A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
Marnie Edgar is a habitual liar and a thief who gets jobs as a secretary and after a few months robs the firms in question, usually of several thousand dollars. When she gets a job at Rutland's, she also catches the eye of the handsome owner, Mark Rutland. He prevents her from stealing and running off, as is her usual pattern, but also forces her to marry him. Their honeymoon is a disaster and she cannot stand to have a man touch her, and on their return home, Mark has a private detective look into her past. When he has the details of what happened in her childhood to make her what she is, he arranges a confrontation with her mother realizing that reliving the terrible events that occurred in her childhood and bringing out those repressed memories is the only way to save her.Written by
To film real horses riding without having to work outdoors, Sir Alfred Hitchcock came up with the idea of running the horses on a gigantic treadmill. Crew members objected to the idea, because it was considered highly unsafe, and because they simply didn't think it would work. Still, Hitchcock wanted to at least try it, and when they did, it worked without a problem. Originally, a harness was attached to Tippi Hedren during these shots for safety reasons, but it was removed when it was found to impede shooting. See more »
Strutt describes Marnie (in an alias) as having blue eyes when he is describing her to detectives at the beginning of the film. Tippi Hedren does not have blue eyes, nor was she wearing blue contact lenses, as can be seen when she transforms back to her normal blonde coloring. See more »
Robbed! Cleaned out! $9,967! Precisely as I told you over the telephone. And that girl did it. Marion Holland. That's the girl. Marion Holland.
Can you describe her, Mr. Strutt?
Certainly I can describe her: five feet five, 110 pounds, size 8 dress, blue eyes, black wavy hair, even features, good teeth.
[detectives unable to restrain laughter]
Well what's so damn funny? There's been a grand larceny committed on these premises.
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Dialogue in the final scene reveals that Marnie's mother had given up her virginity at 15 to Marnie's father in exchange for a sweater. Just before the film's release the studio had second thoughts about this part, and Alfred Hitchcock agreed to cut the lines. But hundreds of prints had already been made, and rather than incur the cost of reprinting the final reel of each, the studio released them as they were, so there were two versions of the film from the outset. See more »
To find out that Bernardo Bertolucci, the director of Last Tango In Paris, loves Marnie makes a lot of sense, to me anyway. If you think about it, Last Tango In Paris could have been a Hitchcock movie. An American in Paris meets a young girl, they have sex without knowing anything about each other and ends up in murder. Marnie is truly perverse and Sean Connery's obsession for Tippi Hedren is infinitely more perverse than whatever poor Tippi Hedren suffers from. He is turned on by her rejection. The kiss during the gelid honeymoon stays inches away from necrophilia. right?. The script is just delicious. Sean Connery goes for the troublesome center of his character, yes he does, whether consciously or unconsciously. Tippi Hedren is terrific here and with all the things we know now about the making of the movie her performance has acquired some extra something. Diane Baker as the scorned sister in law is a delight. So here we are, talking about a movie made 53 years ago. Time does extraordinary things.
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