Retreating from life after a tragedy, a man questions the universe by writing to Love, Time, and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the next day.
Pivoting around the eternal game of love, the suave matchmaker and New York's greatest date doctor, Alex "Hitch" Hitchens, guarantees that any man can get the girl of his dreams if he overcomes his fears and follows his infallible advice. However, when the timid accountant, Albert Brennaman, wants to win the attention of the rich and beautiful heiress, Allegra Cole, Hitch will discover his perfect match: the inquisitive gossip columnist, Sara Melas. Now, the self-assured charmer is in need of his own services to save his relationship. Can the silver-tongued expert of romance survive the delicate complications of love?Written by
The mobile phone that Hitch uses to talk to Sara when Albert is getting his back waxed is a Sony Ericsson P900. See more »
As Hitch tries to win Sara back, her hair changes length, style, and position throughout the scene. See more »
Basic principles: no woman wakes up saying, "God, I hope I don't get swept off my feet today!" Now, she might say, "This is a really bad time for me," or something like, "I just need some space," or my personal favorite, "I'm really into my career right now." You believe that? Neither does she. You know why? Because she's lying to you, that's why. You understand me? Lying! It's not a bad time for her. She doesn't need any space. And she may be into her career, but what she's really...
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This film was not about stereotypes, nor dance moves, nor pickup lines, really. This film was about the vulnerability of peoples' hearts. It was hard to believe that Kevin James could play in a convincing role, that Will Smith could satisfy without action, and that such a hackneyed genre of film could succeed in such a way. I don't intend to sound overly endeared with this film - it wasn't "groundbreaking" in any sort of way - but it was a film worth seeing. Was it believable? No. New York couldn't be so simple and there has been no human being in the history of mankind that has the "hutzpah" of Hitch. Sure, there are bar-studs, but not ones that can get any chick, at any time - excluding those raking in seven figures, of course. The thing that worked best for this film was its true focus on the dramatic side of things, not just on the comedy. It was a funny two hours, no doubt. But it was also two hours that made you sit in your seat, become immersed in the characters, and smile.
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