Intervista (1987)

Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »

Director:

Federico Fellini

Writers:

Federico Fellini (story), Gianfranco Angelucci (contributing writer)

Stars:

Sergio Rubini, Antonella Ponziani, Maurizio Mein

3 wins & 8 nominations.

Cast

Complete credited cast:
Sergio Rubini	...	Reporter / Sergio Rubini
Antonella Ponziani	...	Antonella
Maurizio Mein	...	Maurizio Mein
Paola Liguori	...	Star
Lara Wendel	...	Bride
Antonio Cantafora	...	Spouse
Nadia Ottaviani	...	Vestal Virgin
Anita Ekberg	...	Anita Ekberg
Marcello Mastroianni	...	Marcello Mastroianni
Rest of cast listed alphabetically:
Maria Teresa Battaglia
Christian Borromeo	...	Christian
Roberta Carlucci
Dario Casalini	...	Karl
Umberto Conte
Lionello Pio Di Savoia

Storyline

Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on his latest film. A young actor portrays Fellini arriving at Cinecitta the first time by trolley to interview a star. Marcello Mastroianni dressed as Mandrake the Magician floats by a window and Fellini followed by TV crew takes him to Anita Ekberg's villa where the Trevi fountain scene from Dolce vita, La (1960) is shown on a sheet that appears and disappears as if by magic.

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Plot Keywords:

television | actor | interview | cinema | magician | 

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Genres:

Comedy | Drama | Fantasy

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Details

Country:

Italy

Language:

Italian Japanese English

Release Date:

6 November 1992 (USA)

Also Known As:

Fellini's Intervista

Filming Locations:

Rome, Lazio, Italy

Box Office

Gross USA:

$112,560

Company Credits

Production Co:

Aljosha,Cinecittà,RAI Radiotelevisione Italiana

Technical Specs

Sound Mix:

Dolby Dolby SR

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Goofs

When the priest guides Fellini and friends to Villa Pandora, riding his motorcycle, a wire moving his scarf is totally visible.

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Quotes

[first lines]
Federico Fellini: You here already? Go home to bed.

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Connections

Referenced in Acropolis Now: The Proxy Blues (1989)

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Soundtracks

Io Cerca La Titina
Written by Léo Daniderff (as Daniderff) and Napoli

User Reviews

Wow--such a low rating for such a nice little film!

This was the second to last film the famed director, Fellini, made and it was his most personal. Instead of being a traditional film, this is much more like having a personal visit with him as he shows you around Cinecittà Studios in Rome. Sometimes he talks to the camera (or in many cases, the fictional Japanese crew interviewing him--a plot device to represent the audience), sometimes you just watch somewhat random scenes as they are shot and other times you watch Fellini and his friends as they reminisce--such as when Marcello Mastroianni pops by the set and Fellini, impulsively, takes him on a road trip to see Anita Ekberg. While this all seems unscripted and at the spur of the moment, it was all staged for the film but it has a real home movie quality about it. At Ekberg's home, all of Fellini's guests view scenes from LA DULCE VITA (starring Mastroianni and Ekberg) and there is a very strong nostalgic air about the party.

The total effect of all these elements was a lot like climbing inside Fellini's mind and it also gave a lot of amazing insights into the film making process. Because of this it was a lot like Truffaut's DAY FOR NIGHT, though a bit different because DAY FOR NIGHT stuck more to a traditional script (a movie about a movie being filmed) and seemed a lot less frivolous and fun. Fellini's is more of a "warts and all" and appears to be more spontaneous and ad-libbed--though because of some of the grand sets and the visit to Ekberg's, it obviously was staged to look spontaneous. My advice is to see this film and DAY FOR NIGHT. DAY FOR NIGHT is rated higher, but because of all the sentimentality of INTERVISTA, I preferred it slightly.

While I have never been a huge fan of Fellini, I have seen most of his films and really enjoyed having some insights into his psyche. Most of it came as no surprise (such as the use of phallic imagery--Fellini's sexuality was never repressed in his films), but some was very sweet and charming. It was nice to see him as both director and actor--so why is the film rated so poorly??!!

By the way, when the film was made, Miss Ekberg was 56 years-old and Mr. Mastroianni was 63. I was rather irritated with an IMDb review that complained about her being "obese" and him being "wrinkled". This was cruel and shallow, as most women would die to look that ravishing at 56 and most men would love to be a charming old rogue at 63! What do you expect at that age? Hmm? To quote Ekberg in a recent interview, "I'm very much bigger than I was, so what? It's not really fatness, it's development." Bravo.

PS--If you like this film, try watching Vincenzo Mollica's documentary on the film that's included on the DVD for INTERVISTA. It does a nice job of explaining some of the plot elements and features clips not only from this movie but several other Fellini films. My favorite part was learning that Miss Ekberg's plunge into the Trevi fountain in LA DULCE VITA was done in February!!