World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy (Sarah Miles) goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Will Shaugnessy take Father Collin's advice? Is the pivotal role that of the village idiot who is mute?Written by
Dale O'Connor <firstname.lastname@example.org>
While filming in Ireland, they ran out of sunshine, so they shot quite a few of the beach scenes at Noordhoek Beach, located a few miles from Cape Town in the Cape Peninsula, South Africa. Those scenes are easy to identify because the sky is particularly bright and clear, and the beach sand exceptionally white and fine. See more »
Father Collins wears a traditional black garment with white "dog collar" but apparently in the period this film was set, the law forbad a catholic priest to dress this way. See more »
The general release version omits the Overture, Intermission, and Exit Music, bringing the running time down to 195 minutes. The roadshow version is what appears on most laserdisc and VHS releases, along with the DVD version. See more »
Despite all the nay-saying, this is one of my favourite films. Every now and again, everything clicks for you in terms of how a film is put together. I never tire of watching this movie. And despite what anyone else thinks about the music, I thought it was some of Maurice Jarre's finest work. Apparently it was some of his own favorite composition work. I hope someday to get over to the West coast of Ireland and see some of the scenery in person. I thought that the acting in the film was some of the most courageous work that some of the actors had ever taken on. The film was just long enough for me. As for the esteemed David Lean, no one---and I mean no one--was ever as good at making mankind seem so small and insignificant when compared to the forces and spaces in nature. He was able to take Freddy Young's cinematography and bring out the best in it. I liked it when I was younger, and I like it even more now. I respect it very much and pity those who are unable to savour it. I admit that very few people will be able digest it in it's entirety. Thank god I'm not one of them. Thank-you Mr. Lean wherever you are.
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