Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
A married couple becomes stranded at an isolated motel and finds hidden video cameras in their room. They soon realize that unless they escape, they'll be the next victims of a snuff film.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Director:
Dennis Iliadis
Stars:
Garret Dillahunt,
Monica Potter,
Tony Goldwyn
Six people find themselves trapped in the woods of West Virginia, hunted down by "cannibalistic mountain men grossly disfigured through generations of in-breeding."
Director:
Rob Schmidt
Stars:
Eliza Dushku,
Jeremy Sisto,
Emmanuelle Chriqui
When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of the victims harbors a secret talent for fighting back.
Three backpackers travel into the Australian Outback only to find themselves stranded at Wolf Creek crater. Once there, they are encountered by a bushman, Mick Taylor, who offers them a ride back to his place. Little do the three know that their adventure into the Outback would be a complete nightmare after the backpackers find a way to escape.
One of the two films that received an "F" CinemaScore from audiences upon their release in 2005, along with Alone in the Dark (2005). See more »
Goofs
(at around 39 mins) The length of the tow-cable changes from shot to shot. In most of the towing scenes the car is about five feet behind the truck. However, in some long shots the car is about 15 feet behind. See more »
Quotes
Mick Taylor:
I always use a rubber with you cunts... I just don't know where ya been!
See more »
Crazy Credits
The producers would like to thank ... the people of Hawker, Port Augusta, Flinders Ranges and South Australia, ... Frank, Marie and the entire Mclean family See more »
Alternate Versions
The German DVD is available in both a FSK 18 release and a FSK 16 release with 7 minutes of cuts. See more »
Wolf Creek has a completely standard basic story for this kind of genre movie - travelers in isolated location encounter sadistic nut. Despite this, it's what writer/director Greg McLean does with the details which makes a difference.
The outback locations are rendered with a nice eye and evoke a sense of spooky isolation - anything could happen to you out here and no-one would know, much less be able to help. There is also the much discussed 'dark side of Crocodile Dundee' element - frankly, I can't believe it's taken so long for someone to conjure this one up, and McLean clearly delights in stabbing a knife through the heart of the mythical Aussie archetype. I think he's actually gotten to an uncomfortable, close-to-the-bone truth about the psyche of certain Aussie males, and John Jarret is eerily similar to the kind of individual one would encounter in many a country pub down under.
The fact that this is an Australian film also makes it a rare bird indeed. For some unfathomable reason, the Oz industry rarely does genre, and when it does, usually doesn't do it well. With this in mind, Wolf Creek is something of a breath of fresh air. Yes, it hews pretty closely to the codes and rules of its genre, but for the most part it does it well, and for my money, what works about the film is strong enough to make some of the weaker plot moments forgivable.
Will Gibson's HD camera-work is impressive, maintaining a consistent style from start to finish, aided by solid editing, score and sound design. Now maybe people will stop whining about how 'we can't make genre films here' and we might see some imagination and variety creep into Australian cinema.
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Wolf Creek has a completely standard basic story for this kind of genre movie - travelers in isolated location encounter sadistic nut. Despite this, it's what writer/director Greg McLean does with the details which makes a difference.
The outback locations are rendered with a nice eye and evoke a sense of spooky isolation - anything could happen to you out here and no-one would know, much less be able to help. There is also the much discussed 'dark side of Crocodile Dundee' element - frankly, I can't believe it's taken so long for someone to conjure this one up, and McLean clearly delights in stabbing a knife through the heart of the mythical Aussie archetype. I think he's actually gotten to an uncomfortable, close-to-the-bone truth about the psyche of certain Aussie males, and John Jarret is eerily similar to the kind of individual one would encounter in many a country pub down under.
The fact that this is an Australian film also makes it a rare bird indeed. For some unfathomable reason, the Oz industry rarely does genre, and when it does, usually doesn't do it well. With this in mind, Wolf Creek is something of a breath of fresh air. Yes, it hews pretty closely to the codes and rules of its genre, but for the most part it does it well, and for my money, what works about the film is strong enough to make some of the weaker plot moments forgivable.
Will Gibson's HD camera-work is impressive, maintaining a consistent style from start to finish, aided by solid editing, score and sound design. Now maybe people will stop whining about how 'we can't make genre films here' and we might see some imagination and variety creep into Australian cinema.