Biopic traces the life of Lou Gehrig, famous baseball player who played in 2130 consecutive games before falling at age 37 to ALS, a deadly nerve disease which now bears his name. Gehrig is followed from his childhood in New York until his famous 'Luckiest Man' speech at his farewell day in 1939.Written by
Jerry Milani <jmilani@ix.netcom.com>
Released in 1942, there are exactly 4 black men and 1 black woman who appear on screen during the movie. Only the train porter and shoeshine man have lines. See more »
Goofs
After the wedding in Gehrig's apartment, the crowd of workers and family wave goodbye to Lou and Eleanor. As the couple leave, the worker sitting on a ladder painting the white wood beam raises his hand to wave goodbye. The man shoves his hand into the ceiling of the set, pushing the apparently solid ceiling inward, thus exposing the ceiling as nothing but fabric. See more »
A version broadcast on WPIX 11 in the 1980's left out several notable scenes. Among them:
Lou Gehrig's encounter with "Myra" while at college and his subsequent outburst at the fraternity and Sam Blake (the following scene begins where Blake is trying to sell Lou on the Yankees)
The scene where Lou walks into the Yankee locker room for the first time, sees the names of the other players and tries on his hat
The scene where he receives his tuxedo in the mail and tries to explain it to his parents
When Lou and Eleanor return home to a surprise party, the dialogue before they walk through the door where Mom Gehrig wonders "what's keeping Lou"
Gary Cooper may have won his Oscar for SERGEANT YORK--but I think he deserved it even more for PRIDE OF THE YANKEES. I've never seen him give a more heartfelt, natural and completely likeable performance than I have here. And Teresa Wright is glowing as his sweetheart.
It tells Lou Gehrig's story in a simple, straightforward manner with only an occasional bit of Hollywood corn, the kind so typical of the 1940s. But the main storyline is carried by Cooper and Wright with some great assist from Walter Brennan. Brennan drops a lot of his cornball mannerisms (the kind he uses he in all his Western roles) and plays it straight here--with excellent results.
But it's Cooper's achievement--no doubt about that. If the last twenty minutes of the film don't move you to tears, you're made of stone. Cooper gets across the panic and fear that hits him with the first signs of his illness--with a subtle show of facial expressions. He's really into his character here and gives one of the best performances of his career.
Knowing someone who died from this disease, I was especially moved at how the first signs of illness were shown here.
Douglas Croft does a fine job as the young Lou--and by the way, whatever happened to him? He played Ronald Reagan as a boy in KINGS ROW and did several other films in the '40s. And how come Dane Clark received no billing in the credits? He was only seen early on in the film but he had a line of dialogue as one of Lou's fraternity pals. He had no credit in Alan Ladd's THE GLASS KEY too--he's the man Brian Donlevy shoves through a plate glass window. A year later he was being given the star buildup at Warner Bros.
A great film and a wonderful tribute to Lou Gehrig.
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Gary Cooper may have won his Oscar for SERGEANT YORK--but I think he deserved it even more for PRIDE OF THE YANKEES. I've never seen him give a more heartfelt, natural and completely likeable performance than I have here. And Teresa Wright is glowing as his sweetheart.
It tells Lou Gehrig's story in a simple, straightforward manner with only an occasional bit of Hollywood corn, the kind so typical of the 1940s. But the main storyline is carried by Cooper and Wright with some great assist from Walter Brennan. Brennan drops a lot of his cornball mannerisms (the kind he uses he in all his Western roles) and plays it straight here--with excellent results.
But it's Cooper's achievement--no doubt about that. If the last twenty minutes of the film don't move you to tears, you're made of stone. Cooper gets across the panic and fear that hits him with the first signs of his illness--with a subtle show of facial expressions. He's really into his character here and gives one of the best performances of his career.
Knowing someone who died from this disease, I was especially moved at how the first signs of illness were shown here.
Douglas Croft does a fine job as the young Lou--and by the way, whatever happened to him? He played Ronald Reagan as a boy in KINGS ROW and did several other films in the '40s. And how come Dane Clark received no billing in the credits? He was only seen early on in the film but he had a line of dialogue as one of Lou's fraternity pals. He had no credit in Alan Ladd's THE GLASS KEY too--he's the man Brian Donlevy shoves through a plate glass window. A year later he was being given the star buildup at Warner Bros.
A great film and a wonderful tribute to Lou Gehrig.