In the twenty-third century, the universe is threatened by evil. The only hope for mankind is the Fifth Element, who comes to Earth every five thousand years to protect the humans with four stones of the four elements: fire, water, Earth and air. A Mondoshawan spacecraft is bringing The Fifth Element back to Earth but it is destroyed by the evil Mangalores. However, a team of scientists use the DNA of the remains of the Fifth Element to rebuild the perfect being called Leeloo. She escapes from the laboratory and stumbles upon the taxi driver and former elite commando Major Korben Dallas that helps her to escape from the police. Leeloo tells him that she must meet Father Vito Cornelius to accomplish her mission. Meanwhile, the Evil uses the greedy and cruel Jean-Baptiste Emanuel Zorg and a team of mercenary Mangalores to retrieve the stones and avoid the protection of Leeloo. But the skilled Korben Dallas has fallen in love with Leeloo and decides to help her to retrieve the stones.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Nick Dudman's creature crew created a group of spindly, long-nosed alien garbage collectors that never made it to the final film. In the scenes at the spaceport, there's a huge pile of garbage which has gone uncollected because the garbage collectors are on strike (as explained in some dialogue). These creatures would have been seen amidst the garbage, holding sandwich board signs reading "On strike" if they had made it to the final cut. See more »
When Leeloo falls through the cab roof and Korben has to pull over and puts the cab on "automatic", the word "automatic" on the button is the wrong way down, but later when he pushes the button again to start running from the cops, the writing on the button is almost perfect. See more »
This is one of those movies where if you were lucky enough to see it first-run, you did not really appreciate it at the time.
It holds up very well. And gets better with subsequent viewings (As does MS. Jovovich who went on to do a string of very memorable sci fi flicks, and one drama where, believe it or not, she played an aspiring wedding singer) Massive (truly massive) talent in front of and behind the camera. Luc Besson in front (crazy as a loon but boy can he write scripts) and Willis/Oldman in front.
For the day, the special effects were top notch.
There a joyful innocence about the film which was rare at the time, and even rarer today.
See it once. See it often. It'll make you smile
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