Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.Written by
John Vogel <email@example.com>
The MPAA originally gave this film an "R" rating due to strong language. It was reduced to "PG" on an appeal (the PG-13 rating did not exist at the time), an achievement often repeated by James L. Brooks on his later films. See more »
When Emma is standing outside the restaurant in front of the Statue of Liberty, the area behind her is obviously a set, as the city background is very distorted from what a background in the city would really look like. See more »
I'm thinking about my identity, and not having one anymore. I mean, who am I, if I'm not the man who's failing Emma?
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MacLaine's best performance; ditto Winger & ensemble; Classic Nicholson - an excellent dramedy
TERMS OF ENDEARMENT (1983) **** Shirley MacLaine, Jack Nicholson, Debra Winger, Jeff Daniels, John Lithgow, Danny De Vito. Wonderful serio-comedy about a strong-willed and independent woman (MacLaine in top form) and her only daughter a strong, yet indifferent and directionless free-spirit (Winger, nominated for Best Actress, excellent) with a penchant for a husband with a straying soul (Daniels also great). Winner of 5 Oscars including Best Actress (MacLaine), Supporting Actor (Nicholson in a gleefully unkempt performance and the film's stranglehold on having a good time), Screenplay (adapted from Larry McMurtry's novel), Director (James L. Brooks who also adapted the screenplay) and Best Picture. Best scenes: Nicholson's blind date with an uptight MacLaine and MacLaine's heartache in getting her daughter morphine in a hospital.
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