During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.Written by
Jim Beaver <firstname.lastname@example.org>
John Ford had previously directed a silent film version of the same story, called Marked Men (1919). No prints of this films are known to be in existence. See more »
The coach car on the train in Welcome has 7 windows, no roof-walk, and the number under the windows. The car at Mojave Tanks, which is supposed to be the same, has 5 windows, a roof-walk, and the number in front of the windows. The 5-window car also has no interior, as seen through the rear door. See more »
I changed my mind several times about the merits of this often neglected Ford Western. Despite the eloquent and persuasive praises by Gallagher, McBride, and Sarris, somehow it failed to win me over. However, having seen it recently I was genuinely struck by its ravishing cinematography, beautifully shot by Winton C Hoch, who would later photograph "The Searchers". The cinematography is astonishing and this is hardly surprising since Ford was a poet of images. If you disregard the film's religious and biblical passages and focus on its visuals, it becomes an inspiring, extraordinary work. To paraphrase McBride in his book on Ford, the simplicity of the film's emotion and sentiment is balanced by the sophistication of its visual style. For this reason, I think it is one of Ford's masterworks, but it is not for everybody.
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