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A Shot in the Dark (1964)

Inspector Jacques Clouseau investigates the murder of Mr. Benjamin Ballon's driver at a country estate.

Director:

Blake Edwards

Writers:

Blake Edwards (screenplay), William Peter Blatty (screenplay) | 2 more credits »

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Nominated for 1 BAFTA Film Award. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter Sellers ... Jacques Clouseau
Elke Sommer ... Maria Gambrelli
George Sanders ... Benjamin Ballon
Herbert Lom ... Charles Dreyfus
Tracy Reed ... Dominique Ballon
Graham Stark ... Hercule LaJoy
Moira Redmond ... Simone
Vanda Godsell ... Madame LaFarge
Maurice Kaufmann ... Pierre
Ann Lynn ... Dudu
David Lodge ... Georges
André Maranne André Maranne ... Francois
Martin Benson ... Maurice
Burt Kwouk ... Cato
Reginald Beckwith Reginald Beckwith ... Receptionist at nudist camp
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Storyline

Ballon household: Benjamin Ballon and his wife Madame Ballon, Henri Lafarge the head Butler and his wife Madame Lafarge the Cook, Miguel Ostos the Head Chauffeur, Maria Gambrelli the third maid, Pierre the second Chauffeur and his wife Dudo the head Maid, Georges the Gardener and his wife Simone the second Maid, Maurice the second Butler. Affairs: Monsieur Ballon and Maria, Maria and Miguel, Henri and Dudo, Madame Ballon and Henri, Pierre and Simone. Who killed who: Madame Ballon accidentally shot Miguel because she suspected her husband of having an affair with Maria and wanted to kill him. Madame LaFarge killed Georges because he threatened to break up with her. Simone killed Dudo to eliminate her because she was in the way of her affair with Pierre. Monsieur Ballon killed Henri because he was having an affair with his wife. Blackmailers: Georges blackmailing Monsieur Ballon (Seen leaving Maria's room). Maurice blackmailing Madame Ballon. (Seen leaving Maria's room). Written by Bert Weissensee

Plot Summary | Plot Synopsis

Taglines:

It's Sellers the Sleuth... and there's nothing he won't do to track down a body -- dead or alive! See more »

Genres:

Comedy | Mystery

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Spanish

Release Date:

29 January 1965 (UK) See more »

Also Known As:

Un disparo en la sombra See more »

Filming Locations:

Paris, France See more »

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Box Office

Gross USA:

$12,368,234

Cumulative Worldwide Gross:

$12,368,234
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The Pink Panther got his own cartoon from the The Pink Panther (1963) title sequence, while this film got the Inspector his own cartoon series (with the Henry Mancini theme in this film becoming the theme track for his cartoon too). See more »

Goofs

During the billiards scene, when he accuses Monsieur Ballon of murder, Clouseau calls him "Inspector Ballon". See more »

Quotes

[first lines]
Dreyfus: [answers phone] Commissioner Dreyfus... Ah, yes, my darling... I was just about to call you. I'm on my way. I've got the cheese and the beaujolais... What?
[laughs]
Dreyfus: ... My love. Kiss the children for me, hmm?
[intercom buzzes]
Dreyfus: Hold on.
[covers phone mouthpiece; answers intercom]
Dreyfus: Yes?
intercom: Your wife is on the other line.
Dreyfus: Tell her I'm out of town.
See more »

Crazy Credits

The title sequence is of an animated Inspector Clouseau bumbling around, getting into scrapes. See more »

Connections

Followed by Curse of the Pink Panther (1983) See more »

Soundtracks

Shadows of Paris
Music by Henry Mancini
Lyrics by Robert Wells
The singer is unknown.
See more »

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User Reviews

The best of the Pink Panther films, but not as funny as it should have been
2 May 2004 | by bob the mooSee all my reviews

When a murder occurs in the house of millionaire Benjamin Ballon, Inspector Clouseau is put on the case. When he makes a real pigs ear of it, Commissioner Dreyfus takes him off the case until political pressure forces him to put him back on it. The maid, Maria Gambrelli was found in a locked room with a gun in her hands and a body at her feet - all the clues appear to point to her, but Clouseau is too taken by her beauty to believe it could be her. He pursues a more complex theory, much to the chagrin of Dreyfus - but could his bumbling have brought him onto the right track.

In terms of cinema, 1964 was one of the best years of Peter Seller's career; not only did he make his best film with several great performances (Dr Strangelove) but he also made the best of the Pink Panther films with this entry. The two films are quite different - Strangelove is very much an all round performance(s) whereas Shot In The Dark displays his physical comedy to great effect. The basic plot is a murder mystery but it doesn't really matter who did what to whom as the focus of the film is the bumbling investigation of Clouseau. This is as funny as the character got and the material is pretty good. It depends a great deal on your personal taste as to how much you are laughing at this film. I found it funny but not as funny as I had hoped I would. The reason for this was that the film relied very heavily on Clouseau. The problem with this is that the comedy around Clouseau usually requires a small build up and hence a lag before the laugh - hence the laughs are spaced rather than consistent.

Of course, basing the film around Sellers is not a bad thing in itself, it's just the material that needed to be sharper and funnier. Although I like Sellers better in other things (namely Strangelove and The Goons) but he is the only man who could do this role and he does it very well indeed. Sommer is actually pretty good and manages to add to the laughs. Sanders is a nice addition even if he plays it straight most of the way; Lom on the other hand is increasingly funny as he breaks down - he is better here than in other films. Kwouk is given a small role but he shows that he has a flair for comedy (a flair that he has continued to show recently including his series with Harry Hill).

Overall, those hoping for a rip-roaring spoof may well be a little disappointed as it is not a laugh a second, even if it is still funny. The plot doesn't really matter and the material could have been sharper and more consistent, but it still stands out as the best of the Pink Panther films. All in all, 1964 and these two films is as good proof of Sellers' abilities as you could ask for and he carries this film here.


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