Starz has a new series on the way. The Hunting Wives is in pre-production, and the series has a promising cast to boot.
The Hunting Wives is a suspenseful drama that follows a group of elite housewives as they find themselves embroiled in obsession, seduction, and murder.
Let's take a look at what we know about The Hunting Wives series and what information we're still waiting to receive.
The Hunting Wives Cast
The cast for The Hunting Wives has been slowly released over the past few weeks as more information about the show is revealed.
First announced as part of the cast was Malin Akerman, who's taking on the role of Margo Banks, a charming socialite.
Playing opposite Akerman is Brittany Snow in the role of Sophie O'Neill. Sophie moves with her family from the East Coast to the depths of East Texas, where she finds herself utterly charmed by Margo.
The Hunting Wives is a suspenseful drama that follows a group of elite housewives as they find themselves embroiled in obsession, seduction, and murder.
Let's take a look at what we know about The Hunting Wives series and what information we're still waiting to receive.
The Hunting Wives Cast
The cast for The Hunting Wives has been slowly released over the past few weeks as more information about the show is revealed.
First announced as part of the cast was Malin Akerman, who's taking on the role of Margo Banks, a charming socialite.
Playing opposite Akerman is Brittany Snow in the role of Sophie O'Neill. Sophie moves with her family from the East Coast to the depths of East Texas, where she finds herself utterly charmed by Margo.
- 2/23/2024
- by Devin Piel
- TVfanatic
“Fool Me Once” star Michelle Keegan is set to return for a second season of “Ten Pound Poms.”
Set in post-war Britain, the U.K.-Australian co-production follows a group of Brits as they leave behind their dreary lives to seek adventure down under. (In Australia “Pom” is a nickname for British people).
Keegan stars as nurse Kate Thorne in the show, which was created by “Fool Me Once” screenwriter Danny Brocklehurst.
Season 2 will pick up as Thorne tries to turn her Australian dream into reality as well as introducing some new characters who are sure to bring the drama, including the Skinner family, who have arrived from Ireland, and an unscrupulous landlord called Benny Bates.
Faye Marsay (“Black Mirror”) and Warren Brown (“Luther”) will also reprise their roles in the show alongside Rob Collins (“Mystery Road”) as Ron, Leon Ford (“Elvis) as Bill, Declan Coyle (“Long Black”) as Stevie,...
Set in post-war Britain, the U.K.-Australian co-production follows a group of Brits as they leave behind their dreary lives to seek adventure down under. (In Australia “Pom” is a nickname for British people).
Keegan stars as nurse Kate Thorne in the show, which was created by “Fool Me Once” screenwriter Danny Brocklehurst.
Season 2 will pick up as Thorne tries to turn her Australian dream into reality as well as introducing some new characters who are sure to bring the drama, including the Skinner family, who have arrived from Ireland, and an unscrupulous landlord called Benny Bates.
Faye Marsay (“Black Mirror”) and Warren Brown (“Luther”) will also reprise their roles in the show alongside Rob Collins (“Mystery Road”) as Ron, Leon Ford (“Elvis) as Bill, Declan Coyle (“Long Black”) as Stevie,...
- 1/31/2024
- by K.J. Yossman
- Variety Film + TV
Exclusive: Superstore star Ben Feldman will lead Australian comedy crime caper Population 11.
Lionsgate, streamer Stan and Phil Lloyd and Trent O’Donnell from No Activity producer Jungle Entertainment have teamed for the 12-part series ahead of a March 14 launch in Australia.
The series, which Jungle produces Entertainment in association with Factor 30 Films, has been quietly shooting in Western Australia’s Kimberley Region. We’ve now got full cast details, a trailer (see below) and first-look images.
Based on true events, the series is based around a man, Hugo, who goes missing from a tiny outback town of only 12 residents. His son, Andy Pruden (Feldman), a suburban Ohio bank teller, has journeyed across the world to visit and is alarmed when he discovers he is missing. Andy teams with another outsider Cassie (Perry Mooney) on a quest to find his father, and the pair find themselves in increasing danger as they...
Lionsgate, streamer Stan and Phil Lloyd and Trent O’Donnell from No Activity producer Jungle Entertainment have teamed for the 12-part series ahead of a March 14 launch in Australia.
The series, which Jungle produces Entertainment in association with Factor 30 Films, has been quietly shooting in Western Australia’s Kimberley Region. We’ve now got full cast details, a trailer (see below) and first-look images.
Based on true events, the series is based around a man, Hugo, who goes missing from a tiny outback town of only 12 residents. His son, Andy Pruden (Feldman), a suburban Ohio bank teller, has journeyed across the world to visit and is alarmed when he discovers he is missing. Andy teams with another outsider Cassie (Perry Mooney) on a quest to find his father, and the pair find themselves in increasing danger as they...
- 1/30/2024
- by Jesse Whittock
- Deadline Film + TV
Lily Sullivan earned a lot of horror-loving fans with her performance in last year’s Evil Dead Rise, writer/director Lee Cronin’s addition to the Sam Raimi-created Evil Dead franchise. Those horror-loving fans are going to have a new Sullivan film to check out soon, when Well Go USA gives a theatrical and digital release to Monolith on February 16th – and with just a month to go before that date arrives, a trailer for the film has arrived online. You can check it out in the embed above.
The feature directorial debut of Matt Vesely, who has 15 years of short film credits on his filmography, Monolith was written by Lucy Campbell. This is Campbell’s first feature writing credit, following multiple script editor and script coordinator credits on projects like the Wolf Creek TV series, Wanted, Pine Gap, The Hunting, Upright, Stateless, A Sunburnt Christmas, Firebite, and Aftertaste.
The feature directorial debut of Matt Vesely, who has 15 years of short film credits on his filmography, Monolith was written by Lucy Campbell. This is Campbell’s first feature writing credit, following multiple script editor and script coordinator credits on projects like the Wolf Creek TV series, Wanted, Pine Gap, The Hunting, Upright, Stateless, A Sunburnt Christmas, Firebite, and Aftertaste.
- 1/10/2024
- by Cody Hamman
- JoBlo.com
France’s César Academy has unveiled its annual Revelations list showcasing 32 emerging acting talents making their mark in the French-speaking cinema world.
The 16 selected actresses include Suzy Bemba for her performance year in Catherine Corsini’s Homecoming. Bemba was also seen in Venice Golden Lion winner Poor Things this year.
The selection also features Rebecca Marder for Corsica-set thriller Grand Expectations; Garance Marillier, for bio-pic Marinette about French female soccer pioneer Marinette Pichon, and Park Ji-min for her award-winning performance in Return To Seoul.
The actor list includes Milo Machado Graner, who plays the visually impaired son in Justine Triet’s Anatomy of a Fall, Marc Zinga’s for his performance in Belgium’s Oscar entry Omen and Samuel Kircher for Catherine Breillat’s taboo-breaking drama Last Summer. His brother Paul Kircher is also in the selection for The Animal Kingdom.
The talents were selected by a committee of...
The 16 selected actresses include Suzy Bemba for her performance year in Catherine Corsini’s Homecoming. Bemba was also seen in Venice Golden Lion winner Poor Things this year.
The selection also features Rebecca Marder for Corsica-set thriller Grand Expectations; Garance Marillier, for bio-pic Marinette about French female soccer pioneer Marinette Pichon, and Park Ji-min for her award-winning performance in Return To Seoul.
The actor list includes Milo Machado Graner, who plays the visually impaired son in Justine Triet’s Anatomy of a Fall, Marc Zinga’s for his performance in Belgium’s Oscar entry Omen and Samuel Kircher for Catherine Breillat’s taboo-breaking drama Last Summer. His brother Paul Kircher is also in the selection for The Animal Kingdom.
The talents were selected by a committee of...
- 11/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
Olga Kurylenko is set to lead the sci-fi action-thriller “Unify.”
Directed and written by Jonathan Hopkins (“Slumber”), the film is set in a dystopian future and tells the story of a refugee mother who holds the key to humanity’s salvation in the war against A.I. but is being hunted by a technological enemy.
Myriad has acquired rights for the action-adventure drama from BoxFly and Ostara Pictures, and will launch the film to buyers at this month’s European Film Market, which runs alongside the Berlin Film Festival. The film will begin production in October.
BoxFly and Ostara Pictures will produce “Unify” with Haydn Pryce-Jenkins and Raimund Berens. Executive producers are BoxFly’s Colin Brown, Ostara Pictures’ Graham Bryan and Myriad Pictures’ Kirk D’Amico and Brian Nitzkin. Shakyra Dowling has come on board as casting director.
From a story by Hopkins, Charlie Macpherson and Jennie Gruner, “Unify” warns of a biological A.
Directed and written by Jonathan Hopkins (“Slumber”), the film is set in a dystopian future and tells the story of a refugee mother who holds the key to humanity’s salvation in the war against A.I. but is being hunted by a technological enemy.
Myriad has acquired rights for the action-adventure drama from BoxFly and Ostara Pictures, and will launch the film to buyers at this month’s European Film Market, which runs alongside the Berlin Film Festival. The film will begin production in October.
BoxFly and Ostara Pictures will produce “Unify” with Haydn Pryce-Jenkins and Raimund Berens. Executive producers are BoxFly’s Colin Brown, Ostara Pictures’ Graham Bryan and Myriad Pictures’ Kirk D’Amico and Brian Nitzkin. Shakyra Dowling has come on board as casting director.
From a story by Hopkins, Charlie Macpherson and Jennie Gruner, “Unify” warns of a biological A.
- 2/7/2023
- by Manori Ravindran
- Variety Film + TV
Aussie actor Sam Reid has been tapped to follow in Tom Cruise’s footsteps, playing the vampire Lestat de Lioncourt in AMC‘s series adaptation of Anne Rice’s Interview With the Vampire.
Reid’s previous TV roles include the Aussie dramas The Hunting and Lambs of God, plus the ITV detective series Prime Suspect 1973. Our sister site Variety first reported on his Vampire casting.
More from TVLineWalking Dead's Jeffrey Dean Morgan Sums Up Negan and Maggie's Face-Off in Final Season: He'll 'Have to Kill Her'Walking Dead's Melissa McBride and Norman Reedus Tease a Seismic Shift in Final Season: 'We're Like,...
Reid’s previous TV roles include the Aussie dramas The Hunting and Lambs of God, plus the ITV detective series Prime Suspect 1973. Our sister site Variety first reported on his Vampire casting.
More from TVLineWalking Dead's Jeffrey Dean Morgan Sums Up Negan and Maggie's Face-Off in Final Season: He'll 'Have to Kill Her'Walking Dead's Melissa McBride and Norman Reedus Tease a Seismic Shift in Final Season: 'We're Like,...
- 8/13/2021
- by Matt Webb Mitovich
- TVLine.com
Sam Reid will play the vampire Lestat in AMC’s “Interview With the Vampire,” which is based on Ann Rice’s popular novels.
Last year, AMC acquired the rights to Rice’s bestselling “Vampire Chronicles” and “Lives of the Mayfair Witches” book series, giving the network access to develop film and television projects from any of the 18 titles under both best-selling series.
The series will be available on both AMC and AMC+.
The author and her son Christopher Rice will serve as executive producers on all series and films under their deal with AMC, which gives the network and its external partners comprehensive rights to develop projects using Rice’s intellectual property.
The Rices have been trying to develop a series based on “The Vampire Chronicles” for years. In July 2018 there was a project set up at Hulu that did not move forward.
Rolin Jones will serve as creator, showrunner and executive producer of “Interview.
Last year, AMC acquired the rights to Rice’s bestselling “Vampire Chronicles” and “Lives of the Mayfair Witches” book series, giving the network access to develop film and television projects from any of the 18 titles under both best-selling series.
The series will be available on both AMC and AMC+.
The author and her son Christopher Rice will serve as executive producers on all series and films under their deal with AMC, which gives the network and its external partners comprehensive rights to develop projects using Rice’s intellectual property.
The Rices have been trying to develop a series based on “The Vampire Chronicles” for years. In July 2018 there was a project set up at Hulu that did not move forward.
Rolin Jones will serve as creator, showrunner and executive producer of “Interview.
- 8/13/2021
- by Tim Baysinger
- The Wrap
Sam Reid has been cast in the lead role of Lestat in AMC’s “Interview With the Vampire” series, Variety has learned.
The show, which was officially greenlit in June, is based on the Anne Rice novel of the same name. The book centers on the vampire Louis de Pointe du Lac as he relates the story of his life to a reporter, in particular how he was turned into a vampire and then mentored by Lestat de Lioncourt.
The casting could represent a long-term investment in Reid on AMC’s part. As the company has the rights to all of Rice’s “The Vampire Chronicles” books and Lestat appears in multiple entries, Reid could find himself portraying the character across multiple series. At this time, however, “Interview With the Vampire” is only “Vampire Chronicles” series that has been greenlit by AMC.
He will be the third actor to portray Lestat onscreen,...
The show, which was officially greenlit in June, is based on the Anne Rice novel of the same name. The book centers on the vampire Louis de Pointe du Lac as he relates the story of his life to a reporter, in particular how he was turned into a vampire and then mentored by Lestat de Lioncourt.
The casting could represent a long-term investment in Reid on AMC’s part. As the company has the rights to all of Rice’s “The Vampire Chronicles” books and Lestat appears in multiple entries, Reid could find himself portraying the character across multiple series. At this time, however, “Interview With the Vampire” is only “Vampire Chronicles” series that has been greenlit by AMC.
He will be the third actor to portray Lestat onscreen,...
- 8/13/2021
- by Joe Otterson
- Variety Film + TV
Australian actor Sam Reid has been tapped to star as Lestat in Anne Rice’s Interview with the Vampire series for AMC and AMC+. The series, based on Rice’s book, is slated to begin production on its eight-episode first season later this year for premiere on AMC and its sister streamer AMC+ in 2022.
The book famously was turned into a 1994 movie starring Tom Cruise, who played Lestat, and Brad Pitt as Louis.
Rolin Jones, who co-created and served as showrunner for the first season of HBO’s Perry Mason, is the creator, writer and showrunner of Interview with the Vampire. Jones, who has an overall deal with AMC Studios, will executive produce alongside Mark Johnson, Anne Rice and Christopher Rice.
2020-21 AMC Pilots & Series Orders
AMC ordered the series in June after acquiring the rights to 18 of Rice’s books in 2020 to turn them into a TV franchise overseen by Johnson.
The book famously was turned into a 1994 movie starring Tom Cruise, who played Lestat, and Brad Pitt as Louis.
Rolin Jones, who co-created and served as showrunner for the first season of HBO’s Perry Mason, is the creator, writer and showrunner of Interview with the Vampire. Jones, who has an overall deal with AMC Studios, will executive produce alongside Mark Johnson, Anne Rice and Christopher Rice.
2020-21 AMC Pilots & Series Orders
AMC ordered the series in June after acquiring the rights to 18 of Rice’s books in 2020 to turn them into a TV franchise overseen by Johnson.
- 8/13/2021
- by Nellie Andreeva
- Deadline Film + TV
The Hunting “The Howling” meets “Wolfen” Synopsis: When a mysterious animal attack leaves a mutilated body in the forest, a conservative small town detective must enlist the help of an eager wildlife specialist to uncover the dark and disturbing truth that threatens the town.
The post The Hunting – Werewolf horror with NFL superstar Peyton Hillis! appeared first on Horror News | Hnn.
The post The Hunting – Werewolf horror with NFL superstar Peyton Hillis! appeared first on Horror News | Hnn.
- 8/5/2021
- by Adrian Halen
- Horror News
Rarriwuy Hick leads the ensemble cast of Bunya Productions’ drama True Colours (formerly Copping It Black), now shooting in the Northern Territory’s Macdonnell Ranges for Sbs and Nitv.
The four-part series stems from an original concept from Arrernte singer-songwriter Warren H. Williams, who also stars, and co-creator, writer and director Erica Glynn.
Hick plays Detective Toni Alma, assigned to investigate a suspicious car accident in Perdar Theendar, the Indigenous community she left as a child and has had little to do with over the years. The beauty of Indigenous art and the sometimes-devious practices in the global art market take the detective on an epic hunt for a killer.
Starring alongside Hick are Luke Arnold, Erroll Shand, Emilie de Ravin, Trisha Morton-Thomas, Ben Oxenbould and Miranda Otto.
The series will also include a range of fresh faces such as Kumalie Riley, Kurt Abbott, Sabella Turner, Natalie Peperill, Warren ‘Wazza’ Williams,...
The four-part series stems from an original concept from Arrernte singer-songwriter Warren H. Williams, who also stars, and co-creator, writer and director Erica Glynn.
Hick plays Detective Toni Alma, assigned to investigate a suspicious car accident in Perdar Theendar, the Indigenous community she left as a child and has had little to do with over the years. The beauty of Indigenous art and the sometimes-devious practices in the global art market take the detective on an epic hunt for a killer.
Starring alongside Hick are Luke Arnold, Erroll Shand, Emilie de Ravin, Trisha Morton-Thomas, Ben Oxenbould and Miranda Otto.
The series will also include a range of fresh faces such as Kumalie Riley, Kurt Abbott, Sabella Turner, Natalie Peperill, Warren ‘Wazza’ Williams,...
- 8/4/2021
- by Jackie Keast
- IF.com.au
"It's obvious this animal didn't kill for food..." It must've killed out of spite! Black Mandala Productions has unveiled an early promo trailer for another new werewolf film titled The Hunting, marking the feature narrative directorial debut of filmmaker Mark Andrew Hamer (executive producer for I See You). The basic logline for this sounds like every other werewolf film but that's not surprising: When a mysterious animal attack leaves a mutilated body in the forest, a conservative small town detective must enlist the help of an eager wildlife specialist to uncover the dark & disturbing truth that threatens the town. Most of the footage in this trailer is filled with all the usual werewolf tropes including wolves, but it finally breaks form at the end. The film stars Peyton Hillis, Joelle Westwood, Joaquin Guerrero, Keith Migra, Angela Cole, and Alan Tuskes. This was shot mostly in Ohio and Michigan. I just...
- 6/28/2021
- by Alex Billington
- firstshowing.net
Our friends at Black Mandala have picked up Mark Andrew Hamer's werewolf flick The Hunting. The international sales and production company will represent the film and get it into as many eyeballs around the World as possible. To give you a taste of what to expect from this indie horror flick a trio of posters and a trailer were released. Check everything out down below. The genre specialized company Black Mandala presents the posters and trailer for its new monstrous film, The Hunting, directed by Mark Andrew Hamer. A story that takes place between disappearances and beasts that lurk in the dark, in a small town where you won't dare to go out after...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/24/2021
- Screen Anarchy
More werewolf horror is on the way, with Black Mandala announcing today that they’ve picked up director Mark Andrew Hamer‘s The Hunting. They’ve also unleashed the trailer. In the film, “When a mysterious animal attack leaves a mutilated body in the forest, a conservative small town detective must enlist the help of an eager wildlife specialist to uncover the dark […]...
- 6/24/2021
- by John Squires
- bloody-disgusting.com
Ghost Master: "Ghost Master (originally titled Gôsuto masutâ) is a Japanese horror-comedy that follows Akira Kurosawa, a nerdy assistant director working on the set of a low budget rom-com at an abandoned school. Burnt out on campy teen dramas, Akira dreams of becoming the ultimate horror master. When a conflict with the director, Atsushi Suzuki causes half the cast to strike, Akira is left in charge of the production. Ditching the scheduled project and pivoting to his own horror script, titled Ghost Master, Akira is shocked when his evil screenplay comes to life and begins possessing the cast, including the film’s star, Yuya. As a killing spree commences and the body count rises, Akira must band together with the crew and one remaining actress, Mana to stop the gruesome attacks.
Winner of “Best Film” at the 2020 International Fantasy Film Awards, Ghost Master is directed by Paul Young (“Flashback”) and...
Winner of “Best Film” at the 2020 International Fantasy Film Awards, Ghost Master is directed by Paul Young (“Flashback”) and...
- 6/24/2021
- by Jonathan James
- DailyDead
The Australian screen industry is experiencing a boom, with Australia being seen as an affordable and safe place to film. This presents a distinct opportunity, not just for the Australian economy, but for modernising an industry ripe for change that can better meet the needs of contemporary audiences moving forward.
Although it is great to have all these international productions coming to Australia, we must also strive to protect Australian content and the unique value proposition that our productions bring to the global stage.
“The government is providing a whole lot of money for film and television at the moment but it’s principally for the Hollywood productions, and I welcome the jobs that come with that, but if they can pay for Hollywood stories to be told here, they can sure as hell make sure your stories are funded too,” Shadow Minister for the Arts Tony Burke told the...
Although it is great to have all these international productions coming to Australia, we must also strive to protect Australian content and the unique value proposition that our productions bring to the global stage.
“The government is providing a whole lot of money for film and television at the moment but it’s principally for the Hollywood productions, and I welcome the jobs that come with that, but if they can pay for Hollywood stories to be told here, they can sure as hell make sure your stories are funded too,” Shadow Minister for the Arts Tony Burke told the...
- 6/11/2021
- by Oakley Kwon
- IF.com.au
South Australian companies Kojo Studios and Closer Productions are poised to grow after being selected for the first round of the South Australian Film Corporation’s Screen Business Accelerator Program (Sbap).
The two companies will receive business loans of up to $200,000 per year for up to two years under the program, designed to support the growth of established South Australian screen businesses.
The funding can be used for slate funding, business capability, financial planning, engagement and retention of personnel, research and development, marketing, innovation and more.
The announcement comes after the Safc launched the Screen Business Planning and Mentoring Program last year, with Kojo and Closer among the six Sa screen companies chosen to receive specialised business training and up to $5,000 for business mentoring.
At the conclusion of the program, the companies were eligible to apply for the Sbap.
In recent years, Kojo Studios has helped deliver projects such as First Day,...
The two companies will receive business loans of up to $200,000 per year for up to two years under the program, designed to support the growth of established South Australian screen businesses.
The funding can be used for slate funding, business capability, financial planning, engagement and retention of personnel, research and development, marketing, innovation and more.
The announcement comes after the Safc launched the Screen Business Planning and Mentoring Program last year, with Kojo and Closer among the six Sa screen companies chosen to receive specialised business training and up to $5,000 for business mentoring.
At the conclusion of the program, the companies were eligible to apply for the Sbap.
In recent years, Kojo Studios has helped deliver projects such as First Day,...
- 5/28/2021
- by Sean Slatter
- IF.com.au
Stan has launched a matched development fund with the South Australian Film Corporation (Safc), putting out a call for “bold and distinctive” scripted series.
The aim is to develop shows with complex characters set in unusual worlds or situations that merit high production values, resulting in scripted series of “world-class scope and scale”.
The projects must be original, serialised, returnable, and intended for production and post-production in South Australia.
Stan has shot a number of its originals in Sa, including Wolf Creek, A Sunburnt Christmas, Gold and current production The Tourist, a co-order with the BBC and HBO.
Its development fund with the Safc follows funds with other state agencies Film Victoria and Screen Queensland.
Applications are open from today for the first round, taking selected projects from concept to pitch-ready stage.
Following pitching to Stan, two of the projects will then be selected for a further round of development and commissioning consideration,...
The aim is to develop shows with complex characters set in unusual worlds or situations that merit high production values, resulting in scripted series of “world-class scope and scale”.
The projects must be original, serialised, returnable, and intended for production and post-production in South Australia.
Stan has shot a number of its originals in Sa, including Wolf Creek, A Sunburnt Christmas, Gold and current production The Tourist, a co-order with the BBC and HBO.
Its development fund with the Safc follows funds with other state agencies Film Victoria and Screen Queensland.
Applications are open from today for the first round, taking selected projects from concept to pitch-ready stage.
Following pitching to Stan, two of the projects will then be selected for a further round of development and commissioning consideration,...
- 5/13/2021
- by Staff Writer
- IF.com.au
Leading producers Tony Ayres and Belinda Chayko have assembled an extraordinary Australian cast for Fires, a drama series that presents personal tales from the front lines of the country’s recent catastrophic fire season.
The series, which is now shooting in Victoria state is produced by NBCUniversal -backed Tony Ayres Productions and Matchbox Pictures. Australian Broadcasting Corporation is on board as local broadcaster. International rights are handled by NBCUniversal Global Distribution.
The project is helmed by three leading film directors: Michael Rymer, Ana Kokkinos and Kim Mordaunt.
The ensemble cast includes: Eliza Scanlen, Sam Worthington, Richard Roxburgh, Sullivan Stapleton, Miranda Otto (“Homeland”), Hunter Page-Lochard, Anna Torv, Kate Box, Helana Sawires, Daniel Henshall and Noni Hazlehurst.
They are joined by newcomers Ameshol Ajang, Stacy Clausen and Nyawuda Chuol.
Fires” is structured as an anthology that weaves character studies inspired by true stories into a narrative about the Australian bushfires of 2019-...
The series, which is now shooting in Victoria state is produced by NBCUniversal -backed Tony Ayres Productions and Matchbox Pictures. Australian Broadcasting Corporation is on board as local broadcaster. International rights are handled by NBCUniversal Global Distribution.
The project is helmed by three leading film directors: Michael Rymer, Ana Kokkinos and Kim Mordaunt.
The ensemble cast includes: Eliza Scanlen, Sam Worthington, Richard Roxburgh, Sullivan Stapleton, Miranda Otto (“Homeland”), Hunter Page-Lochard, Anna Torv, Kate Box, Helana Sawires, Daniel Henshall and Noni Hazlehurst.
They are joined by newcomers Ameshol Ajang, Stacy Clausen and Nyawuda Chuol.
Fires” is structured as an anthology that weaves character studies inspired by true stories into a narrative about the Australian bushfires of 2019-...
- 4/9/2021
- by Patrick Frater
- Variety Film + TV
Amanda Duthie will depart Sbs this week, where she has been acting as head of scripted since late 2019.
If understands Duthie will join Stan, though the streamer is yet to publicly confirm the role.
Duthie joins the Nine-owned platform as it ramps up its local commissions, having recently announced an ambitious plan to invest in more than 30 productions per year within five years.
On Stan’s upcoming slate is a second season of Roadshow Rough Diamond’s hit series Bump; Anthony Hayes’ feature film Gold, starring Zac Efron; Every Cloud Productions series Eden, and BBC co-production The Tourist, about to shoot in South Australia with stars Jamie Dornan, Danielle Macdonald, Shalom Brune-Franklin and Hugo Weaving.
While at Sbs, Duthie helped to steer its largest ever drama slate, including Goalpost Pictures’ New Gold Mountain and Aquarius Films’ The Unusual Suspects.
A spokesperson for the broadcaster told If: “Amanda has made...
If understands Duthie will join Stan, though the streamer is yet to publicly confirm the role.
Duthie joins the Nine-owned platform as it ramps up its local commissions, having recently announced an ambitious plan to invest in more than 30 productions per year within five years.
On Stan’s upcoming slate is a second season of Roadshow Rough Diamond’s hit series Bump; Anthony Hayes’ feature film Gold, starring Zac Efron; Every Cloud Productions series Eden, and BBC co-production The Tourist, about to shoot in South Australia with stars Jamie Dornan, Danielle Macdonald, Shalom Brune-Franklin and Hugo Weaving.
While at Sbs, Duthie helped to steer its largest ever drama slate, including Goalpost Pictures’ New Gold Mountain and Aquarius Films’ The Unusual Suspects.
A spokesperson for the broadcaster told If: “Amanda has made...
- 2/9/2021
- by Jackie Keast
- IF.com.au
Jamie Dornan has been cast as the lead of “The Tourist,” a limited series from BBC One and HBO Max.
Harry and Jack Williams are writing the series, which follows one man’s search for his identity. Along with Dornan, the six-episode show will star Danielle Macdonald, Shalom Brune-Franklin and Hugo Weaving.
“The Tourist,” which will be filmed in Australia, centers on a British man (Dornan) who finds himself in the glowing red heart of the Australian outback being pursued by a vast tank truck trying to drive him off the road. An epic cat and mouse chase unfolds and the man later wakes in hospital, hurt, but somehow alive. Except he has no idea who he is. With merciless figures from The Man’s past pursuing him, his search for answers propels him through the vast and unforgiving outback.
Macdonald will play as Helen Chambers, a fledgling probationary constable,...
Harry and Jack Williams are writing the series, which follows one man’s search for his identity. Along with Dornan, the six-episode show will star Danielle Macdonald, Shalom Brune-Franklin and Hugo Weaving.
“The Tourist,” which will be filmed in Australia, centers on a British man (Dornan) who finds himself in the glowing red heart of the Australian outback being pursued by a vast tank truck trying to drive him off the road. An epic cat and mouse chase unfolds and the man later wakes in hospital, hurt, but somehow alive. Except he has no idea who he is. With merciless figures from The Man’s past pursuing him, his search for answers propels him through the vast and unforgiving outback.
Macdonald will play as Helen Chambers, a fledgling probationary constable,...
- 1/27/2021
- by Jennifer Maas
- The Wrap
Ben Lawrence and Beatrix Christian’s Hearts and Bones was named best original feature film screenplay at the Australian Writers’ Guild’s annual Awgie Awards yesterday evening, while Shaun Grant and Harry Cripps took home the adaptation prize for Penguin Bloom.
Two of 2019’s top dramas, The Hunting, written by Niki Aken and Matthew Cormack, and Total Control (Episode 3), by Pip Karmel, were recognised in the television categories, while The Heights, lauded for its depiction of contemporary Australia, won Peter Mattessi the Awgie in the television serial category, ending a run of 16-straight years for Neighbours and Home and Away.
Playwright Suzie Miller’s critically acclaimed one-woman play Prima Facie took out the evening’s highest honours, winning the 2020 Major Award, the David Williamson Prize for Excellence in Writing for Australian Theatre, and in the stage category.
The one-woman play holds a mirror up to the Australian legal system, exposing...
Two of 2019’s top dramas, The Hunting, written by Niki Aken and Matthew Cormack, and Total Control (Episode 3), by Pip Karmel, were recognised in the television categories, while The Heights, lauded for its depiction of contemporary Australia, won Peter Mattessi the Awgie in the television serial category, ending a run of 16-straight years for Neighbours and Home and Away.
Playwright Suzie Miller’s critically acclaimed one-woman play Prima Facie took out the evening’s highest honours, winning the 2020 Major Award, the David Williamson Prize for Excellence in Writing for Australian Theatre, and in the stage category.
The one-woman play holds a mirror up to the Australian legal system, exposing...
- 12/8/2020
- by Sean Slatter
- IF.com.au
Andy Canny scooped Best Editing in a Feature Drama for The Invisible Man at the 2020 Ellie Awards yesterday, backing up his recent Aacta win.
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
- 12/7/2020
- by Jackie Keast
- IF.com.au
Anousha Zarkesh and Nathan Lloyd each took home two gongs from the Casting Guild of Australia (Cga) Awards on Saturday, leading the night’s winners.
Bert and Amanda LABONTé hosted the ceremony, virtual this year due to Covid-19.
Lloyd snared Achievement in Casting for the second season of children’s series The InBestigators, as well as Best Casting in a TV drama for Wentworth.
Yet again, Zarkesh won Best Casting in a TV Comedy for the fourth season Black Comedy (she won last year for the third innings of the show), as well as Best Casting in a TV Miniseries & Telemovie for Operation Buffalo.
Following on from their Aacta win on Friday night, the feature film award went to Kirsty McGregor and Stevie Ray for Babyteeth, which stars Eliza Scanlen, Toby Wallace, Essie Davis and Ben Mendelsohn.
Best Casting in a Short Film went to Daniella Friedman for the Aacta nominated The Mirror.
Bert and Amanda LABONTé hosted the ceremony, virtual this year due to Covid-19.
Lloyd snared Achievement in Casting for the second season of children’s series The InBestigators, as well as Best Casting in a TV drama for Wentworth.
Yet again, Zarkesh won Best Casting in a TV Comedy for the fourth season Black Comedy (she won last year for the third innings of the show), as well as Best Casting in a TV Miniseries & Telemovie for Operation Buffalo.
Following on from their Aacta win on Friday night, the feature film award went to Kirsty McGregor and Stevie Ray for Babyteeth, which stars Eliza Scanlen, Toby Wallace, Essie Davis and Ben Mendelsohn.
Best Casting in a Short Film went to Daniella Friedman for the Aacta nominated The Mirror.
- 11/28/2020
- by Staff Writer
- IF.com.au
Monica Zanetti’s screenplay of Ellie & Abbie (& Ellie’s Dead Aunt), Ben Lawrence and Beatrix Christian’s Hearts and Bones and Ally Burnham’s Unsound have been nominated for best original feature in the 53rd annual Awgie Awards.
The contenders for the feature film adaptation prize are Thomas M. Wright and Erik Jensen’s Acute Misfortune, Lisa Hoppe’s H is for Happiness, Shaun Grant and Harry Cripps’ Penguin Bloom and C.S. McMullen’s The Other Lamb.
The TV series prize promises to be a close race between episodes of Glen Dolman’s Bloom, Michael Petroni’s Messiah for Netflix, Belinda Chayko’s Stateless, Samantha Strauss’ The End and Pip Karmel’s Total Control.
Timothy Hobart, John Ridley, Jeremy Nguyen, Alan Nguyen and Michele Lee’s Hungry Ghosts will square off against Matthew Cormack and Niki Aken’s The Hunting for best miniseries.
In the TV serial category it must...
The contenders for the feature film adaptation prize are Thomas M. Wright and Erik Jensen’s Acute Misfortune, Lisa Hoppe’s H is for Happiness, Shaun Grant and Harry Cripps’ Penguin Bloom and C.S. McMullen’s The Other Lamb.
The TV series prize promises to be a close race between episodes of Glen Dolman’s Bloom, Michael Petroni’s Messiah for Netflix, Belinda Chayko’s Stateless, Samantha Strauss’ The End and Pip Karmel’s Total Control.
Timothy Hobart, John Ridley, Jeremy Nguyen, Alan Nguyen and Michele Lee’s Hungry Ghosts will square off against Matthew Cormack and Niki Aken’s The Hunting for best miniseries.
In the TV serial category it must...
- 9/25/2020
- by The IF Team
- IF.com.au
Though China was among the first in the world to restart film shoots in the wake of Covid-19, the number of projects going into production has been drastically reduced by the pandemic and its accompanying economic uncertainty.
Recent financial reports and public comments from China’s major studios reveal some trends in what to expect from those productions still in the pipeline. There will be a blast of coronavirus-themed films and patriotic content to mark next year’s 100th anniversary of the Chinese Communist Party that are unlikely to make much of a dent abroad, a strong line-up of actioners and crime thrillers — some more hard-boiled and some more fantasy-based — and inventive animated fare with big ambitions, alongside a steady stream of rom-coms and titles from up-and-coming talent.
In late July, Bona Film Group chairman Yu Dong said that Chinese film industry practitioners are “actually very anxious” and “should be...
Recent financial reports and public comments from China’s major studios reveal some trends in what to expect from those productions still in the pipeline. There will be a blast of coronavirus-themed films and patriotic content to mark next year’s 100th anniversary of the Chinese Communist Party that are unlikely to make much of a dent abroad, a strong line-up of actioners and crime thrillers — some more hard-boiled and some more fantasy-based — and inventive animated fare with big ambitions, alongside a steady stream of rom-coms and titles from up-and-coming talent.
In late July, Bona Film Group chairman Yu Dong said that Chinese film industry practitioners are “actually very anxious” and “should be...
- 9/10/2020
- by Rebecca Davis
- Variety Film + TV
Emma Hough Hobbs.
Emma Hough Hobbs has won the inaugural $35,000 Hanlon Larsen Screen Fellowship, which will provide her support to produce her experimental film project, Film On Film (working title).
Envisioned as a three to six minute doc-animation hybrid, Film on Film will explore the compelling charm of celluloid, and how to spot when a film has been shot with the “good stuff”. It will be shot on Kodak stock and the animation will then be captured frame by frame on Kodak film itself. The short will pair soundbites from experts and film-centric directors, like Hirokazu Kore-eda, Sean Baker and Sophia Coppola, with handcrafted 2D animation, to create an odeto the medium against the backdrop of 35mm’s contemporary renaissance.
Hough Hobbs was presented the fellowship yesterday at the Screen Makers Conference. The emerging designer, animator and filmmaker has credits in the art department on shows such as Upright and The Hunting,...
Emma Hough Hobbs has won the inaugural $35,000 Hanlon Larsen Screen Fellowship, which will provide her support to produce her experimental film project, Film On Film (working title).
Envisioned as a three to six minute doc-animation hybrid, Film on Film will explore the compelling charm of celluloid, and how to spot when a film has been shot with the “good stuff”. It will be shot on Kodak stock and the animation will then be captured frame by frame on Kodak film itself. The short will pair soundbites from experts and film-centric directors, like Hirokazu Kore-eda, Sean Baker and Sophia Coppola, with handcrafted 2D animation, to create an odeto the medium against the backdrop of 35mm’s contemporary renaissance.
Hough Hobbs was presented the fellowship yesterday at the Screen Makers Conference. The emerging designer, animator and filmmaker has credits in the art department on shows such as Upright and The Hunting,...
- 8/26/2020
- by jkeast
- IF.com.au
The final season of Sbs’s The Family Law, the first series of ABC’s The Heights and the Sbs miniseries The Hunting have won the 10th annual Equity Ensemble Awards.
The actors who starred in these programs were voted the most outstanding Australian small screen ensembles in their respective categories by the Meaa Equity National Performers’ Committee (Npc).
Equity president Chloe Dallimore, who was among the 33 Npc members who selected this year’s finalists and winners, said: “I can’t think of a better way to spend lockdown than re-watching the incredible small screen performances of the last 12 months. What phenomenal talent we have in this country, both in front and behind the camera.
“It emphasised what’s at stake if we don’t continue to vigorously defend our local content quotas, and why we must continue to remind our government how the arts contribute to our Australian cultural identity.
The actors who starred in these programs were voted the most outstanding Australian small screen ensembles in their respective categories by the Meaa Equity National Performers’ Committee (Npc).
Equity president Chloe Dallimore, who was among the 33 Npc members who selected this year’s finalists and winners, said: “I can’t think of a better way to spend lockdown than re-watching the incredible small screen performances of the last 12 months. What phenomenal talent we have in this country, both in front and behind the camera.
“It emphasised what’s at stake if we don’t continue to vigorously defend our local content quotas, and why we must continue to remind our government how the arts contribute to our Australian cultural identity.
- 8/13/2020
- by The IF Team
- IF.com.au
Filming has got under way in Adelaide on Australian comedy-drama series “Aftertaste.” It is the first major production to shoot in the state of South Australia since the coronavirus shut-down, and comes as a state of disaster and a nighttime curfew are declared in neighboring Victoria state, which includes Melbourne.
The six-part Closer Productions show will shoot for five weeks in Adelaide and the Adelaide Hills. It makes use of 110 cast and crew members, including 10 from out of state, and 200 extras.
To get into production, the show used a risk assessment tool developed by consultancy firm Deloitte and overseen by the South Australia Film Corporation. “The Risk Assessment Tool has been instrumental in navigating the path back to production, and providing the framework and structure needed to get this production up and running within Covid-Safe guidelines,” said CEO of the South Australian Film Corporation Kate Croser.
Created by Julie De Fina and Matthew Bate,...
The six-part Closer Productions show will shoot for five weeks in Adelaide and the Adelaide Hills. It makes use of 110 cast and crew members, including 10 from out of state, and 200 extras.
To get into production, the show used a risk assessment tool developed by consultancy firm Deloitte and overseen by the South Australia Film Corporation. “The Risk Assessment Tool has been instrumental in navigating the path back to production, and providing the framework and structure needed to get this production up and running within Covid-Safe guidelines,” said CEO of the South Australian Film Corporation Kate Croser.
Created by Julie De Fina and Matthew Bate,...
- 8/3/2020
- by Patrick Frater
- Variety Film + TV
Twenty-seven of Australia’s top cinematographers last night launched a social media campaign aimed at boosting the number of women employed in camera teams and, more broadly, encouraging greater diversity across the screen industry.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
- 7/27/2020
- by The IF Team
- IF.com.au
Jessica de Gouw in ‘Operation Buffalo.’
After starring in Network 10’s The Secrets She Keeps and the ABC’s Operation Buffalo, Jessica de Gouw’s career continues to flourish while many in her profession are idle due to the pandemic.
The London-based actress heads to Austria next month to start filming the second season of Vienna Blood, the British/Austrian murder mystery which screened on BBC2, PBS in the US, Germany’s Zdf and Austria’s Orf.
Adapted from Frank Tallis’ novels and set in 1900s Vienna, the series starred Matthew Beard as Max Liebermann, a doctor and protégé of Sigmund Freud. When Liebermann comes into contact with Oskar Rheinhardt (Juergen Maurer), a detective struggling with a baffling murder case, he agrees to help solve the investigation.
In the show produced by Red Arrow Studios’ Endor Productions and Austria’s Mr Film, de Gouw she played Amelia Lydgate, a...
After starring in Network 10’s The Secrets She Keeps and the ABC’s Operation Buffalo, Jessica de Gouw’s career continues to flourish while many in her profession are idle due to the pandemic.
The London-based actress heads to Austria next month to start filming the second season of Vienna Blood, the British/Austrian murder mystery which screened on BBC2, PBS in the US, Germany’s Zdf and Austria’s Orf.
Adapted from Frank Tallis’ novels and set in 1900s Vienna, the series starred Matthew Beard as Max Liebermann, a doctor and protégé of Sigmund Freud. When Liebermann comes into contact with Oskar Rheinhardt (Juergen Maurer), a detective struggling with a baffling murder case, he agrees to help solve the investigation.
In the show produced by Red Arrow Studios’ Endor Productions and Austria’s Mr Film, de Gouw she played Amelia Lydgate, a...
- 7/17/2020
- by The IF Team
- IF.com.au
Sophie Hyde, pictured here on the set of ‘Animals’, has been nominated for two Adg Awards.
First-time feature directors Thomas Wright (Acute Misfortune), John Sheedy (H is for Happiness), Ben Lawrence (Hearts and Bones) and Natalie Erika James (Relic) will vie for the Australian Directors’ Guild (Adg) Award for Best Direction in a Feature Film ($1 million or over) against Sophie Hyde (Animals) and Wayne Blair (Top End Wedding).
Up in the $1 million or under category are Josephine Mackerras for Alice, Imogen Thomas for Emu Runner, Lucy Colman for Hot Mess, Luke Sullivan for Reflections In The Dust and Samuel Van Grinsven for Sequin In A Blue Room.
The Adg announced nominees for its annual awards today, with winners to be announced in Sydney at a ceremony October 19. A record 202 entries were received this year, up from 117 in 2019.
“At these challenging times, it is more important than ever that we come...
First-time feature directors Thomas Wright (Acute Misfortune), John Sheedy (H is for Happiness), Ben Lawrence (Hearts and Bones) and Natalie Erika James (Relic) will vie for the Australian Directors’ Guild (Adg) Award for Best Direction in a Feature Film ($1 million or over) against Sophie Hyde (Animals) and Wayne Blair (Top End Wedding).
Up in the $1 million or under category are Josephine Mackerras for Alice, Imogen Thomas for Emu Runner, Lucy Colman for Hot Mess, Luke Sullivan for Reflections In The Dust and Samuel Van Grinsven for Sequin In A Blue Room.
The Adg announced nominees for its annual awards today, with winners to be announced in Sydney at a ceremony October 19. A record 202 entries were received this year, up from 117 in 2019.
“At these challenging times, it is more important than ever that we come...
- 7/14/2020
- by jkeast
- IF.com.au
The finalists for the Equity Ensemble Awards for Australian dramas, comedies and miniseries that aired in 2019 have been announced.
The awards honour outstanding performances by Australian small screen ensembles and recognise the truly collaborative process that leads to captivating viewing and powerful storytelling.
“Since 2011 these awards have been a celebration of local talent and local stories and a reminder of what’s at stake if we don’t vigorously defend Australian content on our screens,” according to Equity.
Drama: The Heights S1 (ABC TV), Diary of an Uber Driver S1 (ABC TV), Five Bedrooms S1 (Network 10), Bloom S1 (Stan).
Comedy: Get Krack!n S2 (ABC TV), The Letdown S2 (ABC TV), The Family Law S3 (Sbs).
Miniseries: Miss Fisher’s Modern Murder Mysteries (Network Seven), The Hunting (Sbs), Lambs of God (Foxtel).
The winners will be selected by the Meaa’s National Performers’ Committee and honoured at an awards ceremony later this year.
The awards honour outstanding performances by Australian small screen ensembles and recognise the truly collaborative process that leads to captivating viewing and powerful storytelling.
“Since 2011 these awards have been a celebration of local talent and local stories and a reminder of what’s at stake if we don’t vigorously defend Australian content on our screens,” according to Equity.
Drama: The Heights S1 (ABC TV), Diary of an Uber Driver S1 (ABC TV), Five Bedrooms S1 (Network 10), Bloom S1 (Stan).
Comedy: Get Krack!n S2 (ABC TV), The Letdown S2 (ABC TV), The Family Law S3 (Sbs).
Miniseries: Miss Fisher’s Modern Murder Mysteries (Network Seven), The Hunting (Sbs), Lambs of God (Foxtel).
The winners will be selected by the Meaa’s National Performers’ Committee and honoured at an awards ceremony later this year.
- 6/28/2020
- by The IF Team
- IF.com.au
Olga Kurylenko, the Ukraine-born actress, is the latest film biz name to have tested positive for the coronavirus.
The Quantum Of Solace, Oblivion and Hitman actress confirmed the news in a social media post. “I’ve actually been ill for almost a week now. Fever and fatigue are my main symptoms. Take care of yourself and do take this seriously,” Kurylenko wrote on her instagram feed.
More from DeadlineLeague Of Professional Theatre Women Offer Emergency Loans During Broadway ShutdownDisney Closing All North American Retail StoresSony's 'Cinderella' Musical UK Shoot Shut Down For Two Weeks Over Coronavirus
Well-wishers replying to the post included The Fifth Element star Milla Jovovich.
Kurylenko recently shot The Courier with Gary Oldman and Leo Zhang’s The Hunting. She is attached to shoot sci-fi Gateway 6.
Tom Hanks and Rita Wilson were the first big-name film bods to contract the virus, which has begun...
The Quantum Of Solace, Oblivion and Hitman actress confirmed the news in a social media post. “I’ve actually been ill for almost a week now. Fever and fatigue are my main symptoms. Take care of yourself and do take this seriously,” Kurylenko wrote on her instagram feed.
More from DeadlineLeague Of Professional Theatre Women Offer Emergency Loans During Broadway ShutdownDisney Closing All North American Retail StoresSony's 'Cinderella' Musical UK Shoot Shut Down For Two Weeks Over Coronavirus
Well-wishers replying to the post included The Fifth Element star Milla Jovovich.
Kurylenko recently shot The Courier with Gary Oldman and Leo Zhang’s The Hunting. She is attached to shoot sci-fi Gateway 6.
Tom Hanks and Rita Wilson were the first big-name film bods to contract the virus, which has begun...
- 3/16/2020
- by Tom Grater
- Deadline Film + TV
(Photo credit: BBC).
Stan and the BBC have co-commissioned a six-part thriller from the producers of Fleabag, to be shot in South Australia with support from the South Australian Film Corporation (Safc).
Created and written by Two Brothers Pictures’ Harry and Jack Williams, The Tourist follows a British man who is pursued by a vast tank truck that tries to drive him off the road.
With echoes of Steven Spielberg’s Duel, a cat-and-mouse chase ensues and The Man later wakes in hospital, hurt but suffering from amnesia.
Pursued by figures from his past, his search for answers takes him through the outback and on to Singapore and Bali.
Lisa Scott will produce for Two Brothers Pictures and her new company Highview Productions while Chris Sweeney, whose credits include Liar, the ITV/Sundance TV thriller co-created by Harry and Jack Williams, and the BBC/Showtime comedy-drama Back to Life, will direct.
Stan and the BBC have co-commissioned a six-part thriller from the producers of Fleabag, to be shot in South Australia with support from the South Australian Film Corporation (Safc).
Created and written by Two Brothers Pictures’ Harry and Jack Williams, The Tourist follows a British man who is pursued by a vast tank truck that tries to drive him off the road.
With echoes of Steven Spielberg’s Duel, a cat-and-mouse chase ensues and The Man later wakes in hospital, hurt but suffering from amnesia.
Pursued by figures from his past, his search for answers takes him through the outback and on to Singapore and Bali.
Lisa Scott will produce for Two Brothers Pictures and her new company Highview Productions while Chris Sweeney, whose credits include Liar, the ITV/Sundance TV thriller co-created by Harry and Jack Williams, and the BBC/Showtime comedy-drama Back to Life, will direct.
- 2/12/2020
- by The IF Team
- IF.com.au
Fleabag producer Two Brothers Pictures is making cat-and-mouse thriller The Tourist for the BBC and Australia’s Stan.
The All3Media-backed producer is working with Highview Productions, All3Media International and the South Australian Film Corporation on the six-part series.
The show, written by Two Brothers Pictures founders Harry and Jack Williams, is set in the Australian outback, where a British man is pursued by a vast tank truck trying to drive him off the road. An epic cat and mouse chase unfolds and the man later wakes in hospital, hurt, but somehow alive. Except he has no idea who he is. With merciless figures from his past pursuing him, the man’s search for answers propels him through the vast and unforgiving outback. The Tourist is a character-driven mystery thriller with twists and turns through the dusty outback of Australia, to the frantic noise and lights of Singapore, and to the calm,...
The All3Media-backed producer is working with Highview Productions, All3Media International and the South Australian Film Corporation on the six-part series.
The show, written by Two Brothers Pictures founders Harry and Jack Williams, is set in the Australian outback, where a British man is pursued by a vast tank truck trying to drive him off the road. An epic cat and mouse chase unfolds and the man later wakes in hospital, hurt, but somehow alive. Except he has no idea who he is. With merciless figures from his past pursuing him, the man’s search for answers propels him through the vast and unforgiving outback. The Tourist is a character-driven mystery thriller with twists and turns through the dusty outback of Australia, to the frantic noise and lights of Singapore, and to the calm,...
- 2/12/2020
- by Peter White
- Deadline Film + TV
The BBC and Tvnz’s adaptation of Man Booker Prize winning novel “The Luminaries,” starring Eva Green, is among the scripted TV projects that will feature in this year’s Berlinale Series Market and Conference program at the Berlin International Film Festival.
Set during the 1860s gold rush in New Zealand, the Working Title and Southern Light Films-produced “The Luminaries” is based on Eleanor Catton’s prize-winning novel of the same name. FremantleMedia handles international sales.
“The Luminaries” is one of several ‘strong’ Australian and New Zealand series screening at the market, according to Berlinale Series Market and Conference co-ordinator Katharina Böndel.
Böndel added that the line-up has a focus this year on shows with strong female leads or that are about minority groups or indigenous characters.
They include the second series of atmospheric outback crime drama “Mystery Road,” sold by All3Media International, which will also world premiere at the festival itself.
Set during the 1860s gold rush in New Zealand, the Working Title and Southern Light Films-produced “The Luminaries” is based on Eleanor Catton’s prize-winning novel of the same name. FremantleMedia handles international sales.
“The Luminaries” is one of several ‘strong’ Australian and New Zealand series screening at the market, according to Berlinale Series Market and Conference co-ordinator Katharina Böndel.
Böndel added that the line-up has a focus this year on shows with strong female leads or that are about minority groups or indigenous characters.
They include the second series of atmospheric outback crime drama “Mystery Road,” sold by All3Media International, which will also world premiere at the festival itself.
- 1/28/2020
- by Tim Dams
- Variety Film + TV
Writer Jackie van Beek and director Armagan Ballantyne, who will collaborate on ‘Nude Tuesday’.
Two feature films, one from Robert Connolly and the other a Kiwi-Aussie co-pro penned by The Breaker Upperers’ Jackie van Beek; a ABC TV comedy from Closer Productions; and two online projects are the latest recipients of $3.5 million worth of production funding from Screen Australia.
Connolly, writer/director of box office hit Paper Planes, will return to Western Australia to shoot a feature film adaptation of Tim Winton’s acclaimed novel Blueback, while Nz’s Firefly Productions will join forces with Good Thing Productions to create absurdist dramedy feature Nude Tuesday, directed by Armagan Ballantyne. Erik Thomson teams up with Adelaide’s Closer Productions to produce Yes, Chef! for the ABC, following a notorious celebrity chef who is forced to flee to his hometown in the Adelaide Hills.
Screen Australia head of content Sally Caplan said:...
Two feature films, one from Robert Connolly and the other a Kiwi-Aussie co-pro penned by The Breaker Upperers’ Jackie van Beek; a ABC TV comedy from Closer Productions; and two online projects are the latest recipients of $3.5 million worth of production funding from Screen Australia.
Connolly, writer/director of box office hit Paper Planes, will return to Western Australia to shoot a feature film adaptation of Tim Winton’s acclaimed novel Blueback, while Nz’s Firefly Productions will join forces with Good Thing Productions to create absurdist dramedy feature Nude Tuesday, directed by Armagan Ballantyne. Erik Thomson teams up with Adelaide’s Closer Productions to produce Yes, Chef! for the ABC, following a notorious celebrity chef who is forced to flee to his hometown in the Adelaide Hills.
Screen Australia head of content Sally Caplan said:...
- 1/21/2020
- by jkeast
- IF.com.au
Ever since France revised its tax rebate for international productions in 2016, local authorities have embarked on a full-court push to attract Chinese projects. In 2019, that campaign saw its most successful expression to date with the arrival of Middle Kingdom mega-production, “The Hunting.”
“In recent years, we’ve welcomed more and more Chinese projects, especially series, but ‘The Hunting’ is really the biggest, and most ambitious film to date,” says Stephan Bender, interim CEO of Film France. “It was a project we knew about since 2016, though it took a few years to put in place. When it did come together, it saw more days of shooting, and brought together more Chinese and French technicians than ever before, marking a real step forward for Chinese productions in France.”
Directed by Leo Zhang (“Bleeding Steel”) and starring acclaimed leading man Tony Leung, this Mandarin-language potboiler shot for nine weeks in the Paris region this past summer.
“In recent years, we’ve welcomed more and more Chinese projects, especially series, but ‘The Hunting’ is really the biggest, and most ambitious film to date,” says Stephan Bender, interim CEO of Film France. “It was a project we knew about since 2016, though it took a few years to put in place. When it did come together, it saw more days of shooting, and brought together more Chinese and French technicians than ever before, marking a real step forward for Chinese productions in France.”
Directed by Leo Zhang (“Bleeding Steel”) and starring acclaimed leading man Tony Leung, this Mandarin-language potboiler shot for nine weeks in the Paris region this past summer.
- 1/16/2020
- by Ben Croll
- Variety Film + TV
Buoyed by a sturdy local industry and sent soaring by the influx of international broadcasters, audiovisual production in Paris rose to record-setting levels in 2019. The French capital remained Gaul’s leading production market, encompassing 40% of all national and 36% of all foreign shoots in the country last year.
In harsh numbers, the city of light lit up 1,066 productions last year, counting 103 features and 97 series amongst them. Only those harsh numbers don’t quite tell the full story.
“In terms of key figures, the amount of productions is less important than the number of days worked,” explains Michel Gomez, executive director of the Paris Film Office. “While the number of productions has remained more or less stable from year to year, we’ve seen a significant difference in the number of shooting days.”
Indeed, last year saw 5,465 shooting days in Paris alone – a number up 10% from that of the previous year, and...
In harsh numbers, the city of light lit up 1,066 productions last year, counting 103 features and 97 series amongst them. Only those harsh numbers don’t quite tell the full story.
“In terms of key figures, the amount of productions is less important than the number of days worked,” explains Michel Gomez, executive director of the Paris Film Office. “While the number of productions has remained more or less stable from year to year, we’ve seen a significant difference in the number of shooting days.”
Indeed, last year saw 5,465 shooting days in Paris alone – a number up 10% from that of the previous year, and...
- 1/16/2020
- by Ben Croll
- Variety Film + TV
Sue Masters.
After five years as Sbs’s head of scripted, Sue Masters is set to depart the broadcaster to pursue independent drama development.
Having led the drama commissioning team, Masters leaves a legacy that includes the International Emmy Award-winning Safe Harbour, Sbs’s most successful drama ever, The Hunting, Robbie Hood, Sunshine, The Principal, The Family Law, Deep Water, Dead Lucky, On The Ropes, and the upcoming Hungry Ghosts.
Until recruitment for the position commences in 2020, Amanda Duthie has joined Sbs as acting head of drama. Most recently Duthie was the head of production and development and studios at the South Australian Film Corporation, and prior to that was the creative director/CEO of the Adelaide Film Festival and head of arts & entertainment at ABC.
Masters will continue to work across some Sbs initiatives, including The R.I.D.E Feature Film Fund, a feature film project and partnership with Screen Queensland,...
After five years as Sbs’s head of scripted, Sue Masters is set to depart the broadcaster to pursue independent drama development.
Having led the drama commissioning team, Masters leaves a legacy that includes the International Emmy Award-winning Safe Harbour, Sbs’s most successful drama ever, The Hunting, Robbie Hood, Sunshine, The Principal, The Family Law, Deep Water, Dead Lucky, On The Ropes, and the upcoming Hungry Ghosts.
Until recruitment for the position commences in 2020, Amanda Duthie has joined Sbs as acting head of drama. Most recently Duthie was the head of production and development and studios at the South Australian Film Corporation, and prior to that was the creative director/CEO of the Adelaide Film Festival and head of arts & entertainment at ABC.
Masters will continue to work across some Sbs initiatives, including The R.I.D.E Feature Film Fund, a feature film project and partnership with Screen Queensland,...
- 12/9/2019
- by jkeast
- IF.com.au
‘The Nightingale’.
Last night’s Aacta Awards saw a trifecta for Jennifer Kent, who took home Best Film, Best Direction and Best Screenplay for The Nightingale, with star Aisling Franciosi also winning Best Lead Actress.
Set in 1825, The Nightingale follows a young, female Irish convict (Franciosi) who chases a British officer through the Tasmanian wilderness bent on revenge after he committed an act of violence against her family, and who along the way enlists the help of an Aboriginal tracker. It premiered at the Venice Film Festival in 2018, with Kent the only female director in competition. It won the Special Jury Prize and Baykali Ganambarr the Marcello Mastroiaani Award for his debut performance.
Produced by Causeway Films’ Kristina Ceyton, Made Up Stories’ Bruna Papandrea and Steve Hutensky, and Kent, the period tale beat out The King, Judy & Punch, Hearts and Bones, Ride Like A Girl and Top End Wedding for the Best Film prize.
Last night’s Aacta Awards saw a trifecta for Jennifer Kent, who took home Best Film, Best Direction and Best Screenplay for The Nightingale, with star Aisling Franciosi also winning Best Lead Actress.
Set in 1825, The Nightingale follows a young, female Irish convict (Franciosi) who chases a British officer through the Tasmanian wilderness bent on revenge after he committed an act of violence against her family, and who along the way enlists the help of an Aboriginal tracker. It premiered at the Venice Film Festival in 2018, with Kent the only female director in competition. It won the Special Jury Prize and Baykali Ganambarr the Marcello Mastroiaani Award for his debut performance.
Produced by Causeway Films’ Kristina Ceyton, Made Up Stories’ Bruna Papandrea and Steve Hutensky, and Kent, the period tale beat out The King, Judy & Punch, Hearts and Bones, Ride Like A Girl and Top End Wedding for the Best Film prize.
- 12/5/2019
- by jkeast
- IF.com.au
Jennifer Kent’s thriller The Nightingale has taken home a trio of prizes at the 2019 Australian Academy of Cinema and Television Arts Awards in Sydney.
Kent’s period piece won Best Direction, Best Screenplay and Best Film, making Kent, who also produced, the first woman to receive awards across all three categories for the same film in the same year. The film’s female lead, Aisling Franciosi, received the Best Lead Actress prize.
The Nightingale follows a young Irish convict who chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family.
Bong Joon Ho’s lauded Cannes winner Parasite scored the Aacta Award for Best Asian Film. The award was presented to the South Korean film’s producer Kwak Sin-ae by Simu Liu, star of Marvel Comics’ upcoming film Shang-Chi and the Legend Of The Ten Rings,...
Kent’s period piece won Best Direction, Best Screenplay and Best Film, making Kent, who also produced, the first woman to receive awards across all three categories for the same film in the same year. The film’s female lead, Aisling Franciosi, received the Best Lead Actress prize.
The Nightingale follows a young Irish convict who chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family.
Bong Joon Ho’s lauded Cannes winner Parasite scored the Aacta Award for Best Asian Film. The award was presented to the South Korean film’s producer Kwak Sin-ae by Simu Liu, star of Marvel Comics’ upcoming film Shang-Chi and the Legend Of The Ten Rings,...
- 12/4/2019
- by Andreas Wiseman
- Deadline Film + TV
‘Lambs of God’.
Lingo Pictures’ Lambs of God was the big winner at yesterday’s Aacta Industry Luncheon, taking home seven of a potential nine awards, while Rodd Rathjen’s debut feature Buoyancy was named Best Indie Film.
Sweeping the afternoon, Lambs of God’s various accolades included Best Direction in a Television Drama or Comedy for Jeffery Walker; Best Cinematography in Television for Don McAlpine; Best Original Score in Television for Bryony Marks (one of two awards for the composer during the event); Best Production Design in Television for Chris Kennedy; Best Costume Design in Television for Xanthe Heubel; Best Sound Sound in Television for Nick Emond, Stephen Smith, Paul Devescovi and Mia Stewart; and Best Hair and Makeup for Zeljka Stanin, Paul Pattison, Cheryl Williams and Anita Howell-Lowe.
The Foxtel mini-series was beaten only out for Best Screenplay in Television, which went to Niki Aken and Matthew Cormack for The Hunting,...
Lingo Pictures’ Lambs of God was the big winner at yesterday’s Aacta Industry Luncheon, taking home seven of a potential nine awards, while Rodd Rathjen’s debut feature Buoyancy was named Best Indie Film.
Sweeping the afternoon, Lambs of God’s various accolades included Best Direction in a Television Drama or Comedy for Jeffery Walker; Best Cinematography in Television for Don McAlpine; Best Original Score in Television for Bryony Marks (one of two awards for the composer during the event); Best Production Design in Television for Chris Kennedy; Best Costume Design in Television for Xanthe Heubel; Best Sound Sound in Television for Nick Emond, Stephen Smith, Paul Devescovi and Mia Stewart; and Best Hair and Makeup for Zeljka Stanin, Paul Pattison, Cheryl Williams and Anita Howell-Lowe.
The Foxtel mini-series was beaten only out for Best Screenplay in Television, which went to Niki Aken and Matthew Cormack for The Hunting,...
- 12/3/2019
- by jkeast
- IF.com.au
Kirsty McGregor and Gemma Brown won Best Casting in a Feature Film for ‘Hearts and Bones’.
The Casting Guild of Australia (Cga) named 10 actors as its top emerging talent of 2019 and celebrated the best casting of the year at its annual awards Friday evening in Melbourne.
Leading the winners was Kirsty McGregor, who took home three awards, including Best Casting in a TV Comedy for Foxtel’s Mr Inbetween (series 2) and further two with colleague Gemma Brown, including Best Casting in A Feature Film for Hearts and Bones, and Achievement in Casting for ABC children’s series The Unlisted.
Annie Murtagh-Monks won Best Casting in a TV Drama for her work on The Heights series 1, while Best Casting in a TV Miniseries and Telemovie went to Angela Heesom for Sbs’s The Hunting. Best Casting in a Short Film went to Stevie Ray for Strangers.
Annie Murtagh-Monks won Best Casting...
The Casting Guild of Australia (Cga) named 10 actors as its top emerging talent of 2019 and celebrated the best casting of the year at its annual awards Friday evening in Melbourne.
Leading the winners was Kirsty McGregor, who took home three awards, including Best Casting in a TV Comedy for Foxtel’s Mr Inbetween (series 2) and further two with colleague Gemma Brown, including Best Casting in A Feature Film for Hearts and Bones, and Achievement in Casting for ABC children’s series The Unlisted.
Annie Murtagh-Monks won Best Casting in a TV Drama for her work on The Heights series 1, while Best Casting in a TV Miniseries and Telemovie went to Angela Heesom for Sbs’s The Hunting. Best Casting in a Short Film went to Stevie Ray for Strangers.
Annie Murtagh-Monks won Best Casting...
- 12/1/2019
- by jkeast
- IF.com.au
‘New Gold Mountain’ writers Peter Cox, Benjamin Law and Yolanda Ramke.
Sbs has commissioned a 4-part drama set during the 1850s gold rush from the perspective of desperate Chinese miners from Goalpost Television, to be directed by The Hunting’s Ana Kokkinos.
The broadcaster’s 2020 slate unveiled today includes documentaries spotlighting immigration, identity, homelessness, addiction and domestic violence.
Among the returning shows, Bert Newton, Lisa Wilkinson and country music star Troy Cassar-Daley will be among the eight identities who search for their family history in Warner Bros. Australia’s Who Do You Think You Are?
In the third season of Blackfella Films’ Filthy, Rich & Homeless five high-profile Aussies including Dr Andrew Rochford will swap their privileged lives to discover what life is like for the nation’s homeless.
Scripted by creator/lead writer Peter Cox (the Kiwi’s first Australian screen credit), Benjamin Law and Yolanda Ramke, Goalpost’s New...
Sbs has commissioned a 4-part drama set during the 1850s gold rush from the perspective of desperate Chinese miners from Goalpost Television, to be directed by The Hunting’s Ana Kokkinos.
The broadcaster’s 2020 slate unveiled today includes documentaries spotlighting immigration, identity, homelessness, addiction and domestic violence.
Among the returning shows, Bert Newton, Lisa Wilkinson and country music star Troy Cassar-Daley will be among the eight identities who search for their family history in Warner Bros. Australia’s Who Do You Think You Are?
In the third season of Blackfella Films’ Filthy, Rich & Homeless five high-profile Aussies including Dr Andrew Rochford will swap their privileged lives to discover what life is like for the nation’s homeless.
Scripted by creator/lead writer Peter Cox (the Kiwi’s first Australian screen credit), Benjamin Law and Yolanda Ramke, Goalpost’s New...
- 11/19/2019
- by The IF Team
- IF.com.au
‘Hearts and Bones’.
The casting directors behind Hearts and Bones, Judy and Punch, The Nightingale and Unsound will duke it out for the feature film prize at the upcoming Casting Guild of Australia Awards.
To be held November 29 in Melbourne, the awards will be hosted by actors Zahra Newman (Wentworth) and Mark Coles Smith (Picnic at Hanging Rock), with special guest Aacta Award-winning producer Todd Abbott from Guesswork.
In TV drama, the casting directors behind Diary of an Uber Driver, The Heights (series 1), Total Control and Wentworth (Season 7) have each been recognised with nods, while in the TV Miniseries & Telemovie category it will be a battle between those who worked on Lambs of God, On the Ropes, Secret Bridesmaids Business and The Hunting.
Casting Guild of Australia president Kirsty McGregor leads with seven nominations, three of which are shared with Gemma Brown and one with Stevie Ray (Diary of an Uber Driver...
The casting directors behind Hearts and Bones, Judy and Punch, The Nightingale and Unsound will duke it out for the feature film prize at the upcoming Casting Guild of Australia Awards.
To be held November 29 in Melbourne, the awards will be hosted by actors Zahra Newman (Wentworth) and Mark Coles Smith (Picnic at Hanging Rock), with special guest Aacta Award-winning producer Todd Abbott from Guesswork.
In TV drama, the casting directors behind Diary of an Uber Driver, The Heights (series 1), Total Control and Wentworth (Season 7) have each been recognised with nods, while in the TV Miniseries & Telemovie category it will be a battle between those who worked on Lambs of God, On the Ropes, Secret Bridesmaids Business and The Hunting.
Casting Guild of Australia president Kirsty McGregor leads with seven nominations, three of which are shared with Gemma Brown and one with Stevie Ray (Diary of an Uber Driver...
- 11/17/2019
- by jkeast
- IF.com.au
Charlie Aspinwall and Daley Pearson.
Ludo Studio were the big winners at last night’s Screen Producers Australia (Spa) Awards in Melbourne, taking home four gongs, including the major prize of the night: Screen Production Business of the Year.
The Brisbane company, co-founded by Charlie Aspinwall and Daley Pearson, also walked away with Animated Series Production of the Year for its pre-school phenomenon Bluey, Online Series Production of the Year for Robbie Hood with co-production partner Since 1788 Productions and Screen Business Export Award for Bluey, in recognition of its Disney sale – it will be the first Australian series to stream on Disney+.
The latter award was jointly shared with Porchlight Films’ Animal Kingdom, with the Us remake now in its fourth season for TNT.
“This industry has been very kind to us,” said Pearson on accepting the major award, which recognises Ludo’s growth over the past five years, and...
Ludo Studio were the big winners at last night’s Screen Producers Australia (Spa) Awards in Melbourne, taking home four gongs, including the major prize of the night: Screen Production Business of the Year.
The Brisbane company, co-founded by Charlie Aspinwall and Daley Pearson, also walked away with Animated Series Production of the Year for its pre-school phenomenon Bluey, Online Series Production of the Year for Robbie Hood with co-production partner Since 1788 Productions and Screen Business Export Award for Bluey, in recognition of its Disney sale – it will be the first Australian series to stream on Disney+.
The latter award was jointly shared with Porchlight Films’ Animal Kingdom, with the Us remake now in its fourth season for TNT.
“This industry has been very kind to us,” said Pearson on accepting the major award, which recognises Ludo’s growth over the past five years, and...
- 11/14/2019
- by jkeast
- IF.com.au
‘True History of the Kelly Gang’.
Some $1.17 billion was spent on drama production in Australia in the last financial year – the second highest year on record and more than 50 per cent up on the previous year – driven by all-time high expenditure on local content and significantly bolstered levels of foreign spend.
That’s according Screen Australia’s annual Drama Report, released today, which details expenditure on all local and foreign drama production, across film, TV, and online, as well in post-production, digital and visual effects (Pdv).
A record $768 million was spent on local projects in 2018-19, driven by a record $334 million expenditure in TV drama, as well as a five-year high spend on features at $229 million. Children’s TV drama is also at a 10 year high at $95 million across 15 projects; a 95 per cent increase on last year.
Significantly, the spend on foreign shoot and Pdv-titles is up three times on last year at $410 million.
Some $1.17 billion was spent on drama production in Australia in the last financial year – the second highest year on record and more than 50 per cent up on the previous year – driven by all-time high expenditure on local content and significantly bolstered levels of foreign spend.
That’s according Screen Australia’s annual Drama Report, released today, which details expenditure on all local and foreign drama production, across film, TV, and online, as well in post-production, digital and visual effects (Pdv).
A record $768 million was spent on local projects in 2018-19, driven by a record $334 million expenditure in TV drama, as well as a five-year high spend on features at $229 million. Children’s TV drama is also at a 10 year high at $95 million across 15 projects; a 95 per cent increase on last year.
Significantly, the spend on foreign shoot and Pdv-titles is up three times on last year at $410 million.
- 10/30/2019
- by jkeast
- IF.com.au
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