After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
DurinWW II, allied POWS in a Japanese internment camp are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge, but under the leadership of Colonel Nicholson they're persuaded the bridge should be built to help morale, spirit. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of Japanese Commandant Colonel Saito, But, soon they realise it's a monument to Nicholson, himself, as well as a form of collaboration with the enemy.Written by
When Sir David Lean agreed to the project, he took on the task of re-working Carl Foreman's script. He felt that Foreman's script had discarded the best elements of the book in favor of heavy-handed melodrama, action, and adventure. Lean noted that the conflict between Colonel Nicholson and Saito became apparent far too late in the narrative, and that Saito was written like a stock B-movie villain. In terms of message, it was important to Lean that Nicholson's minor folly of building the bridge mirror the greater folly of the war itself. See more »
In the opening scene, the railway is 5'6" (1.676 m) broad gauge, as used in Ceylon (Sri Lanka), the filming location; but when we see tracks on the finished bridge, they're much narrower, about 2' (60 cm). The actual line would have been 1 metre gauge, as it connected existing Thai and Burmese metre-gauge routes. See more »
Various versions have different main credits. There is the original that gives screenplay credit to Pierre Boulle, there is the restored version in which previously blacklisted Carl Foreman and Michael Wilson are credited and there is the original version that was distributed to cinemas at the time still lacking in CinemaScope equipment in which the Cinema Scope credit is omitted and the credits formatted to fit the smaller frame. See more »
I have watched this movie several times and it is just getting better and better all the time. Why? Because this movie actually has a message built-in, this isn't a violent story, like "Saving Private Ryan" - also a good movie with a message - but it is still not a slow story.
When I last saw it, I realised that there was something in the movie that I had never understood, this isn't a movie about war, torture or how it was to be a prisoner of war; this is a movie about madness and pride. The pride shows both in Saiko and Colonel Nicholson, they are so full of it that it is almost impossible for them to come to a civil-conclusion with the problems they have with each other. The madness is shown in Colonel Nicholson and Holden's character - here they are, two prisoners of war and they don't want to help each other out, instead they try to reach separate goals, and they are both willing to die for it.
After you have watched this movie one is amazed by the performances made by Alec Guinness and William Holden and I must say that this is therefore one of the best War/Drama movies ever made My vote? 9 out of 10 naturally.
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