Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.Written by
Stewart M. Clamen <firstname.lastname@example.org>
Originally bought by Fox as a vehicle for Betty Grable. After the success of Niagara (1953) (which featured Marilyn Monroe), however, the studio believed they had a more potent and far less expensive sex symbol than Grable (who was earning around $150,000 per picture vs. Monroe's $18,000). See more »
As Dorothy and Lorelei walk to their dressing room after the "Two Little Girls From Little Rock" number, Lorelei removes her hat with her right hand. When they enter the dressing room, Lorelei's hat is in her left hand. See more »
[trying to have a serious talk with Lorelei, but she is bouncing up and down on the bed]
Dear... dear... dear, stop that! It's most distracting.
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Howard Hawks tackles a Broadway show and Marilyn Monroe.
As a demonstration of Hawks' versatility, this picture stands out. It's anything but a faithful adaptation of the Anita Loos story, but in Hawks skilled hands, it's as delightful and silly as his best screwball comedies, and an evocative example of the sexpot exploitation prominent in it's day. Monroe and Russell complement each other nicely as glamour babes beyond belief. The flamboyant musical numbers are deliriously fetishistic and there are some particularly hilarious bits involving a hoarse-voiced little boy and a dirty old man. Sensationally staged and provocatively primitive.
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