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The Great Ziegfeld (1936)

Not Rated | | Biography, Drama, Musical | 8 April 1936 (USA)
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1:44 | Trailer

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The ups and downs of Florenz Ziegfeld Jr., famed producer of extravagant stage revues, are portrayed.

Director:

Robert Z. Leonard

Writer:

William Anthony McGuire (screenplay)
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Won 3 Oscars. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Powell ... Florenz Ziegfeld Jr.
Myrna Loy ... Billie Burke
Luise Rainer ... Anna Held
Frank Morgan ... Jack Billings
Fanny Brice ... Fannie Brice (as Fannie Brice)
Virginia Bruce ... Audrey Dane
Reginald Owen ... Sampston
Ray Bolger ... Ray Bolger
Ernest Cossart ... Sidney
Joseph Cawthorn ... Dr. Ziegfeld (as Joseph Cawthorne)
Nat Pendleton ... Sandow
Harriet Hoctor ... Herself
Jean Chatburn ... Mary Lou
Paul Irving Paul Irving ... Erlanger
Herman Bing ... Costumer
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Storyline

At the 1893 Chicago World's Fair, sideshow barker Flo Ziegfeld turns the tables on his more successful neighbor Billings, and steals his girlfriend to boot. This pattern is repeated throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever bigger, more spectacular shows (sections of which appear in the film). French revue star Anna Held becomes his first wife, but it's not easy being married to the man who "glorified the American girl." Late in life, now married to Billie Burke, he seems to be all washed up, but... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

10 Big Shows In 1 See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

8 April 1936 (USA) See more »

Also Known As:

El gran Ziegfeld See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The sequence "A Pretty Girl Is Like a Melody" was filmed in two lengthy takes after several weeks of rehearsals and filming (a definite cut is made when moving to a close-up on the singer dressed as Pagliacci, presumably to effect a change of camera position, necessary to start the inexorable move up the huge staircase). It features 180 performers and cost $220,000; 4,300 yards of rayon silk were used for the curtains in the scene. See more »

Goofs

Ziegfeld is depicted as dying in New York City. He actually died of lung disease in Hollywood, California, a few days after moving there from a specialty hospital in New Mexico. See more »

Quotes

Sandow: This cheese is so strong it could walk over and say hello to your coffee.
Florenz Ziegfeld Jr.: Well, it had better not. This coffee's too weak to answer it.
See more »

Crazy Credits

The opening credits display the title of the film and the names of the stars in marquee lights, as they would be on Broadway. See more »

Alternate Versions

The DVD release runs 185 minutes, and includes the overture, entr'acte and exit music, as presented in the original "road show" version of the film. See more »

Connections

Referenced in The Miracle of Sound (1940) See more »

Soundtracks

By the Beautiful Sea
(1914) (uncredited)
Music by Harry Carroll
Played when Ziegfeld first meets Fannie Brice
See more »

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User Reviews

 
"Needs more steps"
14 March 2012 | by Steffi_PSee all my reviews

It's hard to think of today, what with the theatre being a highbrow and typically minimalist medium, but back in the days before movies became big business, stage productions often presented the public with phenomenal displays of grandeur. In the early years of the twentieth century, Florenz Ziegfeld was a theatrical showman who had Busby Berkely's worship of feminine beauty and Cecil B. DeMille's sense of scale. He was creating Hollywood-style extravagance back when Hollywood was just a patch of scrubland.

Fast-forward to 1936, a couple of years after Ziegfeld's death, and cinema still bears his mark. Musicals (which were still often based around stage performances) were often showcases for a variety of dancing and singing talents, usually building to a spectacular finale. The Great Ziegfeld is more than just a biopic, it is the culmination of this strand in cinema; the first epic musical. Here we see the 30's musical's shimmering sets and full-on dance routines on a scale never before seen on the screen. Robert Z. Leonard directs with his usual sweeping camera moves, often slowly pulling back to reveal the size of the production. But he also lets his camera get deeply involved in the more dramatic scenes.

Apart from the various song-and-dance people involved, the casting here is very much a Hollywood affair. William Powell was then the go-to man for such smart and witty types. He and Myrna Loy were well-known as a screen couple, from The Thin Man pictures amongst others. They both give adequate portrayals, but in truth these two need a smaller, more intimate production to shine in their own right. The performance that best fits the size of The Great Ziegfeld is that of Luise Rainer. Melodramatic, full of presence, she seems always on the verge of breaking down into some farcical display of ham acting, but never quite does so. It's not a realistic performance by any stretch, but it is beautiful in its theatricality.

Ziegfeld's influence would live on in musical cinema for many years after his death. The Great Ziegfeld was just the first in a series of pictures tipping their hat to the producer. Meanwhile, many of the stars made famous by Ziegfeld – Billie Burke, Eddie Cantor, Will Rogers, Ray Bolger – were finding fruitful careers on the silver screen. It was, after all, the way of the future. You see, it wasn't just the depression that finished Ziegfeld. Even if he had lived, cinema would have provided him with too much competition to continue with his follies, especially with the advent of sound. But this is beside the point. If The Great Ziegfeld shows anything, it is that the spirit of showmanship that he championed could live on, if not in one medium then in another.


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