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Tales of Terror (1962)

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Three tales of terror involve a grieving widower and the daughter he abandoned; a drunkard and his wife's black cat; and a hypnotist who prolongs the moment of a man's death.

Director:

Roger Corman

Writers:

Richard Matheson (screenplay), Edgar Allan Poe (based on the stories by)
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2 nominations. See more awards »

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Cast

Complete credited cast:
Vincent Price ... Locke / Fortunato Luchresi / Ernest Valdemar
Maggie Pierce ... Lenora (segment "Morella")
Leona Gage ... Morella (segment "Morella")
Peter Lorre ... Montresor (segment "The Black Cat")
Joyce Jameson ... Annabel (segment "The Black Cat")
Basil Rathbone ... Carmichael (segment "The Case of M. Valdemar")
Debra Paget ... Helene (segment "The Case of M. Valdemar")
David Frankham David Frankham ... Dr. James (segment "The Case of M. Valdemar")
Lennie Weinrib Lennie Weinrib ... Policeman (segment "The Black Cat")
Wally Campo Wally Campo ... Barman Wilkins (segment "The Black Cat")
Alan DeWitt Alan DeWitt ... Chairman of Wine Society (segment "The Black Cat") (as Alan DeWit)
John Hackett John Hackett ... Policeman (segment "The Black Cat")
Edmund Cobb ... Driver (segment "Morella") (as Ed Cobb)
Scott Brown Scott Brown ... Servant (segment "The Case of M. Valdemar")
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Storyline

Three stories adapted from the work of Edgar Allen Poe. A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences. Written by David Carroll <davidc@atom.ansto.gov.au>

Plot Summary | Add Synopsis

Taglines:

A Trilogy of Shock and Horror!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM Studios [United States]

Country:

USA

Language:

English

Release Date:

18 December 1962 (Italy) See more »

Also Known As:

Edgar Allan Poe's Tales of Terror See more »

Filming Locations:

Virginia, USA

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Box Office

Gross USA:

$1,500,000, 31 December 1962
See more on IMDbPro »

Company Credits

Production Co:

Alta Vista Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Pathé Colour)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The adaptation of Edgar Allan Poe's "The Black Cat" also incorporates elements of Poe's "The Cask of Amontillado". See more »

Goofs

When Morella takes control of Lenora's body, as Vincent Price walks up the last time before the reveal, you can see a red backstage light in the "window." See more »

Quotes

[first lines]
Driver: Ma'am, I have to get back to Boston.
See more »

Connections

Version of The Black Cat (1941) See more »

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User Reviews

 
None to shabby mix of horror and comedy starring the legendary Vincent Price!
25 April 2004 | by Snake-666See all my reviews

Roger Corman presents this horror anthology based on three stories by Edgar Allen Poe, where all three segments are introduced by and star Vincent Price.

‘Tales of Terror' is a movie which generally is hard to accept as a serious horror film, but fun when considered as a camp and kooky entry into the genre. Vincent Price is excellent in all three of his fairly contrasting roles and one could certainly see this film as a major piece of evidence when attempting to ascertain just how great and diverse a performer the late Mr. Price actually was. Roger Corman's directorial lavishness served to give the entire a movie a certain air of pomposity that lacked from some of his previous efforts and the varying directorial styles that Corman utilised throughout the film are the most prominent reason for the enjoyability of the movie.

In the first segment, entitled ‘Morella', Vincent Price stars as Locke, a man traumatised to the point of insanity following the death of his wife (Leona Gage). Locke blames the early passing of his wife solely on his daughter Lenora (Maggie Pierce) and is therefore unimpressed and enraged when she shows up at his door twenty-six years since he last saw her. However, the relationship between the two starts to grow strong, before events take a horrifying turn. Easily the most solemn and horrific of the three stories, ‘Morella' is unfortunately too short a segment for one to really enjoy the production. It seems that Corman preferred to concentrate the majority of the segment solely on the relationship between Lenora and her father, thus leaving the ending scenes looking rushed and the viewer to feel rather unsatisfied. That is not to say the story itself is not entertaining, it just does not appear to have fulfilled its potential. Good performances, some magnificent (albeit brief) haunting scenarios and a frightful image of a decomposed corpse are the highlights to this segment and certainly help to save it from the problems with pacing.

The following segment is far more corny and amusing. Entitled ‘The Black Cat', this story follows the drunk, cat-hating Montressor (Peter Lorre) who during one of his less sober moments, challenges Vincent Price's wine-critic character of Fortunato to a wine-tasting contest and shortly Montressor begins to wish the two had never met. This segment seems so far removed from the opening segment that one could be forgiven for thinking they were watching a different movie. ‘The Black Cat' takes a far more light-hearted tone as the entire segment is laced with camp humour – particularly the facial expressions and general mannerisms of Vincent Price during the wine-tasting contest. This is a far more extravagant Vincent than we had previously seen. Despite one or two dramatic moments of tension and suspense, the segment never really sends any chills down the spine and is quite obviously present mainly for comedy value. It is in this story that Corman primarily chooses to utilise camera effects and visual trickery to set the mood, which is usually to enhance the humorous aspects of the film, such as during the wine-tasting contest where the effects are obviously used to show the increasing state of Montressor's intoxication. Even a hallucinatory sequence where Vincent Price's character plays with a severed head has an undeniable camp, comic charm. All in all, this segment is fun but far from truly horrifying.

The final segment, called ‘The Facts in the Case of M. Valdemar', stars Vincent Price as a terminally ill man receiving pain relief through a form of hypnosis. Valdemar (Price) agrees to be hypnotised at the point of death by Carmichael (Basil Rathbone), much to the dismay and disgust of Valdemar's wife (Debra Paget) and physician Elliot James (David Frankham). Unlike the first segment, this one suffers by moving too slowly. Corman does an excellent job of building the tension where required, but he seems to take a rather lethargic approach to moving the story along. Performances from the entire cast were excellent and are the main positive aspect to the segment. Overall, this seems a fitting way to end the film and features one particularly gruesome scene. Just like the previous two segments, the story never really seems to fulfil its potential but can hardly be described as poor.

Generally, the film is entertaining despite the pacing problems and intermittent moments of overabundant camp humour. Horror fans should not go into this movie expecting a serious fright fest. Instead it is best to view when ready to see some great performances from Vincent Price in three rather differing types of story. Excluding a couple of scenes, one should not find anything horrifying about this film, but should find multiple amusing aspects and a jolly good time. My rating for ‘Tales of Terror' – 7/10.


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