A Countess from Hong Kong (1967)

In Hong Kong, the ambassador returning to America meets the Russian countess, a refugee without a passport, who decides to hide in his cabin.

Director:

Charles Chaplin

Writer:

Charles Chaplin (original screenplay)

Stars:

Marlon Brando, Sophia Loren, Sydney Chaplin

1 nomination.

Cast

Cast overview, first billed only:
Marlon Brando	...	Ogden
Sophia Loren	...	Natascha
Sydney Chaplin	...	Harvey
Tippi Hedren	...	Martha
Patrick Cargill	...	Hudson
Michael Medwin	...	John Felix
Oliver Johnston	...	Clark
John Paul	...	The Captain
Angela Scoular	...	The Society Girl
Margaret Rutherford	...	Miss Gaulswallow
Peter Bartlett	...	Steward
Bill Nagy	...	Crawford
Dilys Laye	...	Saleswoman
Angela Pringle	...	Baroness
Jenny Bridges	...	Countess

Storyline

In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic, close to being assigned Saudi Arabian ambassador, and divorcing his wife Martha. He and his friend Harvey are invited by their old friend Clark to go to a nightclub with three aristocratic Russians on their last night. Ogden drinks too much and spends the night with Countess Natascha. The next morning, while sailing back home, Ogden finds Natascha hidden in his cabin wearing a ball gown and with no documents. The stowaway explains that she wants to go to the United States and Ogden is worried about his career. But Harvey convinces him to help Natascha. Ogden falls in love with Natascha, and he and Harvey plot a fake marriage between Natascha and his valet Hudson. Things get complicated when Immigration requests Natascha's documents and Martha arrives on board.

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Plot Keywords:

hong kong | ocean liner | countess | russian | luxury liner | 

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Taglines:

It's a She Voyage that rocks the Boat!

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Genres:

Comedy | Romance

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Certificate:

G

Details

Country:

UK

Language:

English French

Release Date:

15 March 1967 (USA)

Also Known As:

Una condesa de Hong Kong

Filming Locations:

Pinewood Studios, Iver Heath, Buckinghamshire, England, UK

Box Office

Budget:

$3,500,000 (estimated)

Company Credits

Production Co:

Chaplin Film Productions Ltd.,Universal Pictures

Technical Specs

Runtime:

120 min 108 min (US)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Judy Huxtable was considered for various roles.

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Goofs

During "everybody is getting sea-sick" scene Ogden, Natascha and Harvey push an ashtray around the table until Ogden angrily swipes it off the table. Shortly after it's back on the table in front of Natascha's chair and in the next shot it moves over to be in front of Ogden's chair, although nobody is at the table at that time.

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Quotes

Baroness: No, no, don't turn it off. Music complements champagne.

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Connections

Referenced in My Best Friend's Birthday (1987)

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Soundtracks

(Love,) This Is My Song
Written by Charles Chaplin
Performed by Petula Clark

User Reviews

Very flawed, still interesting

Chaplin's last picture is a film with many faults, yet it's not as bad as often claimed. I've seen it many times myself. Here is my opinion of it:

One of the most important flaws is the miscasting of Brando. He seems ill at ease. Thus Loren has to carry the film virtually alone. The whole structure of 'Countess' is not well balanced. There's too much simple visual comedy for a romantic comedy, and vice versa. The plot is thin (It's supposed to be simplistic). Also, the score is at times muddled as previously introduced dramatic themes come and go without any reason (see and hear Hedren's first appearance.) The film is also a bit overlong.

The good things: There are points when the music is up to Chaplin's usually high standards (Cargill's comedy scene, storm theme). Cameo appearances are nice. Direction is more focused and production values are certainly superior to A King in N.Y. Yes, I believe, that what is often described as Chaplin's 'flat' direction due to a lack of skill is an artistic style by choice. Simpleness is not the same as unskilfulness. For instance, during the dance scenes, the camera movement following actors is subtle and economically made. You'll notice it if you watch them in fast-forward.

And if one may feel disappointed at the film on the whole, there's at least a very beautiful, poignant and simple ending that is in my opinion the best of any Chaplin film I've seen. Its every element is in place.

Therefore it's a rather mixed bag of a movie, most suitable for Chaplin fans and very interesting as a curio, at least.