Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ...
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Title: Intervista (1987)
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3 wins & 8 nominations.
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Edit
Cast
| Cast overview, first billed only: | |||
| Sergio Rubini | ... | Reporter / Sergio Rubini | |
 |
Antonella Ponziani | ... | Antonella |
|
|
Maurizio Mein | ... | Maurizio Mein |
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Paola Liguori | ... | Star |
| Lara Wendel | ... | Bride | |
| Antonio Cantafora | ... | Spouse | |
|
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Nadia Ottaviani | ... | Vestal Virgin |
| Anita Ekberg | ... | Anita Ekberg | |
| Marcello Mastroianni | ... | Marcello Mastroianni | |
|
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Maria Teresa Battaglia | ||
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Umberto Conte | ||
| Christian Borromeo | ... | Christian | |
|
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Lionello Pio Di Savoia | ||
|
|
Roberta Carlucci | ||
|
|
Germana Dominici | ||
Edit
Plot Summary
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Add Synopsis
Storyline
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on his latest film. A young actor portrays Fellini arriving at Cinecitta the first time by trolley to interview a star. Marcello Mastroianni dressed as Mandrake the Magician floats by a window and Fellini followed by TV crew takes him to Anita Ekberg's villa where the Trevi fountain scene from Dolce vita, La (1960) is shown on a sheet that appears and disappears as if by magic. Written by Dale O'Connor <daleoc@interaccess.com>
Certificate:
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See more on IMDbPro »
See full technical specs »
Details
Country:
ItalyRelease Date:
6 November 1992 (USA) See more »Also Known As:
Fellini's Intervista See more »Filming Locations:
Rome, Lazio, ItalyEdit
Box Office
Gross USA:
$112,560Company Credits
Show more on
IMDbPro »
Technical Specs
Color:
Color (Eastmancolor)Aspect Ratio:
1.37 : 1
Edit
Did You Know?
Goofs
When the priest guides Fellini and friends to Villa Pandora, riding his motorcycle, a wire moving his scarf is totally visible. See more »Frequently Asked Questions
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I don't know what the reviewers were thinking, but with Ebert leading the pack, it might be safe to say that they weren't thinking at all.
Intervista is an amazing film. It takes the shape of a fake documentary, in which Fellini looks at, and pokes fun at, his entire career. In the end it is an homage, not to himself, as other reviewers have suggested, but to film itself. Praise for a medium which never ceases to amaze viewers and film makers alike with it's capacity to project and create our dreams.