own ideas. Every change is made to tell Burroughs' story or reveal some aspect of Burroughs' characters in a way more befitting a movie instead of a novel.
Going into this, I had absurdly high expectations. A friend of mine told me he was worried the movie wouldn't live up to them and that frankly I was starting to sound a little crazy. Well, the movie went and exceeded my expectations. I love it, and give it a 10/10. I'm definitely going to see it at least six times in the theater, and will finally buy a Blu-Ray player just to watch it at home.
I realize this review sounds over the top. That's just how excited I am about the movie. Perhaps in a previous life I was an ancient Greek by the name of Hyperboles? Anyway, see the movie. I guarantee that even if you don't like it as much as I did, you'll see where I was coming from with this gushing review.