Eden

Saw this movie at SIFF and STILL can't stop thinking about it. Script, direction, acting, and cinematography are all impeccable. The three leads are perfectly cast. Matt is desperate, hardened, and yet strangely likable. Jamie does a fantastic job as well in a role that requires serious vulnerability and emotional depth. Megan Griffith's directing is superb and the style and tone of the overall film is spot on. I was on the edge of my seat the entire time because the story is so captivating and hard to believe. I'm dying for this film to hit theaters, because it is so incredibly well done. I want to read the memoir it's based off of after seeing the lengths this girl went to to escape from captivity. Thank you for tackling this story and subject matter!

I watch a LOT of movies so I'm used to formula, which all too often is what is relied on these days. I was therefore pleasantly surprised by Eden because it's not in the least predictable, and I can only imagine that's because its based on a true story. I don't know how MUCH of it is true but you can definitely see that elements are not the product of a script-writer's imagination.

Why? Because they are simply too sickening to be made up. I won't discuss the plot elements, other than to say it's about kidnapping young women to sell them into a life of sex slavery. Yeah, fun stuff! That said, it doesn't rub your face in the gruesome details of what the girls are forced to do, but rather focuses on the experience of one person, the Eden of the title, as she works to free herself from a seemingly unwinnable situation.

Played by Jamie Chung, at first she seems to be an almost unbelievably naive and trusting person but gradually her gritty determination is revealed as she turns the tables on her kidnappers. This part is the most satisfying because it's not far-fetched or predictable. The characters are all well-played, with a rare turn by Beau Bridges as a completely evil SOB.

Jamie Chung is very believable in a demanding role that requires her to be in every scene, and plays it very low-key throughout, using her magnetic eyes to great effect to express what's going through her mind. Matt O'Leary also does very well in a supporting role.

This is a very important film and needs to be seen as widely as possible. I have a teenage daughter and I want her to watch it. As a cautionary tale, it does a terrific job. Far more horrifying than any horror film.

The theme of the movie is very heavy. Mostly that theme is being handled in documentaries and not feature movies like this one here. And even if, it mostly handles it generally, as opposed to here, where you have the main focus on our main character. A sort of revelation and a great role to play, for an actress who's in quite a lot of movies recently (including Premium Rush and others).

Part drama, part thriller it obviously isn't aimed to be entertainment in a sense other movies are. But if you can handle the tough subject and if it's something you can watch, you will be rewarded with a really good movie, that is acted great throughout and has something to say (not only for itself, but in general).

Some viewers would say the film was weak on portraying how the human sex traffic trade takes full advantage of unsuspecting teenagers (boys as well as girls) by scooping them off the street due to these teenagers own ignorance to the extent of the sex traffic trade, and/or more likely by raising these teenagers self worth, albeit temporarily, until the pimps have full control of them.

Whether or not this film is loosely based on a true story of a young South Korean girl named Chong Kim should not be what the majority of the films audience should be focused on, nor the disappointment that a movie that is based on the illegal sex trafficking lacks any gratuitous x-rated sex scenes. Instead what the viewers like myself absorbed from Miss Chong Kim's ordeal is we need to do a better job as a nation in realizing how extensive the sex trafficking trade really is, and what we all can do to stop it.

Firstly, there would be no sex trafficking in North America if there was no demand for the supply of teenage girls (and boys). In this film actor Beau Bridges does more than an adequate job as the corrupt law enforcement officer Bob Gault. Some of the other reviews commented that this is not realistic that a law enforcement officer would be a leader in the sex trafficking ring, but every year law enforcement officers across North America are found guilty of many criminal offences and the important "breach of trust" crime.

Actress Jamie Chung who plays the young teenage female victim Eden (with braces on her teeth), who was easily duped by a young man in uniform to foolishly feel safe enough to take a ride in his car and then she was quickly moved into the sex trade is a wake up call for all teenagers. The key message being there are many wolves in sheep's clothing and we as a nation have to be more engaged in stopping this corrupt criminal behaviour. Of course the actress Jamie Chung was taller, thinner, with a buff body than the shorter and heavier real life Chong Kim. I felt Jamie Chung did a great job in portraying the real life Chong Kim and how the victim had to adjust to a life in the sex traffic trade over the years she was imprisoned.

I would also suggest to those critical viewers who scoffed that the dozens of teenage girls who were imprisoned under lock and behind gates in a storage locker as being unrealistic, lets be clear, regardless of where these teenage girls were being housed when they were not working on their backs or knees lets just agree that they were not living the life of a socialite like Paris Hilton, or as a madam like Heidi Fleiss. No I am quite sure that the teenage girls who are really imprisoned by pimps and actively (today and tomorrow) engaged in the sex traffic trade are living in squalor, eating poorly, and have absolutely no life or ambition to speak of.

I thought the director/co-writer Megan Griffiths did an admirable job of finely balancing the need to NOT over sensationalize the graphic sexual plight of these young teenage girls, but instead emphasize how young women need to appreciate how easily it is to find themselves victims if they do not pay a lot more attention to the wrong type of people who could easily over power them if they are not a lot more careful as to who they choose to socialize or even be in the wrong place (like a bar, a public park late at night, or a pool hall) at the wrong time.

This is a clean enough film that I would suggest parents of all young teenage girls as well as teenage boys should watch as a learning tool. This is real life sex trafficking that we should not ignore, but we should be doing a lot more to prevent. I give the film a fair 6 out of 10 rating for "lessons learned".

As you've probably surmised, EDEN is not entirely "fun" to watch, but it's no more disturbing than it has to be. It's also rewarding in its revelation of an often-ignored problem in this country via a well-detailed and riveting story-line. Director Megan Griffiths did an outstanding job of treading a very thin line, making the film as tasteful as possible considering the subject matter--i.e., no gratuitous nudity--without sugar-coating the story. The level of empathy the audience attains with these poor girls is most acute. EDEN is quite convincing despite several stretches and unlikelihoods. While the plot of this film may appear predictable at first glance, there are some truly unexpected developments here.

Though a bit larger-than-life in places, Jamie Chung is just hypnotic as victim-heroine "Eden." The script is similarly believable and carries a lot of weight in developing Eden and the other characters. The mistrustful alliance she builds with one of her abductors (well-played by Matt O'Leary) is as immediate as everything else in this film and is one of its realest aspects. The supporting cast who play characters we never get to know that well, particularly Tantoo Cardinal as "The Nurse," also contribute a great deal to EDEN's success.

The "Behind the Scenes" Special Feature should not be missed after watching the film itself.