The story of New Zealander Burt Munro (Sir Anthony Hopkins), who spent years rebuilding a 1920 Indian motorcycle, which helped him set the land speed world record at Utah's Bonneville Salt Flats in 1967.
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 1959, Sir Alfred Hitchcock (Sir Anthony Hopkins) and his wife, Alma Reville (Dame Helen Mirren), are at the top of their creative game as filmmakers amidst disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Sir Alfred decides his next movie will adapt the lurid horror novel, "Psycho", over everyone's misgivings. Unfortunately, as Sir Alfred self-finances and labors on this movie, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Sir Alfred's work, even as the novel's inspiration haunts his dreams.Written by
Kenneth Chisholm (firstname.lastname@example.org)
This movie was shot in thirty-six days. See more »
The film presents several erroneous facts about real life killer Ed Gein:
1. The film opens with Ed Gein killing his brother,Henry with a shovel in 1944; actually, the police investigated Henry Gein's death at the time and found no evidence of foul play- and the official coroner's report states that Henry Gein died of asphyxiation while fighting a fire on his property. While many authors have suggested that Ed murdered his brother (especially after the revelations of Ed's later activities) this has never been proven.
2. At one point, when talking to his secretary, Hitchcock (Anthony Hopkins) refers to Ed Gein as "the mass murderer from Wisconsin". In reality, there were only two confirmed murder victims of Ed Gein, which, although terrible, hardly constitutes a "mass".
Finally, in the same conversation, Hitchcock refers to Gein as "the boy who dug up his own mother". Although Ed Gein was a proven grave robber- which was and is a terrible crime- there is nothing in historical records of his crimes mentioning- or even suggesting- that he exhumed his own mother's remains. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in silhouette in a large empty movie theatre before walking out of the shot. This emulates Hitchcock's trademark cameo appearance in most of his films. See more »
The odds were against it, let's face it. Then after that TV film about the obsession of Hitch for Tippi Hedren, what was it called? something like "The Girl" Brrrr. I thought, what a pity. But then, I went to see it and I was not merely thoroughly entertained but delighted. Anthony Hopkins and Helen Mirren make a formidable pair. Mirren, in spite of her glamour, I've never seen Alma Reville, as glamorous, Mirren truly captures the essence of the woman and makes that marriage not just feasible but ideal in so many ways. The script, smart and witty and gives a glimpse into what might have really happened. Janet Leigh (a terrific Scarlett Johansson)thanking Hitch and kissing him on the cheek. Look at Hitch/Hopkins's face when that happens. A child. I believed it. So, considering the odds against it, a triumph.
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