His credits with the Sydney Theatre Company include:
Astrov in Chekhov's "Uncle Vanya" (2010), John in "Riflemind" by Andrew Upton
(2007), Ibsen's "Hedda Gabler" (2004, also NYC), Henry in "The Real Thing" by Tom Stoppard
(2003), Webster's "The White Devil" (2000), Bernard in "Arcadia" by Tom Stoppard
(1994), "Three" (1993), Irwin in "The Secret Rapture" by David Hare
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6' 2" (1.88 m)
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I do love working in Australia. Generally, the budgets are smaller, the crews are smaller and generally you work at a fast pace. That gives you energy. At the end of the day, you've worked a lot but you don't feel tired. On the big ones, you sit around a lot. That really saps your energy.
Weaving fractured his hip doing a stunt while in training for The Matrix
(1999). He recovered and the fight scenes in the production were shifted to the end of the filming. Since Keanu Reeves
had suffered a neck injury at around the same time, the delay worked well for both actors. While both actors required stunt doubles on The Matrix and its two sequels, they both trained for months in advance ...
Rich yet flawless voice