The Tourist

Thanks to a lot of negative reviews, my hopes on enjoying this movie were pretty slim.....so I wound up pleasantly surprised that the film was, at very least, entertaining. Yeah, it was not hard to guess the "twist" near the end, but it was an enjoyable, mellow ride.

This movie reminded me of old films, '50s and '60s-type spy films in which there is little action but the characters are interesting enough to make you pay attention and see if you can guess who's who and what's what. Kind or like the 1963 hit "Charade," except this movie is much more low key. Cary Grant would have been ideal in Johnny Depp's role.

Despite mostly dialog-driven, Angelina Jolie and Depp have star-power faces that will have you involved as does the great European scenery and photography, which is first rate on a Blu-Ray.

All in all: a pretty good subtle film and worth a rental.

"The Tourist" is very similar to some of the Hollywood escapist fair of the 1950's and early 1960's with the likes of Cary Grant, Audrey Hepburn and Grace Kelly. In several films during this era, Grant played an American in European exotic locales dealing with espionage in relatively light-hearted plots. The classic films of this ilk which come to mind are "To Catch a Thief", "Charade", even "Roman Holiday", taking place in Monte Carlo, Monaco, Paris, and Rome. In "The Tourist", Depp plays a Cary Grant-like character and Angelina Jolie has the long dark hair of Audrey Hepburn with the demureness of Grace Kelly. The action begins in Paris then moves to Venice.

The best thing about the film is the opening. The viewer is plopped right into the middle of things without any background or knowledge. A demure mystery woman (Jolie) arrives at a café in Paris near the Champs-Elysees and orders her usual, which we learn is already being prepared. She's a regular. A mysterious note is given to her and provides detailed instructions concerning exact steps she's supposed to take right after leaving the café. While she is reading the note, we learn she is being staked out by government officials. Part of the instruction says "...pick someone with my height and build and make them believe it is me..." She burns the note and makes her way to the central train terminal in Paris.

Part of the fun of the story is that we don't know who wrote the note, and part of the mystery-fantasy is a gradual revelation regarding who the unknown letter-writer is. (The voice-over for the note is Jolie, which is somewhat confusing at first, because the writer is male.) On a train to Venice, she meets a clueless American tourist from Wisconsin, Frank, played by Johnny Depp. Depp (who doesn't exactly seem like a clueless tourist from Wisconsin) acts flattered that a woman who just walked out of Vogue Magazine would sit by him on the train. And so begins a rather fun, if somewhat improbable, misadventure. Depp appears to be someone "with my height and build". Two factions are on the trail on the unknown "letter-writer": Scotland Yard authorities who believe he has not paid back taxes on a transaction worth several billion British pounds, and an international mob run by an older baddie who would kill not only a man who cheats on his wife, but he'll kill his wife too, and all the members of both families. He would even kill the man's doctor, just for good measure. The mob boss lost billions to the mystery man who was once a trusted part of his organization. Part of the plot is the tried-and-true "mistaken identity" device in which the authorities and the mob appear to be confusing the clueless tourist with the unseen letter-writer. Everyone is sure the man they want is Depp.

A fun fantasy which combines elements of romantic-comedy and international espionage. There are a couple of obligatory chase scenes and even a romantic interlude or two, with the compulsory ballroom and casino scenes. What makes it work are the fine performances by Depp and Jolie. The ending is pretty interesting, but there are aspects during the film which don't quite mesh with the information presented previously. But if you're willing to suspend your disbelief and let your imagination run wild, "The Tourist" is a fun treat, sort of like a nice bowl of vanilla ice cream. French vanilla of course on Viennese China.

Nothing more, nothing less. It's an anachronism, the type of escapist movie that Cary Grant and Audrey Hepburn made in the late fifties and early sixties. It's supposed to have a silly twist at the end, all neatly tied with a bow.

I just couldn't work up the anger and outrage that many reviewers have churned up about it. OK, so who would have guessed that Johnny Depp would be weirder playing someone normal rather than his usual weirdo roles? And who would really believe that Angelina Jolie would fall for an unassuming American math teacher?

No one. That's why it's fun, folks. Just roll with it, taking in all the wonderful Venice scenery while you're at it. Seriously, this is an elegant film from beginning to end and it doesn't matter that it's more than a little preposterous.

It's an escape, a European fantasy. Just laugh and enjoy it.

We're all used to seeing Johnny Depp and Angelina Jolie in dramatic roles - Finding Neverland, Public Enemies, The Changeling, A Mighty Heart... and it's so easy to forget that they can be funny. But they are, both of them. Johnny shines, as he always does. Angelina Jolie looks glorious, and when she smiles, the screen lights up. They don't have chemistry, critics say. Oh yes, they do, I say. More importantly, they seem to be enjoying themselves.

Johnny's Frank is delightful, touching and slightly mysterious. He has endless room to play around, and makes Frank memorable, and lovely, as only Johnny can. Angelina's role is more limiting, but she still makes it fresh and - yes - deeply amusing, parodying both herself and the genre in general. Watching her saunter around on her high heels, one can't help but recall what James Bond used to be like. This isn't Wanted or Salt: she has far more to do here than look cryptic and shoot people, and she does it very well.

Add to that the utterly magnificent Paul Bettany, Timothy Dalton, a few stereotypically dim Russian gangsters (they speak actual Russian, for once, and their funniest lines aren't subtitled) and Rufus Sewell, and there's no way you can go wrong.

Yes, there's a twist at the end - a twist that seemed to annoy most people. But does that take away from the film? No! It adds to it, because it's just so obvious, and natural, that it's all the funnier for it.

Two beautiful people race around Venice in this entertaining and deceptive game of Cat and Mouse.

There's a very charming and seductive quality to this film. And its more subtle execution of the Action-Thriller genre is, I think, very underrated. Along with good pacing and twists that kept me guessing, The Tourist made for an enjoyable time.