A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets.
Director:
Alfred Hitchcock
Stars:
Ingrid Bergman,
Joseph Cotten,
Michael Wilding
An American scientist publicly defects to East Germany as part of a cloak and dagger mission to find the solution for a formula resin before planning an escape back to the West.
A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
Director:
Alfred Hitchcock
Stars:
Frederick Stafford,
Dany Robin,
John Vernon
After three British Agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.
Director:
Alfred Hitchcock
Stars:
John Gielgud,
Madeleine Carroll,
Robert Young
Highly successful London barrister Anthony Keane takes on the case of Italian Maddalena Paradine who is accused of poisoning her blind military hero husband. Keane comes increasingly under her spell, threatening both his marriage and his career.Written by
Jeremy Perkins {J-26}
DIRECTOR CAMEO (Sir Alfred Hitchcock): Getting off a train at the Cumberland station carrying a cello. See more »
Goofs
When Latour appears outside Keane's inn room, the wind is blowing wildly, whipping Latour's hair across his forehead; yet just a split-second later, after Latour has entered the room, his hair is perfectly combed without a hair out of place. See more »
In opening credits scroll below Ethel Barrymore: "and two new / Selznick Stars / Louis Jourdan / and / Valli". Alida Valli's name is in script form, and Jourdan had been playing leading roles in French films for several years before making "The Paradine Case". See more »
I wish some other star rather than Gregory Peck had played the lead role. Someone like a Ronald Coleman (whom Hitchcock wanted) or Laurence Olivier (whom Selznick wanted). I personally would have loved Robert Donat, but any of the above would have served better. I like Peck normally, but in this film, he's too young and never convincingly English, despite his accent. Even without the accent, he doesn't suggest someone who is passionately and irrationally swept away, as the role calls for.
That said, I still love the film. Some Hitchcock films I love more--as I guess we all do--but I prefer this one over others. View THE PARADINE CASE and then compare it with the master's three movies that followed, those he directed without Selznick (ROPE, UNDER CAPRICORN, STAGE FRIGHT), and you'll see the touch that pervades those he made with Selznick. All the Selznick/Hitchcock flicks are wonderful; they are the director's most glamorous and romantic movies.
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I wish some other star rather than Gregory Peck had played the lead role. Someone like a Ronald Coleman (whom Hitchcock wanted) or Laurence Olivier (whom Selznick wanted). I personally would have loved Robert Donat, but any of the above would have served better. I like Peck normally, but in this film, he's too young and never convincingly English, despite his accent. Even without the accent, he doesn't suggest someone who is passionately and irrationally swept away, as the role calls for.
That said, I still love the film. Some Hitchcock films I love more--as I guess we all do--but I prefer this one over others. View THE PARADINE CASE and then compare it with the master's three movies that followed, those he directed without Selznick (ROPE, UNDER CAPRICORN, STAGE FRIGHT), and you'll see the touch that pervades those he made with Selznick. All the Selznick/Hitchcock flicks are wonderful; they are the director's most glamorous and romantic movies.