In 1959, Sir Alfred Hitchcock (Sir Anthony Hopkins) and his wife, Alma Reville (Dame Helen Mirren), are at the top of their creative game as filmmakers amidst disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Sir Alfred decides his next movie will adapt the lurid horror novel, "Psycho", over everyone's misgivings. Unfortunately, as Sir Alfred self-finances and labors on this movie, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Sir Alfred's work, even as the novel's inspiration haunts his dreams.Written by
Kenneth Chisholm (firstname.lastname@example.org)
As Alfred Hitchcock is reading the London Times over his breakfast you can clearly see a news report of "The King Speaks to all Britons". Great Britain has had Elizabeth II as monarch since 1952. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
As Hitch addresses his audience at the end of the picture, he tells us that he is bereft of ideas for his next picture... then a large, black bird lands on his shoulder. See more »
The REAL Hitchcock buffs will be disappointed, in that this movie does not delve deeply into the mind of this brilliant, creative filmmaker. It deals with the superficialities of his existence, and not the big issues of, for example, what propelled his interest in the Wisconsin serial murderer Ed Gein? Was this interest tied to his pursuit of his 'blonde girls?' The dark side of his personality was shown through his hallucinatory 'relationship' to Mr. Gein--who pops up occasionally--and could be considered a clever device; I thought it a cop-out.
As another reviewer on this board wrote, the most enjoyable parts of the movie revolved around the casting, writing, filming and editing of "Psycho." Jessica Biel and Scarlet Johanssen were adequate, if not inspired; Helen Mirren was the movie's anchor, while Anthony Hopkins seemed to be trying too hard, and I was always conscious of him 'acting.'
BUT, as noted earlier, it moves along and is enjoyable. Just don't expect too much.
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