After exploring “The Civil War,” “Baseball” and “Country Music,” award-winning documentarian Ken Burns and his frequent collaborator Lynn Novick examined the importance of being Ernest Hemingway in their three-part PBS documentary “Hemingway.” Premiering in April to strong reviews and Emmys buzz, the series weaves Papa’s biography with excerpts from his fiction, non-fiction, and personal correspondence. The series also reviews the mythology around the larger-than-life Hemingway, who penned such classic novels as “The Sun Also Rises,” “A Farewell to Arms,” “For Whom the Bell Tolls” and “The Old Man and the Sea,” to reveal the truth behind the bravado.
Feature film adaptations of Hemingway’s works had mixed results. Hemingway Bff Gary Cooper excelled in 1932’s “A Farewell to Arms” and 1943’s “For Whom the Bell Tolls,” receiving an Oscar nomination for the latter. John Garfield gave one of his strongest performance in 1950’s superb noir “The Breaking Point,” based...
Feature film adaptations of Hemingway’s works had mixed results. Hemingway Bff Gary Cooper excelled in 1932’s “A Farewell to Arms” and 1943’s “For Whom the Bell Tolls,” receiving an Oscar nomination for the latter. John Garfield gave one of his strongest performance in 1950’s superb noir “The Breaking Point,” based...
- 5/21/2021
- by Susan King
- Gold Derby
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“A British Right Stuff”
By Raymond Benson
There exists a period in the career of the great David Lean in which several of his pictures are today more or less forgotten, especially in the U.S. After the one-two double punch of Brief Encounter and Great Expectations in the mid-40s, Lean directed several pictures that were less than stellar in terms of popularity and critical acclaim before he hit a spectacular stride with Hobson’s Choice, Summertime, and The Bridge on the River Kwai in the mid-50s.
Nestled neatly in this middle period is The Sound Barrier (titled Breaking the Sound Barrier in the U.S.), released in 1952. Despite doing very decent box office on both sides of the Atlantic, the film isn’t one that comes to mind when considering Lean’s genius.
It's the story of how the sound barrier...
“A British Right Stuff”
By Raymond Benson
There exists a period in the career of the great David Lean in which several of his pictures are today more or less forgotten, especially in the U.S. After the one-two double punch of Brief Encounter and Great Expectations in the mid-40s, Lean directed several pictures that were less than stellar in terms of popularity and critical acclaim before he hit a spectacular stride with Hobson’s Choice, Summertime, and The Bridge on the River Kwai in the mid-50s.
Nestled neatly in this middle period is The Sound Barrier (titled Breaking the Sound Barrier in the U.S.), released in 1952. Despite doing very decent box office on both sides of the Atlantic, the film isn’t one that comes to mind when considering Lean’s genius.
It's the story of how the sound barrier...
- 5/12/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Joseph Losey’s fortunes as an expatriate director took an upswing with this efficient, nervous and somewhat overcooked thriller with a daunting ticking-bomb deadline story gimmick — alcoholic wreck Michael Redgrave has only twenty hours to save his son from execution for murder. Losey racks up the tension, but he doesn’t give a hoot for Ben Barzman’s whodunnit scripting. Just the same, it’s good to see the director finally gaining traction — from this point forward most every Losey picture received serious international attention.
Time Without Pity
Blu-ray
Powerhouse Indicator
1957 / B&w / 1:66 widescreen / 89 min. / Street Date October 28, 2019 / available from Powerhouse Films UK (Region Free) / £15.99
Starring: Michael Redgrave, Leo McKern, Ann Todd, Peter Cushing, Alec McCowen, Lois Maxwell, Richard Wordsworth, Joan Plowright.
Cinematography: Freddie Francis
Film Editor: Alan Osbiston
Original Music: Tristram Cary
Written by Ben Barzman from a play by Emlyn Williams
Produced by John Arnold, Leon Clore,...
Time Without Pity
Blu-ray
Powerhouse Indicator
1957 / B&w / 1:66 widescreen / 89 min. / Street Date October 28, 2019 / available from Powerhouse Films UK (Region Free) / £15.99
Starring: Michael Redgrave, Leo McKern, Ann Todd, Peter Cushing, Alec McCowen, Lois Maxwell, Richard Wordsworth, Joan Plowright.
Cinematography: Freddie Francis
Film Editor: Alan Osbiston
Original Music: Tristram Cary
Written by Ben Barzman from a play by Emlyn Williams
Produced by John Arnold, Leon Clore,...
- 10/15/2019
- by Glenn Erickson
- Trailers from Hell
Everyday Noir in Prague: a one-of-a-kind Czech/Brit coproduction teams fine British actors with the home-grown star Rudolf HruSínský, and the result is neither murder nor mayhem, but a real everyday tragedy that might happen anywhere. The bright B&w images chart an unhappy illicit romance, and a petty crime with awful consequences.
90° in the Shade
All-region Blu-ray
Powerhouse Indicator
1965 / B&w / 2:39 widescreen / 91 min. / + second version Tricet jedna ve stínu 83 min. / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Anne Heywood, James Booth, Rudolf HruSínský, Ann Todd, Sir Donald Wolfit, Jirina Jirásková, Jorga Kotrbová, Vladimír Mensík.
Cinematography: Becrich Batka
Film Editors: Jan Chaloupek, Russell Lloyd
Original Music: Ludek Hulan
Written by David Mercer story by Jirí Mucha, Jirí Weiss
Produced by Raymond Stross
Directed by Jirí Weiss
(note: a Czech friend who long ago helped me with research for Ikarie Xb-1 advised me not to even Try spelling Czech with full diacritical remarks.
90° in the Shade
All-region Blu-ray
Powerhouse Indicator
1965 / B&w / 2:39 widescreen / 91 min. / + second version Tricet jedna ve stínu 83 min. / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Anne Heywood, James Booth, Rudolf HruSínský, Ann Todd, Sir Donald Wolfit, Jirina Jirásková, Jorga Kotrbová, Vladimír Mensík.
Cinematography: Becrich Batka
Film Editors: Jan Chaloupek, Russell Lloyd
Original Music: Ludek Hulan
Written by David Mercer story by Jirí Mucha, Jirí Weiss
Produced by Raymond Stross
Directed by Jirí Weiss
(note: a Czech friend who long ago helped me with research for Ikarie Xb-1 advised me not to even Try spelling Czech with full diacritical remarks.
- 9/14/2019
- by Glenn Erickson
- Trailers from Hell
Close-Up is a feature that spotlights films now playing on Mubi. David Lean's Breaking the Sound Barrier (1952) is playing October 14 - November 13, 2017 on Mubi in the United States.John (J.R.) Ridgefield is a man possessed. The wealthy and influential aircraft industrialist is consumed by his desire to manufacture a plane capable of penetrating the inscrutable sound barrier. This supersonic obsession is a blessing and a curse for the Ridgefield family, providing their ample fortune and triggering largely latent rifts in their ancestral relations. It’s an opposition at the heart and soul of David Lean’s 1952 film The Sound Barrier, a post-war endorsement of British ingenuity and determination, and an emotional, blazing depiction of sacrifice and scientific achievement. The opening of The Sound Barrier (also known as Sound Barrier and Breaking the Sound Barrier), spotlights Philip Peel (John Justin), one of the film’s principal test pilots. In just under two minutes,...
- 10/18/2017
- MUBI
By Jeremy Carr
Alfred Hitchcock may have directed The Paradine Case, the 1947 adaptation of Robert Smythe Hichens’ 1933 novel, but the film is most clearly a David O. Selznick production. It was his coveted property, he wrote the screenplay (with contributions from Alma Reville, James Bridie, and an uncredited Ben Hecht), and the movie itself discloses far more of its producer’s temperament than it does its director’s. The Paradine Case was, in fact, the last film made by the British-born master as part of his seven-year contract with Selznick, and by most accounts, Hitchcock’s heart just wasn’t in it. Unfortunately, it shows.
But this is no slipshod motion picture. Selznick spared no expense—the completed film cost almost as much as Gone with the Wind—and the entire project is built on quality and class. Set in London, in “the recent past,” The Paradine Case stars an...
Alfred Hitchcock may have directed The Paradine Case, the 1947 adaptation of Robert Smythe Hichens’ 1933 novel, but the film is most clearly a David O. Selznick production. It was his coveted property, he wrote the screenplay (with contributions from Alma Reville, James Bridie, and an uncredited Ben Hecht), and the movie itself discloses far more of its producer’s temperament than it does its director’s. The Paradine Case was, in fact, the last film made by the British-born master as part of his seven-year contract with Selznick, and by most accounts, Hitchcock’s heart just wasn’t in it. Unfortunately, it shows.
But this is no slipshod motion picture. Selznick spared no expense—the completed film cost almost as much as Gone with the Wind—and the entire project is built on quality and class. Set in London, in “the recent past,” The Paradine Case stars an...
- 8/1/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
This isn’t the only Alfred Hitchcock film for which the love does not flow freely, but his 1947 final spin on the David O. Selznick-go-round is more a subject for study than Hitch’s usual fun suspense ride. Gregory Peck looks unhappy opposite Selznick ‘discovery’ Alida Valli, while an utterly top-flight cast tries to bring life to mostly irrelevant characters. Who comes off best? Young Louis Jourdan, that’s who.
The Paradine Case
Blu-ray
Kl Studio Classics
1947 / B&W / 1:37 flat Academy / 125 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95
Starring Gregory Peck, Alida Valli, Ann Todd, Charles Laughton, Louis Jourdan, Ethel Barrymore, Joan Tetzel.
Cinematography Lee Garmes
Production Designer J. McMillan Johnson
Film Editors John Faure, Hal C. Kern
Original Music Franz Waxman
Writing credits James Bridie, Alma Reville, David O. Selznick from the novel by Robert Hichens
Produced by David O. Selznick
Directed by Alfred Hitchcock
There...
The Paradine Case
Blu-ray
Kl Studio Classics
1947 / B&W / 1:37 flat Academy / 125 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95
Starring Gregory Peck, Alida Valli, Ann Todd, Charles Laughton, Louis Jourdan, Ethel Barrymore, Joan Tetzel.
Cinematography Lee Garmes
Production Designer J. McMillan Johnson
Film Editors John Faure, Hal C. Kern
Original Music Franz Waxman
Writing credits James Bridie, Alma Reville, David O. Selznick from the novel by Robert Hichens
Produced by David O. Selznick
Directed by Alfred Hitchcock
There...
- 6/6/2017
- by Glenn Erickson
- Trailers from Hell
Stars: Ralph Richardson, Ann Todd, Nigel Patrick, John Justin, Dinah Sheridan, Joseph Tomelty, Denholm Elliot | Written by Terrence Rattigan | Directed by David Lean
David Lean is well known for his romantic dramas (Brief Encounter) and literary adaptations (Great Expectations, Doctor Zhivago), which is why The Sound Barrier, his 1952 semi-biographical portrait of the British struggle to surpass the speed of sound, seems like something of an oddity.
The story focuses on the relationships between an ambitious Raf pilot Tony (Nigel Patrick), his military bride Susan (Ann Todd) her father, John (Ralph Richardson), a wealthy plane manufacturer who has lofty goals and doesn’t mind risking human lives to reach them. A brief prelude sees Susan’s brother Christopher – a small but welcome appearance from Indiana Jones’ Denholm Elliott – attempt to join the air force, despite both a lack of interest in and aptitude for flying. This ominous complication, paired with the...
David Lean is well known for his romantic dramas (Brief Encounter) and literary adaptations (Great Expectations, Doctor Zhivago), which is why The Sound Barrier, his 1952 semi-biographical portrait of the British struggle to surpass the speed of sound, seems like something of an oddity.
The story focuses on the relationships between an ambitious Raf pilot Tony (Nigel Patrick), his military bride Susan (Ann Todd) her father, John (Ralph Richardson), a wealthy plane manufacturer who has lofty goals and doesn’t mind risking human lives to reach them. A brief prelude sees Susan’s brother Christopher – a small but welcome appearance from Indiana Jones’ Denholm Elliott – attempt to join the air force, despite both a lack of interest in and aptitude for flying. This ominous complication, paired with the...
- 4/8/2016
- by Mark Allen
- Nerdly
A box office hit on release in 1952, David Lean’s The Sound Barrier, which dramatises Britain’s race to break the speed of sound, has since passed everyone by. Written by Terrence Rattigan and starring Ralph Richardson and Ann Todd, it tells the story of the obsessive aviators who took flight supersonic. The Sound Barrier is available on DVD and Blu-Ray for the first time from 11 April
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- 4/4/2016
- by Guardian Staff
- The Guardian - Film News
'Saint Joan': Constance Cummings as the George Bernard Shaw heroine. Constance Cummings on stage: From sex-change farce and Emma Bovary to Juliet and 'Saint Joan' (See previous post: “Constance Cummings: Frank Capra, Mae West and Columbia Lawsuit.”) In the mid-1930s, Constance Cummings landed the title roles in two of husband Benn W. Levy's stage adaptations: Levy and Hubert Griffith's Young Madame Conti (1936), starring Cummings as a demimondaine who falls in love with a villainous character. She ends up killing him – or does she? Adapted from Bruno Frank's German-language original, Young Madame Conti was presented on both sides of the Atlantic; on Broadway, it had a brief run in spring 1937 at the Music Box Theatre. Based on the Gustave Flaubert novel, the Theatre Guild-produced Madame Bovary (1937) was staged in late fall at Broadway's Broadhurst Theatre. Referring to the London production of Young Madame Conti, The...
- 11/10/2015
- by Andre Soares
- Alt Film Guide
Virginia Bruce: MGM actress ca. 1935. Virginia Bruce movies on TCM: Actress was the cherry on 'The Great Ziegfeld' wedding cake Unfortunately, Turner Classic Movies has chosen not to feature any non-Hollywood stars – or any out-and-out silent film stars – in its 2015 “Summer Under the Stars” series.* On the other hand, TCM has come up with several unusual inclusions, e.g., Lee J. Cobb, Warren Oates, Mae Clarke, and today, Aug. 25, Virginia Bruce. A second-rank MGM leading lady in the 1930s, the Minneapolis-born Virginia Bruce is little remembered today despite her more than 70 feature films in a career that spanned two decades, from the dawn of the talkie era to the dawn of the TV era, in addition to a handful of comebacks going all the way to 1981 – the dawn of the personal computer era. Career highlights were few and not all that bright. Examples range from playing the...
- 8/26/2015
- by Andre Soares
- Alt Film Guide
Robert Mitchum ca. late 1940s. Robert Mitchum movies 'The Yakuza,' 'Ryan's Daughter' on TCM Today, Aug. 12, '15, Turner Classic Movies' “Summer Under the Stars” series is highlighting the career of Robert Mitchum. Two of the films being shown this evening are The Yakuza and Ryan's Daughter. The former is one of the disappointingly few TCM premieres this month. (See TCM's Robert Mitchum movie schedule further below.) Despite his film noir background, Robert Mitchum was a somewhat unusual choice to star in The Yakuza (1975), a crime thriller set in the Japanese underworld. Ryan's Daughter or no, Mitchum hadn't been a box office draw in quite some time; in the mid-'70s, one would have expected a Warner Bros. release directed by Sydney Pollack – who had recently handled the likes of Jane Fonda, Barbra Streisand, and Robert Redford – to star someone like Jack Nicholson or Al Pacino or Dustin Hoffman.
- 8/13/2015
- by Andre Soares
- Alt Film Guide
Raymond Massey ca. 1940. Raymond Massey movies: From Lincoln to Boris Karloff Though hardly remembered today, the Toronto-born Raymond Massey was a top supporting player – and sometime lead – in both British and American movies from the early '30s all the way to the early '60s. During that period, Massey was featured in nearly 50 films. Turner Classic Movies generally selects the same old MGM / Rko / Warner Bros. stars for its annual “Summer Under the Stars” series. For that reason, it's great to see someone like Raymond Massey – who was with Warners in the '40s – be the focus of a whole day: Sat., Aug. 8, '15. (See TCM's Raymond Massey movie schedule further below.) Admittedly, despite his prestige – his stage credits included the title role in the short-lived 1931 Broadway production of Hamlet – the quality of Massey's performances varied wildly. Sometimes he could be quite effective; most of the time, however, he was an unabashed scenery chewer,...
- 8/8/2015
- by Andre Soares
- Alt Film Guide
Hammer horror fans are in for a treat, as respective collections of five William Castle films and five Hammer horror movies are coming out on Blu-ray in August, and The Incredible Two-Headed Transplant has been set to come out on Blu-ray.
The William Castle and Hammer horror collections will respectively come out on DVD August 18th from Mill Creek. The Incredible Two-Headed Transplant, meanwhile, is slated for release later this year by Kino Lorber. Stay tuned to Daily Dead for further updates.
From Mill Creek: "Iconic horror director William Castle created a simple, but winning formula for his films: a little comedy, a lot of scares, a preposterous gimmick, and a clear sense that fright films should be fun. This even meant Castle would, like Alfred Hitchcock, appear in his trailers and even the movies themselves. Though his career spanned 35 years and included everything from westerns to crime thrillers, he'll...
The William Castle and Hammer horror collections will respectively come out on DVD August 18th from Mill Creek. The Incredible Two-Headed Transplant, meanwhile, is slated for release later this year by Kino Lorber. Stay tuned to Daily Dead for further updates.
From Mill Creek: "Iconic horror director William Castle created a simple, but winning formula for his films: a little comedy, a lot of scares, a preposterous gimmick, and a clear sense that fright films should be fun. This even meant Castle would, like Alfred Hitchcock, appear in his trailers and even the movies themselves. Though his career spanned 35 years and included everything from westerns to crime thrillers, he'll...
- 7/31/2015
- by Derek Anderson
- DailyDead
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...
- 3/15/2015
- by Andre Soares
- Alt Film Guide
Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to...
- 2/28/2015
- by Andre Soares
- Alt Film Guide
'Henry V' Movie Actress Renée Asherson dead at 99: Laurence Olivier leading lady in acclaimed 1944 film (image: Renée Asherson and Laurence Olivier in 'Henry V') Renée Asherson, a British stage actress featured in London productions of A Streetcar Named Desire and Three Sisters, but best known internationally as Laurence Olivier's leading lady in the 1944 film version of Henry V, died on October 30, 2014. Asherson was 99 years old. The exact cause of death hasn't been specified. She was born Dorothy Renée Ascherson (she would drop the "c" some time after becoming an actress) on May 19, 1915, in Kensington, London, to Jewish parents: businessman Charles Ascherson and his second wife, Dorothy Wiseman -- both of whom narrowly escaped spending their honeymoon aboard the Titanic. (Ascherson cancelled the voyage after suffering an attack of appendicitis.) According to Michael Coveney's The Guardian obit for the actress, Renée Asherson was "scantly...
- 11/5/2014
- by Andre Soares
- Alt Film Guide
Honorary Award: Gloria Swanson, Rita Hayworth among dozens of women bypassed by the Academy (photo: Honorary Award non-winner Gloria Swanson in 'Sunset Blvd.') (See previous post: "Honorary Oscars: Doris Day, Danielle Darrieux Snubbed.") Part three of this four-part article about the Academy of Motion Picture Arts and Sciences' Honorary Award bypassing women basically consists of a long, long — and for the most part quite prestigious — list of deceased women who, some way or other, left their mark on the film world. Some of the names found below are still well known; others were huge in their day, but are now all but forgotten. Yet, just because most people (and the media) suffer from long-term — and even medium-term — memory loss, that doesn't mean these women were any less deserving of an Honorary Oscar. So, among the distinguished female film professionals in Hollywood and elsewhere who have passed away without...
- 9/4/2014
- by Andre Soares
- Alt Film Guide
Screenwriter of British horror feature films such as The Asphyx and Mumsy, Nanny, Sonny and Girly
Brian Comport, who has died aged 74, was the screenwriter for the cult films Mumsy, Nanny, Sonny and Girly (1970), The Fiend (1972) and The Asphyx (1973). Like so many others working in the British film industry during the last half century, he had ups and downs, but the horror feature films he wrote are widely regarded as classics of the genre.
His break into films came in 1967 when he was introduced to Norman Cohen, a film editor on his way to becoming a very successful director, who had acquired the film rights to Geoffrey Fletcher's delightful 1962 book The London Nobody Knows.
Cohen had secured James Mason to narrate the commentary, and Brian was engaged to provide the words. It was Brian's idea to have Mason walk and talk directly to the camera, making the film a...
Brian Comport, who has died aged 74, was the screenwriter for the cult films Mumsy, Nanny, Sonny and Girly (1970), The Fiend (1972) and The Asphyx (1973). Like so many others working in the British film industry during the last half century, he had ups and downs, but the horror feature films he wrote are widely regarded as classics of the genre.
His break into films came in 1967 when he was introduced to Norman Cohen, a film editor on his way to becoming a very successful director, who had acquired the film rights to Geoffrey Fletcher's delightful 1962 book The London Nobody Knows.
Cohen had secured James Mason to narrate the commentary, and Brian was engaged to provide the words. It was Brian's idea to have Mason walk and talk directly to the camera, making the film a...
- 10/14/2013
- by John Crome
- The Guardian - Film News
In her new book Rachel Cooke re-examines the 1950s through 10 women who pioneered in their careers. In this extract she tells the stories of sisters-in-law Muriel and Betty Box, two prominent women in the British film industry
Until recently, anyone who wanted to see the film To Dorothy a Son had to lock themselves deep in the bowels of the British Film Institute off Tottenham Court Road, London, and watch it on an old Steenbeck editing machine. A little-known comedy from 1954, To Dorothy is no one's idea of a classic. It has an infuriating star in Shelley Winters, a creaky screenplay by Peter Rogers (later the producer of the Carry On series) and a set that looks as if it is on loan from a local amateur dramatics society.
We are in the home of Tony (John Gregson) and his baby-faced wife, Dorothy (Peggy Cummins). Dorothy is heavily pregnant, and confined to bed.
Until recently, anyone who wanted to see the film To Dorothy a Son had to lock themselves deep in the bowels of the British Film Institute off Tottenham Court Road, London, and watch it on an old Steenbeck editing machine. A little-known comedy from 1954, To Dorothy is no one's idea of a classic. It has an infuriating star in Shelley Winters, a creaky screenplay by Peter Rogers (later the producer of the Carry On series) and a set that looks as if it is on loan from a local amateur dramatics society.
We are in the home of Tony (John Gregson) and his baby-faced wife, Dorothy (Peggy Cummins). Dorothy is heavily pregnant, and confined to bed.
- 10/5/2013
- by Rachel Cooke
- The Guardian - Film News
Alfred Hitchcock silent movies added to Unesco UK Memory of the World Register (photo: Ivor Novello in The Lodger) The nine Alfred Hitchcock-directed silent films recently restored by the British Film Institute have been added to the Unesco UK Memory of the World Register, "a list of documentary heritage which holds cultural significance specific to the UK." The nine Hitchcock movies are the following: The Pleasure Garden (1925), The Ring (1927), Downhill / When Boys Leave Home (1927), The Lodger (1927), Easy Virtue (1928), Champagne (1928), The Farmer’s Wife (1928), The Manxman (1929), and Blackmail (1929) — also released as a talkie, Britain’s first. Only one Hitchcock-directed silent remains lost, The Mountain Eagle / Fear o’ God (1926). Most of those movies have little in common with the suspense thrillers Hitchcock would crank out in Britain and later in Hollywood from the early ’30s on. But a handful of his silents already featured elements and themes that would recur in...
- 7/18/2013
- by Andre Soares
- Alt Film Guide
Czech-born actor best known as Inspector Clouseau's crazed boss in the Pink Panther films
Herbert Lom, who has died aged 95, spent more than 50 years in dramatic roles, playing mostly smooth villains, but he was best known for his portrayal of Charles Dreyfus, the hysterically twitching boss of the bumbling Inspector Clouseau (Peter Sellers) in the series of slapstick Pink Panther comedies. "Give me 10 men like Clouseau and I could destroy the world," blurts out the bewildered Dreyfus in A Shot in the Dark (1964).
Herbert Charles Angelo Kuchacevich ze Schluderpacheru was born into an impoverished aristocratic family in Prague. He studied philosophy at Prague University, where he organised student theatre. In 1939, on the eve of the German invasion of Czechoslovakia, he arrived in Britain with his Jewish girlfriend, Didi, but she was sent back at Dover because she did not have the correct papers. Her subsequent death in a concentration...
Herbert Lom, who has died aged 95, spent more than 50 years in dramatic roles, playing mostly smooth villains, but he was best known for his portrayal of Charles Dreyfus, the hysterically twitching boss of the bumbling Inspector Clouseau (Peter Sellers) in the series of slapstick Pink Panther comedies. "Give me 10 men like Clouseau and I could destroy the world," blurts out the bewildered Dreyfus in A Shot in the Dark (1964).
Herbert Charles Angelo Kuchacevich ze Schluderpacheru was born into an impoverished aristocratic family in Prague. He studied philosophy at Prague University, where he organised student theatre. In 1939, on the eve of the German invasion of Czechoslovakia, he arrived in Britain with his Jewish girlfriend, Didi, but she was sent back at Dover because she did not have the correct papers. Her subsequent death in a concentration...
- 9/27/2012
- by Ronald Bergan
- The Guardian - Film News
We look back at the work of Herbert Lom, the much-loved Czech-born actor who has died aged 95. His career took in everything from low-budget noir to the Pink Panther movies
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A refugee from the Nazis at the age of 22, Lom arrived in London in 1939 and immediately set about continuing the acting career he'd started in his home city of Prague. His first role was a small but eyecatching one: Napoleon, in the Fox-produced biopic The Young Mr Pitt, with Robert Donat as the wily but principled British prime minister – starts at 6:30. (He would play Boney again in 1956, in the Audrey Hepburn War and Peace.)
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Lom's unmistakeable charisma quickly won him admirers: though lead roles would be few and far between later on, he quickly scored one as the mysterious hypnotist in Brit thriller The Dark Tower, where he exerts his fateful,...
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A refugee from the Nazis at the age of 22, Lom arrived in London in 1939 and immediately set about continuing the acting career he'd started in his home city of Prague. His first role was a small but eyecatching one: Napoleon, in the Fox-produced biopic The Young Mr Pitt, with Robert Donat as the wily but principled British prime minister – starts at 6:30. (He would play Boney again in 1956, in the Audrey Hepburn War and Peace.)
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Lom's unmistakeable charisma quickly won him admirers: though lead roles would be few and far between later on, he quickly scored one as the mysterious hypnotist in Brit thriller The Dark Tower, where he exerts his fateful,...
- 9/27/2012
- by Andrew Pulver
- The Guardian - Film News
The Paradine Case
Directed by Alfred Hitchcock
Starring Gregory Peck, Alida Valli, Ann Todd, Charles Laughton
The legendary producer David Selznick was a key figure in Alfred Hitchcock’s career. In an era when the producer was king he was one of the greats, the MGM enlisted executive of Gone With The Wind in 1939 after a period reviving the fortunes of the Rko studio he was always on the hunt for potential talent both behind and in front of the camera, and he finally persuaded Hitchcock to decant to Hollywood to direct his first American film Rebecca just as the second world war was gathering momentum. The romantic tragedy earned Selznick a second consecutive Best Picture Oscar (although famously Hitchcock never won a directing Academy Award during his long career) after Gone With The Wind and this prestige heralded a turbulent relationship between the expatriate director and his guiding muse,...
Directed by Alfred Hitchcock
Starring Gregory Peck, Alida Valli, Ann Todd, Charles Laughton
The legendary producer David Selznick was a key figure in Alfred Hitchcock’s career. In an era when the producer was king he was one of the greats, the MGM enlisted executive of Gone With The Wind in 1939 after a period reviving the fortunes of the Rko studio he was always on the hunt for potential talent both behind and in front of the camera, and he finally persuaded Hitchcock to decant to Hollywood to direct his first American film Rebecca just as the second world war was gathering momentum. The romantic tragedy earned Selznick a second consecutive Best Picture Oscar (although famously Hitchcock never won a directing Academy Award during his long career) after Gone With The Wind and this prestige heralded a turbulent relationship between the expatriate director and his guiding muse,...
- 8/18/2012
- by John
- SoundOnSight
James Mason movies Turner Classic Movies, Saturday, August 11 (Edt) 6:00 Am Lord Jim (1965). After turning coward, a naval officer tries to redeem himself by helping Asian natives stage a revolution. Director: Richard Brooks. Cast: Peter O’Toole, James Mason, Curt Jurgens. Color, 154 minutes. Letterbox. 8:45 Am Thunder Rock (1942). A disillusioned writer moves into a lighthouse where some ghostly visitors restore his faith. Director: Roy Boulting. Cast: Michael Redgrave, Barbara Mullen, James Mason. Black and white, 107 minutes. 11:00 Am The Seventh Veil (1945). A concert pianist with amnesia fights to regain her memory. Director: Compton Bennett. Cast: James Mason, Ann Todd, [...]...
- 8/11/2012
- by Andre Soares
- Alt Film Guide
Genuinely fascist films made in democratic countries are agreeably scarce, although Gregory La Cava's Gabriel Over the White House (1933)—or President Jesus Hitler as a friend dubbed it—could certainly qualify, even if it does veer around a lot, almost as if a Hollywood film were trying to avoid committing itself politically. Nominations for other fascist films will be gratefully considered.
Bulldog Drummond was featured in ten novels by a pseudonymous character called "Sapper," (to sap: to slug over the head, British slang). Drummond, an ex-soldier bored by civilian life, advertises for adventure and finds it, as detailed in 1929 Bulldog Drummond with Ronald Colman. This movie largely avoids the racism and jingoistic fervor of the source novels, and seems to play the more brutal moments for laughs, as when Colman exchanges sweet nothings with Joan Bennett while cheerfully throttling Lionel Atwill.
The books' biggest influence in an indirect one:...
Bulldog Drummond was featured in ten novels by a pseudonymous character called "Sapper," (to sap: to slug over the head, British slang). Drummond, an ex-soldier bored by civilian life, advertises for adventure and finds it, as detailed in 1929 Bulldog Drummond with Ronald Colman. This movie largely avoids the racism and jingoistic fervor of the source novels, and seems to play the more brutal moments for laughs, as when Colman exchanges sweet nothings with Joan Bennett while cheerfully throttling Lionel Atwill.
The books' biggest influence in an indirect one:...
- 4/25/2012
- MUBI
Toby Jones/Sienna Miller = Alfred Hitchcock/Tippi Hedren? [Photo: Tippi Hedren / The Birds publicity shot.] Tippi Hedren once told The Times of London that Alfred Hitchcock — for whom she starred in The Birds (1963) and Marnie (1964), and with whom she had an exclusive contract — "kept me under contract, kept paying me every week for almost two years to do nothing" after she refused his sexual advances. "I admired Hitch tremendously for his great talent and still do," Hedren told London's Daily Mail. "Yet, at the same time, I loathed him for his off-set behavior and the way he came on to me sexually. He was a great director – and he destroyed it all by his behavior when he got me alone." Hedren had no luck after she rid herself of her Hitchcock ties. She had a small supporting role in Charles Chaplin's box-office and critical flop A Countess from Hong Kong (1967), starring Marlon Brando and Sophia Loren,...
- 3/21/2012
- by Andre Soares
- Alt Film Guide
As our second annual 31 Days of Horror spectacle is now well and truly underway, check out WhatCulture!’s ten best Hammer Horror picks!
They were one of Britain’s most successful film studios throughout their heyday from the late 1950s to mid 1970s and within that time they produced some of the most memorable horror films ever to be made here. After disbanding in the late 1970s, after a slew of commercial flops, today Hammer Picture Productions is a fully-fledged, working company once again. With their production of The Woman in Black, starring Daniel Radcliffe, eagerly awaited in cinemas next year and in celebration of our 31 Days of Horror spectacular, it’s time to get nostalgic and remember the 10 Best Hammer Horrors! So dim the lights, grab a cushion…you’re in for some sheer terror!!
10. Dr Jekyll & Sister Hyde (1971)
This has to be one of Hammer’s greatest films from the advertising campaign alone!
They were one of Britain’s most successful film studios throughout their heyday from the late 1950s to mid 1970s and within that time they produced some of the most memorable horror films ever to be made here. After disbanding in the late 1970s, after a slew of commercial flops, today Hammer Picture Productions is a fully-fledged, working company once again. With their production of The Woman in Black, starring Daniel Radcliffe, eagerly awaited in cinemas next year and in celebration of our 31 Days of Horror spectacular, it’s time to get nostalgic and remember the 10 Best Hammer Horrors! So dim the lights, grab a cushion…you’re in for some sheer terror!!
10. Dr Jekyll & Sister Hyde (1971)
This has to be one of Hammer’s greatest films from the advertising campaign alone!
- 10/5/2011
- by Stuart Cummins
- Obsessed with Film
Compton Bennett burst upon the British filmmaking scene in 1945 with The Seventh Veil, a weird, sado-masochistically-inflected semi-gothic love story which did much to boost the careers of Ann Todd (neurotic piano prodigy), James Mason (sadistic music teacher) and Herbert Lom (sympathetic psychotherapist). By 1960 he was working mainly in television, having sunk into a kind of middlebrow lethargy along with most British cinema. But in 1948, at the peak of UK cinematic creativity, he directed Daybreak, one of the few British noirs, and a bleaker story than many of the social realist dramas that followed Bennett's career in the sixties. In fact, as with many of the best downbeat stories, the movie somehow leaves the audience exhilarated, glad to be alive.
This is a movie which, as Sam Goldwyn might put it, begins at a hanging and descends deeper into misery from there. Eric Portman (best known perhaps as the sinister squire...
This is a movie which, as Sam Goldwyn might put it, begins at a hanging and descends deeper into misery from there. Eric Portman (best known perhaps as the sinister squire...
- 6/17/2010
- MUBI
Dear Staff of Cinema Retro:
Your magazine is the best of its type and along with FilmFax is one of my favorite reads! Your most recent issue was especially interesting. What caught my eye was the ad for "The Crimson Blade". I have been doing research re: the forgotten films of Sean Flynn, son of Errol Flynn. (I did notice when "the Italian offerings" were mentioned, there was no mention of 1962's "Il Figlio del Capitano Blood"!) The interesting coincidence is that when "The Son of Captain Blood" premiered in the U.K. in 1963, released by Warner-Pathe, in some regions it was shown on a double bill with Hammer's "The Scarlet Blade", which as I am sure your staff knows is the original title of the film released in the U.S.A. as "The Crimson Blade"! Also according to articles I have been reading re: the release of Sean Flynn...
Your magazine is the best of its type and along with FilmFax is one of my favorite reads! Your most recent issue was especially interesting. What caught my eye was the ad for "The Crimson Blade". I have been doing research re: the forgotten films of Sean Flynn, son of Errol Flynn. (I did notice when "the Italian offerings" were mentioned, there was no mention of 1962's "Il Figlio del Capitano Blood"!) The interesting coincidence is that when "The Son of Captain Blood" premiered in the U.K. in 1963, released by Warner-Pathe, in some regions it was shown on a double bill with Hammer's "The Scarlet Blade", which as I am sure your staff knows is the original title of the film released in the U.S.A. as "The Crimson Blade"! Also according to articles I have been reading re: the release of Sean Flynn...
- 1/30/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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