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The Bridge on the River Kwai (1957)

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After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.

Director:

David Lean

Writers:

Pierre Boulle (novel), Carl Foreman (screenplay) | 1 more credit »
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2,753 ( 669)
Top Rated Movies #139 | Won 7 Oscars. Another 23 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Holden ... Shears
Alec Guinness ... Colonel Nicholson
Jack Hawkins ... Major Warden
Sessue Hayakawa ... Colonel Saito
James Donald ... Major Clipton
Geoffrey Horne ... Lieutenant Joyce
André Morell ... Colonel Green (as Andre Morell)
Peter Williams Peter Williams ... Captain Reeves
John Boxer John Boxer ... Major Hughes
Percy Herbert ... Grogan
Harold Goodwin ... Baker
Ann Sears ... Nurse
Heihachirô Ôkawa Heihachirô Ôkawa ... Captain Kanematsu (as Heihachirô 'Henry' Ôkawa)
Keiichirô Katsumoto Keiichirô Katsumoto ... Lieutenant Miura (as Keiichiro Katsumoto) (as K. Katsumoto)
M.R.B. Chakrabandhu M.R.B. Chakrabandhu ... Yai
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Storyline

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

It spans a whole new world of entertainment!

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated PG for mild war violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Japanese | Thai

Release Date:

14 December 1957 (USA) See more »

Also Known As:

El puente sobre el río Kwai See more »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$44,908,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (1973 re-isssue 70 mm prints) (RCA Sound Recording)| Mono (35 mm prints) (RCA Sound Recording)| 4-Track Stereo (Linear PCM)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Just as in Love is a Many Splendored Thing (1955), normally hairy chested William Holden was forced to submit to a full body wax for his many shirtless scenes in the movie. See more »

Goofs

The Siamese "bearer girls" are never seen to perspire, even though the Caucasian actors are covered in perspiration. See more »

Quotes

[last lines]
Major Clipton: Madness! Madness!
See more »

Crazy Credits

And introducing Geoffrey Horne See more »

Alternate Versions

Various versions have different main credits. There is the original that gives screenplay credit to Pierre Boulle, there is the restored version in which previously blacklisted Carl Foreman and Michael Wilson are credited and there is the original version that was distributed to cinemas at the time still lacking in CinemaScope equipment in which the Cinema Scope credit is omitted and the credits formatted to fit the smaller frame. See more »


Soundtracks

If You Were the Only Girl in the World
(1916) (uncredited)
Music by Nat Ayer
Lyrics by Clifford Grey
Performed by Percy Herbert and Harold Goodwin at the Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
Good film, but a travesty of history
29 June 2002 | by gcaplanSee all my reviews

I am normally an admirer of David Lean. But it is difficult to understand why he chose to base this film on a real event at the River Kwai, as it grossly misrepresents the real "Colonel Nicholson" and caused considerable distress to both him and the River Kwai veterans.

The Colonel Nicholson character is based on the allied camp commander, Lieutenant Colonel Philip Toosey, who was a remarkable officer by any standards.

Awarded the DSO for heroism during the defence of Singapore, he refused an order to join the evacuation so he could remain with his men during captivity. In the hellish conditions of the camp, he worked courageously to ensure that as many of his men as possible would survive. He endured regular beatings when he complained of ill-treatment of prisoners, but as a skilled negotiator he was able to win many concessions from the Japanese by convincing them that this would speed the completion of the work. Behind their backs, however, he did everything possible to delay and sabotage the construction without endangering his men, and also helped organise a daring escape, at considerable cost to himself. For his conduct in the camp, he won the undying respect of his men.

After the war, he showed great generosity of spirit by saving the life of Colonel Saito, second in command at the camp and a relatively decent officer, when he spoke up for him at the war crimes tribunal. He worked for the veterans all his life, and became President of the National Federation of Far Eastern Prisoners of War.

He refused repeated requests by the veterans to speak out against the film, being much too modest to seek any glory or recognition for himself. However you will find his achievements documented in a book by Professor Peter Davies entitled "The Man Behind the Bridge".

Toosey hoped that no one watching the film would believe a British Army officer could be so stupid in real life. But with the film being rated on this site as one of the top 50 movies of all time, this hope may have been misplaced. Enjoy the film by all means as a work of fiction, but it is surely important to set the record straight and recognise the heroism of the real man involved.


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