After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Director:
David Lean
Stars:
William Holden,
Alec Guinness,
Jack Hawkins
The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.
Director:
David Lean
Stars:
Peter O'Toole,
Alec Guinness,
Anthony Quinn
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <daleoc@interaccess.com>
For the scene in which Scarlett escapes the burning of the Atlanta Depot, a horse was needed to play Woebegone, an old nag on the verge of collapse. A suitable candidate was finally found but weeks later, when the horse was brought to the set, it had gained weight and its ribs were no longer visible. There was no time to find a replacement, so the makeup department painted dark shadows on its ribs to give the appearance of malnourishment. See more »
Goofs
After Scarlett visits the makeshift hospital at the church, she closes the door behind her in the close-up. In the long shot that follows, the door swings open
again. Back to the close-up as Scarlett moves away from the door, and it is closed again. See more »
Quotes
[first lines]
Brent Tarleton:
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
Stuart Tarleton:
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
Brent Tarleton:
We'll show 'em!
Scarlett:
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Brent Tarleton:
Not going to be any war?
Stuart Tarleton:
Why, honey, of course there's gonna be a war.
Scarlett:
If either ...
[...] See more »
Crazy Credits
George Reeves is credited as playing the part of Brent Tarleton, and Fred Crane is billed as Stuart Tarleton. This is incorrect: Crane played Brent, and Reeves played Stuart. See more »
Alternate Versions
Originally shot in a 1.37:1 ratio; the prints re-released in 1967 by MGM, were converted to a simulated wide screen ratio, chopping strips at the top and bottom of the image. See more »
I believe that when one views a film, one should consider the context in which it was made.
Barely 10 years after talking pictures were first created; less than that after the first full-length color feature film was created; near the end of the greatest depression this country ever experienced, and in which pretty much the only entertainment available to most was radio or the movies; David O Selznik decided to turn the biggest pot-boiler blockbuster novel into a movie.
And what a movie. Stunning color, the most popular mail actor of his time, perfect music score, incredible action scenes, story line only 70 years removed from when it happened, and on, and on. Can you imagine what a store-clerk or a farmer, or a teacher experienced in that world, seeing Gone With the Wind? What was there to compare with? 1939 was a watershed year for great movies, and this one was the greatest produced. Try watching this movie as if there were no TV, no DVD's, only a few radio stations, spending maybe the second to the last quarter you owned, never having seen such a movie before, and you get what I mean. Masterful for its time, and still timeless today.
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I believe that when one views a film, one should consider the context in which it was made.
Barely 10 years after talking pictures were first created; less than that after the first full-length color feature film was created; near the end of the greatest depression this country ever experienced, and in which pretty much the only entertainment available to most was radio or the movies; David O Selznik decided to turn the biggest pot-boiler blockbuster novel into a movie.
And what a movie. Stunning color, the most popular mail actor of his time, perfect music score, incredible action scenes, story line only 70 years removed from when it happened, and on, and on. Can you imagine what a store-clerk or a farmer, or a teacher experienced in that world, seeing Gone With the Wind? What was there to compare with? 1939 was a watershed year for great movies, and this one was the greatest produced. Try watching this movie as if there were no TV, no DVD's, only a few radio stations, spending maybe the second to the last quarter you owned, never having seen such a movie before, and you get what I mean. Masterful for its time, and still timeless today.