Darrin and Samantha Stephens are a young, bi-species married couple: he's a mortal human being, she's a witch, something which she does not divulge to him until after their wedding. Darrin just wants them to live a simple, mortal life, to which Samantha agrees, meaning no witchcraft and no telling any of their mortal friends and relatives of her being a witch. However, that no witchcraft vow is difficult to maintain if only because of Samantha wanting or needing to use it to get out of one scrape or another, and her relatives, especially her mother Endora, the most constant thorn in Darrin's side, against the marriage and the idea of denying Samantha's heritage as a witch. Mortals in their lives also add to their complicated lives: Darrin's friend and spendthrift boss, Larry Tate of McMann and Tate Advertising, who always wants Darrin to do all the work while the company gets all the glory and money; their nosy neighbors, the Kravitzes, Glady Kravitz who always arrives at the most ...Written by
Agnes Moorehead had a strong working relationship with Dick York, and when he was replaced with Dick Sargent she did not take the decision well. On Sargent's first day on the set (for a script reading), and in front of the entire cast (including Sargent), Moorehead very slowly but firmly stated, 'I don't like change.' See more »
Despite the Boston setting of the series, it's clear from the vegetation in outside scenes that the filming location is in the Western United States. See more »
When I think of you as a blood relative, I long for a transfusion.
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During the first season, episodes featured a longer version of the familiar opening credits that incorporated a promotion for series sponsor Chevrolet (including an extra piece of animation showing Samantha and Darren riding a broomstick). This opening was replaced by a standardized opening for syndication. The DVD release of season 1 uses the syndicated version of the opening credits. See more »
`Bewitched' is one of my favorite shows of all time. `I Dream of Jeannie' did indeed have its moments, but I truly dreamed of Samantha! `Bewitched' offered lighthearted comedy while staying true to the `escapist' themes of the 1960s. Additionally, it was well written, and one of the few shows able to work seamlessly through numerous cast changes.
Elizabeth Montgomery WAS Samantha. No one will ever take her place. She was stunningly beautiful, creative, talented, and convincing in her role. Personally, I don't think she knew how great she really was as an actress. Likewise, Dick York WAS Darrin (yeah, I like 'em neurotic). The chemistry between York and Agnes Moorehead was one of a kind - and the chemistry between Montgomery and York was quite memorable, too. All three were at the top of their game in my two favorite episodes, `Double, Double, Toil and Trouble' and `If They Never Met.' Don't get me wrong, though - Dick Sargent deserves a lot of credit for coming in and taking over a role that had tough shoes to fill. In addition, Paul Lynde also offered some memorable moments - it would be a crime not to acknowledge his contribution to the show.
I have no doubt that I'll be `bewitched' for the rest of my life. We miss you, Liz!
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