Movie News
Disney and 20th Century’s “Kingdom of the Planet of the Apes” climbed to $72.5 million at the international box office in its first weekend of release.
The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million. Like its predecessors, the $160 million-budgeted “Kingdom of the Planet of the Apes” is projected to earn the bulk of its revenues at the international box office.
Overseas, the movie enjoyed the biggest start in China with $11.4 million (a lackluster debut for the territory), France with $7.1 million, Mexico with $6.4 million and the United Kingdom with $4.8 million. Other top markets were Korea ($3.2 million), Australia ($2.7 million), Brazil ($2.6 million), Germany (2.2 million) and Spain ($2.2 million).
Audiences opted to watch the film in the best possible quality as premium formats represented 41% of global box office revenues. In Imax alone, “Kingdom” earned $13.2 million worldwide, including $6.2 million from foreign territories.
The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million. Like its predecessors, the $160 million-budgeted “Kingdom of the Planet of the Apes” is projected to earn the bulk of its revenues at the international box office.
Overseas, the movie enjoyed the biggest start in China with $11.4 million (a lackluster debut for the territory), France with $7.1 million, Mexico with $6.4 million and the United Kingdom with $4.8 million. Other top markets were Korea ($3.2 million), Australia ($2.7 million), Brazil ($2.6 million), Germany (2.2 million) and Spain ($2.2 million).
Audiences opted to watch the film in the best possible quality as premium formats represented 41% of global box office revenues. In Imax alone, “Kingdom” earned $13.2 million worldwide, including $6.2 million from foreign territories.
- 5/12/2024
- by Rebecca Rubin
- Variety - Film News
Legendary B-movie king Roger Corman, who directed and produced hundreds of low-budget films and discovered such future industry stars as Jack Nicholson, Martin Scorsese and Robert De Niro, has died. He was 98.
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures,...
Corman died May 9 at his home in Santa Monica, Calif., surrounded by family members, the family confirmed to Variety.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,'” the family said in a statement.
Corman’s empire, which existed in several incarnations, including New World Pictures,...
- 5/12/2024
- by Richard Natale and Tim Gray
- Variety - TV News
Does Walton Goggins smell an Emmy approaching? Probably not, but only because his character in Amazon Prime Video’s hit “Fallout” TV series doesn’t have a nose. But nevertheless, his performance is earning rave reviews and awards voters are known to love a transformation. Goggins spent hours in the makeup chair before almost every shoot to turn into The Ghoul, a lone-wolf wastelander who’s been around for hundreds of years. In an interview with Deadline Studio at Prime Experience, Goggins acknowledged the difficulties of taking on this character physically and emotionally.
“The very first time we did the application [of his mask],” Goggins said, “I asked to be left alone for an hour and a half outside and Jonah [Nolan] came by. I just sat outside by myself and just photographed it like in the sun and in the shade. I was extremely intimidated but excited to see how this Ferrari would work.
“The very first time we did the application [of his mask],” Goggins said, “I asked to be left alone for an hour and a half outside and Jonah [Nolan] came by. I just sat outside by myself and just photographed it like in the sun and in the shade. I was extremely intimidated but excited to see how this Ferrari would work.
- 5/13/2024
- by Harrison Richlin
- Indiewire
“The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its world premiere in competition at the Cannes Film Festival.
The Match Factory is handling international sales on the female-powered movie, and Mubi just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. Mubi has also acquired the movie for Turkey and India.
“We’re very proud to be acquiring ‘The Substance’ by a French director who had already shined with her feature debut, ‘Revenge,’ and has been able to modernize a genre that very few filmmakers can tackle with such artistry,” said Victor Hadida, Metropolitan Filmexport’s co-founder and president.
“‘The Substance’ is a film that was made for the theaters and we’re looking forward to...
The Match Factory is handling international sales on the female-powered movie, and Mubi just acquired the rights in North America, U.K., Ireland, Germany, Austria, Latin America and Benelux, where they will release the film theatrically this year. Mubi has also acquired the movie for Turkey and India.
“We’re very proud to be acquiring ‘The Substance’ by a French director who had already shined with her feature debut, ‘Revenge,’ and has been able to modernize a genre that very few filmmakers can tackle with such artistry,” said Victor Hadida, Metropolitan Filmexport’s co-founder and president.
“‘The Substance’ is a film that was made for the theaters and we’re looking forward to...
- 5/13/2024
- by Elsa Keslassy
- Variety - Film News
Voltage Pictures is kicking off sales in Cannes this week on the child kidnapping thriller Stolen Girl starring Kate Beckinsale and Scott Eastwood.
Italy’s Ilbe is executive producer and Voltage is the lead producer on the €25m ($26m) feature, which was scheduled to commence principal photography today in Puglia in Italy.
Stolen Girl follows Maureen Danning (Beckinsale), who partners with Robeson (Eastwood), a former Marine and child abduction specialist, after her ex-husband abducts their young daughter and flees to the Middle East.
Maureen and Robeson embark on a mission to Beirut and navigate a maze of betrayal, corruption, and...
Italy’s Ilbe is executive producer and Voltage is the lead producer on the €25m ($26m) feature, which was scheduled to commence principal photography today in Puglia in Italy.
Stolen Girl follows Maureen Danning (Beckinsale), who partners with Robeson (Eastwood), a former Marine and child abduction specialist, after her ex-husband abducts their young daughter and flees to the Middle East.
Maureen and Robeson embark on a mission to Beirut and navigate a maze of betrayal, corruption, and...
- 5/13/2024
- ScreenDaily
Rich Peppiatt’s Sundance award-winner Kneecap will open the 36th Galway Film Fleadh (July 9-14) as Palestine is unveiled as the festival’s country of focus.
The Irish-language hip-hop biopic collected the Next audience award at Sundance and has since screened at SXSW and at the Sydney Film Festival. Mo Chara, Móglaí Bap and DJ Próvaí comprise the Belfast-based rap trio Kneecap and star as themselves in this dramatised origin story.
Galway will programme a selection of narrative and documentary films from and about Palestinian people that focus on “the land, breaches of international law and the targeting of civilians”.
Director of programming,...
The Irish-language hip-hop biopic collected the Next audience award at Sundance and has since screened at SXSW and at the Sydney Film Festival. Mo Chara, Móglaí Bap and DJ Próvaí comprise the Belfast-based rap trio Kneecap and star as themselves in this dramatised origin story.
Galway will programme a selection of narrative and documentary films from and about Palestinian people that focus on “the land, breaches of international law and the targeting of civilians”.
Director of programming,...
- 5/13/2024
- ScreenDaily
Pinnacle Peak Pictures is bringing a slate of faith-based films to the Cannes market, including a new installment in the “God’s Not Dead” franchise.
Entitled “God’s Not Dead: In God We Trust,” the film will be released theatrically in the U.S. this fall, but, like the rest of Pinnacle’s slate, foreign territories are available to buyers. The new “God’s Not Dead” film follows the series’ protagonist, Rev. David Hill (played once again by David A.R. White), who, with the help of a skilled political strategist, runs for political office on a platform of preserving “religious freedom” and healing divisions. The cast also includes Dean Cain, who appeared in the first film in the franchise and is best known for “Lois & Clark: The New Adventures of Superman,” as well as Isaiah Washington (“Grey’s Anatomy”) and Ray Wise (“X-Men: First Class”).
In addition, Pinnacle Peak Pictures will present “Disciples in the Moonlight,...
Entitled “God’s Not Dead: In God We Trust,” the film will be released theatrically in the U.S. this fall, but, like the rest of Pinnacle’s slate, foreign territories are available to buyers. The new “God’s Not Dead” film follows the series’ protagonist, Rev. David Hill (played once again by David A.R. White), who, with the help of a skilled political strategist, runs for political office on a platform of preserving “religious freedom” and healing divisions. The cast also includes Dean Cain, who appeared in the first film in the franchise and is best known for “Lois & Clark: The New Adventures of Superman,” as well as Isaiah Washington (“Grey’s Anatomy”) and Ray Wise (“X-Men: First Class”).
In addition, Pinnacle Peak Pictures will present “Disciples in the Moonlight,...
- 5/13/2024
- by Brent Lang
- Variety - Film News
Flickering Lights review – how the arrival of electricity heralded peace in a turbulent Indian state
Years in the making, this documentary shows preparations for the arrival of mains power in a village in Nagaland as part of a deal with the Indian government
With great patience over a period of years, Indian film-makers Anirban Dutta and Anupama Srinivasan recorded an interesting cultural footnote to history, happening ever so slowly in the tiny, remote village of Tora in Nagaland in north-eastern India near the border with Myanmar. The Naga Peace Accord, signed in 2015 between Narendra Modi’s government and the separatist-insurgent National Socialist Council of Nagaland, theoretically resolved tension which had existed since the Naga people proclaimed independence in 1947. As a result of this peace process, the little village of Tora and surrounding communities were going to get something very new: electricity.
We see a shopkeeper look forward to getting a refrigerator and her children excitedly talking about the Bollywood movies they can watch on TV.
With great patience over a period of years, Indian film-makers Anirban Dutta and Anupama Srinivasan recorded an interesting cultural footnote to history, happening ever so slowly in the tiny, remote village of Tora in Nagaland in north-eastern India near the border with Myanmar. The Naga Peace Accord, signed in 2015 between Narendra Modi’s government and the separatist-insurgent National Socialist Council of Nagaland, theoretically resolved tension which had existed since the Naga people proclaimed independence in 1947. As a result of this peace process, the little village of Tora and surrounding communities were going to get something very new: electricity.
We see a shopkeeper look forward to getting a refrigerator and her children excitedly talking about the Bollywood movies they can watch on TV.
- 5/13/2024
- by Peter Bradshaw
- The Guardian - Film News
"Here's looking at you, kid."
"You're going to need a bigger boat."
"You talking to me?"
We obviously love writers around these parts, but sometimes, the best laid plans of a screenplay simply don't work out as intended. In rare instances when the film gods are really smiling down on a movie set, the result can sometimes be that improvised lines, like the three listed above, are etched into cinema history and end up becoming the most famous lines of their respective films. Such is the case with James Cameron's box office behemoth (and flat-out terrific film) "Titanic," which has several memorable lines, but thanks to Cameron utilizing it in his eventual Oscar speech, perhaps none are as famous as when Leonardo DiCaprio's Jack Dawson shouts "I'm the king of the world!" from the bow of the doomed ocean liner.
Despite that line being synonymous with "Titanic," it wasn't in Cameron's original script.
"You're going to need a bigger boat."
"You talking to me?"
We obviously love writers around these parts, but sometimes, the best laid plans of a screenplay simply don't work out as intended. In rare instances when the film gods are really smiling down on a movie set, the result can sometimes be that improvised lines, like the three listed above, are etched into cinema history and end up becoming the most famous lines of their respective films. Such is the case with James Cameron's box office behemoth (and flat-out terrific film) "Titanic," which has several memorable lines, but thanks to Cameron utilizing it in his eventual Oscar speech, perhaps none are as famous as when Leonardo DiCaprio's Jack Dawson shouts "I'm the king of the world!" from the bow of the doomed ocean liner.
Despite that line being synonymous with "Titanic," it wasn't in Cameron's original script.
- 5/13/2024
- by Ben Pearson
- Slash Film
Tarf Media has acquired world sales rights excluding UK on romantic thriller White Widow, a debut feature from UK filmmaker Henry Mason.
Tarf will launch sales on the film at Cannes this week, with Yet Another Distribution Company representing UK sales rights.
Shot on location in London and Tanzania, White Widow follows a young man travelling home to Ireland to confront his dying father, when he meets a young American running from her recent past in Africa.
Written by Thomas Martin, the film is produced by established theatre producer Oliver Royds for his Bos Productions and Henry R. Swindell. Executive...
Tarf will launch sales on the film at Cannes this week, with Yet Another Distribution Company representing UK sales rights.
Shot on location in London and Tanzania, White Widow follows a young man travelling home to Ireland to confront his dying father, when he meets a young American running from her recent past in Africa.
Written by Thomas Martin, the film is produced by established theatre producer Oliver Royds for his Bos Productions and Henry R. Swindell. Executive...
- 5/13/2024
- ScreenDaily
Boardwalk Empire star’s publicist confirms actor is Ok after he was hit in the face and taken to hospital with an eye injury
Actor Steve Buscemi is Ok after he was punched in the face by a man on a New York City street, his publicist said on Sunday.
The 66-year-old star of Fargo and Boardwalk Empire was assaulted on Wednesday morning in Manhattan and taken to a nearby hospital with bruising, swelling and bleeding to his left eye.
Actor Steve Buscemi is Ok after he was punched in the face by a man on a New York City street, his publicist said on Sunday.
The 66-year-old star of Fargo and Boardwalk Empire was assaulted on Wednesday morning in Manhattan and taken to a nearby hospital with bruising, swelling and bleeding to his left eye.
- 5/13/2024
- by Associated Press
- The Guardian - Film News
Magnify has acquired global and U.S. sales rights (excluding Canada and Benelux) to “Wildhood” director Bretten Hannam’s supernatural thriller “Place of Ghosts,” which is set to go into production in August 2024.
Lorna Lee Torres, Magnify’s senior VP of sales, and Austin Kennedy, director of global sales, will be launching the project in Cannes.
“Place of Ghosts” follows siblings Mise’l and Antle, who were close as children, but trauma from their upbringing has caused them to drift apart as adults. When they are both haunted by a malevolent spirit of bones and rot, the siblings are forced to reunite.
They journey to Skite’kmujuekat’ik, the “Place of Ghosts,” a primeval forest of the Mi’kmaq people, where time bends and past mixes with future. Wounded and poisoned by the vengeful spirit, Mise’l and Antle move deeper into the dark woods to confront the half-buried corpse...
Lorna Lee Torres, Magnify’s senior VP of sales, and Austin Kennedy, director of global sales, will be launching the project in Cannes.
“Place of Ghosts” follows siblings Mise’l and Antle, who were close as children, but trauma from their upbringing has caused them to drift apart as adults. When they are both haunted by a malevolent spirit of bones and rot, the siblings are forced to reunite.
They journey to Skite’kmujuekat’ik, the “Place of Ghosts,” a primeval forest of the Mi’kmaq people, where time bends and past mixes with future. Wounded and poisoned by the vengeful spirit, Mise’l and Antle move deeper into the dark woods to confront the half-buried corpse...
- 5/13/2024
- by Leo Barraclough and Elsa Keslassy
- Variety - Film News
Screen is running this regularly updated page with the latest film festival and market dates from across the world.
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Seattle International Film Festival, US - May 9-19
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
May
Cannes Film Festival, France - May 14-25
Marche Du Film, France - May 14-22
Cine Las Americas International Film Festival, US - May 15-19
Harlem International Film Festival,...
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Seattle International Film Festival, US - May 9-19
Los Angeles International Children’s Film Festival Part 2, US - May 11-26
May
Cannes Film Festival, France - May 14-25
Marche Du Film, France - May 14-22
Cine Las Americas International Film Festival, US - May 15-19
Harlem International Film Festival,...
- 5/13/2024
- by Ben Dalton
- ScreenDaily
Worldwide box office May 10-12 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. Kingdom Of The Planet Of The Apes (Disney) $129m $129m $72.5m $72.5m 53 2. The Fall Guy (Universal) $23.1m $103.7m $9.4m $54m 81 3. The Garfield Movie (Sony) $11.8m $36m $11.8m $36m 22 4. Twilight Of The Warriors: Walled In (various) $9.5m $67.7m $9.5m $67.7m 3 5. Challengers (Warner Bros) $8.9m $68.7m $4.2m $30.6m 64 6. The Last Frenzy (various) $8.5m $71.2m $8.5m $71.7m 1 7. The Roundup: Punishment (various) $6.7m $63.3m $6.5m $62.6m 1 8. Un P’tit Truc En Plus (Pandis) $6.6m $16.7m $6.6m $16.7m 11 9. Tarot (Sony) $6.5m $20.2m $3m $8.2m 36 10. Godzilla x...
- 5/13/2024
- ScreenDaily
Tarf Media has acquired worldwide sales rights, excluding North America, for “Lonesome Soldier” and will represent the film at the Cannes Film Market.
The film is directed by Nino Aldi (“Who Killed Copper Dunn?”), stars John Ashton (“Gone Baby Gone”), Allison McAtee (“The Haves and Have Nots”), Steve Monroe (“Promising Young Woman”) and Patrick Y. Malone (“The Tomorrow War”) and introduces actor-writer Alexander Randazzo.
Based on a true story, “Lonesome Soldier” follows the life of Jackson Harlow (Randazzo), from a young dreamer affected by his time in the Iraq war, to his return home and the effects these events have on soldiers and families. It is written by Randazzo and Lionel Chetwynd (“Ike: Countdown to D-Day”), based on the book “Lonesome Soldier – The Long Road Home” by Linda Lee. The film is produced, financed and distributed in the U.S. by Military Movies.
Military Movies is a genre production and...
The film is directed by Nino Aldi (“Who Killed Copper Dunn?”), stars John Ashton (“Gone Baby Gone”), Allison McAtee (“The Haves and Have Nots”), Steve Monroe (“Promising Young Woman”) and Patrick Y. Malone (“The Tomorrow War”) and introduces actor-writer Alexander Randazzo.
Based on a true story, “Lonesome Soldier” follows the life of Jackson Harlow (Randazzo), from a young dreamer affected by his time in the Iraq war, to his return home and the effects these events have on soldiers and families. It is written by Randazzo and Lionel Chetwynd (“Ike: Countdown to D-Day”), based on the book “Lonesome Soldier – The Long Road Home” by Linda Lee. The film is produced, financed and distributed in the U.S. by Military Movies.
Military Movies is a genre production and...
- 5/13/2024
- by Naman Ramachandran
- Variety - Film News
Rome-based Intramovies has clinched further key sales on the Swedish pic “Paradise is Burning” for which rising talent Mika Gustafson won best director and writer at the 2023 Venice Orizzonti.
The coming-of-age drama was sold to Conic in the U.K. and Ireland, HBO Max for Eastern Europe (TV and VOD rights), Leopardo Filmes in Portugal, Providence/Belas Artes Grupo Brazil, and Mongsang in South Korea.
The story turns on young siblings Laura, Mira and Steffi, who live a totally free and wild life with no parental supervision. When social services intervene, the eldest sister, Laura (Bianca Delbravo-best actress for her role at Lisbon & Estoril Fest), tries to convince the recently befriended Hanna (Ida Engvoll of Netflix’s “Love & Anarchy”) to be the sisters’ stand-in mother.
“The very talented Swedish director Mika Gustafson has brilliantly captured a portrait of adolescence,” commented Mongsang’s CEO Jihyun Min. “Paradise Is Burning...
The coming-of-age drama was sold to Conic in the U.K. and Ireland, HBO Max for Eastern Europe (TV and VOD rights), Leopardo Filmes in Portugal, Providence/Belas Artes Grupo Brazil, and Mongsang in South Korea.
The story turns on young siblings Laura, Mira and Steffi, who live a totally free and wild life with no parental supervision. When social services intervene, the eldest sister, Laura (Bianca Delbravo-best actress for her role at Lisbon & Estoril Fest), tries to convince the recently befriended Hanna (Ida Engvoll of Netflix’s “Love & Anarchy”) to be the sisters’ stand-in mother.
“The very talented Swedish director Mika Gustafson has brilliantly captured a portrait of adolescence,” commented Mongsang’s CEO Jihyun Min. “Paradise Is Burning...
- 5/13/2024
- by Annika Pham
- Variety - Film News
UK documentary specialist Dogwoof has boarded international sales on Oliver Stone’s Lula, ahead of its world premiere at Cannes, where it will receive a special screening.
Gersh is handling US rights on the project, which follows the story of Brazil’s beloved president Luiz Inácio ‘Lula’ da Silva, and his journey from the presidential palace to imprisonment for 19 months, and back again to regain the presidency in 2022.
The documentary, co-directed by Rob Wilson, features unprecedented access to Lula and his closest advisors through a series of interviews, revealing the inside story of ‘Operation Car Wash’ – a landmark anti-corruption probe...
Gersh is handling US rights on the project, which follows the story of Brazil’s beloved president Luiz Inácio ‘Lula’ da Silva, and his journey from the presidential palace to imprisonment for 19 months, and back again to regain the presidency in 2022.
The documentary, co-directed by Rob Wilson, features unprecedented access to Lula and his closest advisors through a series of interviews, revealing the inside story of ‘Operation Car Wash’ – a landmark anti-corruption probe...
- 5/13/2024
- ScreenDaily
Luis Ospina, interviewed shortly before his death, recalls a fierce career that applied the lessons of the French New Wave to his work
Jorge Carvalho’s brief documentary is a study of the Colombian documentarist and film-maker Luis Ospina, the founder of the Grupo de Cali; named after his home town of Cali in Colombia, it was an artists’ collective including director Carlos Mayolo and the writer Andrés Caicedo, whose early death at 25 helped make him a legendary figure of Colombian literature. They were formed in radical opposition to what Ospina and others saw as the dullness and complacency of Colombian cinema, and in sympathy with leftist currents in moviemaking after Godard. The Californian-educated Ospina himself displays a classic New Wave reverence for the American masters such as Hawks and Ford, in whose company he includes Jerry Lewis without any hesitation. Ospina and the Grupo de Cali were the subject...
Jorge Carvalho’s brief documentary is a study of the Colombian documentarist and film-maker Luis Ospina, the founder of the Grupo de Cali; named after his home town of Cali in Colombia, it was an artists’ collective including director Carlos Mayolo and the writer Andrés Caicedo, whose early death at 25 helped make him a legendary figure of Colombian literature. They were formed in radical opposition to what Ospina and others saw as the dullness and complacency of Colombian cinema, and in sympathy with leftist currents in moviemaking after Godard. The Californian-educated Ospina himself displays a classic New Wave reverence for the American masters such as Hawks and Ford, in whose company he includes Jerry Lewis without any hesitation. Ospina and the Grupo de Cali were the subject...
- 5/13/2024
- by Peter Bradshaw
- The Guardian - Film News
Picture Tree Intl. has taken international sales rights to Icelandic comedy “Divine Remedy,” which is shooting in Iceland and Rioja, Spain.
The film is tentatively slated for a 2025 release, with Pti planning to present a first promo during summer/autumn 2024.
“Divine Remedy,” directed by the Markell Brothers, tells the story of a group of Icelandic priests sent on a mission to find quality sacramental wine, only to miss a series of miraculous events, including the Second Coming of Christ.
The comedy promises to blend spiritual quests with spirited misadventures, maintaining the Markell Brothers’ signature style that has dominated Icelandic cinema.
Picture Tree has recently closed sales on the Markell Brothers’ “Grand Finale,” a box office hit in Iceland, in Germany and Austria (Mindjazz Pictures), Latin America (Encripta), Taiwan (Cola Films) and Australia (Palace Entertainment) following its European Film Market launch.
“Divine Remedy” stars an ensemble of Icelandic actors with a...
The film is tentatively slated for a 2025 release, with Pti planning to present a first promo during summer/autumn 2024.
“Divine Remedy,” directed by the Markell Brothers, tells the story of a group of Icelandic priests sent on a mission to find quality sacramental wine, only to miss a series of miraculous events, including the Second Coming of Christ.
The comedy promises to blend spiritual quests with spirited misadventures, maintaining the Markell Brothers’ signature style that has dominated Icelandic cinema.
Picture Tree has recently closed sales on the Markell Brothers’ “Grand Finale,” a box office hit in Iceland, in Germany and Austria (Mindjazz Pictures), Latin America (Encripta), Taiwan (Cola Films) and Australia (Palace Entertainment) following its European Film Market launch.
“Divine Remedy” stars an ensemble of Icelandic actors with a...
- 5/13/2024
- by Leo Barraclough
- Variety - Film News
Myriad Pictures has boarded international sales and will commence talks in Cannes on the comedy drama, Sisters featuring Cristo Fernández from Ted Lasso.
Marta Méndez Cross, Valeria Maldonado, Virginia Novello, Maya Zapata, and Gonzalo García Vivanco star in the Las Caminantas Films production.
Sisters tells of a woman with cancer who tricks her estranged siblings into joining her on her pilgrimage to find a miracle along a path in Mexico used by their beloved grandmother.
Mar Novo directed from a screenplay by Virginia Novello, Marta Méndez Cross, Valeria Maldonado, and Youssef Delara.
Producing are Denisse Prieto, Novello, Cross, and Maldonado.
Marta Méndez Cross, Valeria Maldonado, Virginia Novello, Maya Zapata, and Gonzalo García Vivanco star in the Las Caminantas Films production.
Sisters tells of a woman with cancer who tricks her estranged siblings into joining her on her pilgrimage to find a miracle along a path in Mexico used by their beloved grandmother.
Mar Novo directed from a screenplay by Virginia Novello, Marta Méndez Cross, Valeria Maldonado, and Youssef Delara.
Producing are Denisse Prieto, Novello, Cross, and Maldonado.
- 5/13/2024
- ScreenDaily
The success of Kingdom of the Planet of the Apes shows how, for almost 60 years, the series has managed to sustain audience interest
By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.
By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.
- 5/13/2024
- by Jesse Hassenger
- The Guardian - Film News
A tender film about the music of Mayan descendants is hampered by the alofty adherence to a documentary aesthetic where nothing is explained
This film about a flute player and farmer named José Pérez López from Zinacantán in Chiapas, Mexico, teems with beautifully shot images of folks playing music, embroidering, participating in days-long community rituals, and tending their crops of flowers in polytunnels – pretty normal everyday stuff. It feels a little more elevated because it affords a glimpse into the life of descendants of the Mayans who practice ancestor worship and polytheistic beliefs but also have shrines with Catholic saints. The film’s website has a handy chunk of text about Bats’i son ta Sots’leb, the traditional music of Zinacantán, described in fascinating musicological detail.
It’s a shame that kind of explanatory background can’t be found anywhere in the movie. In fact, the subtitles and dialogue...
This film about a flute player and farmer named José Pérez López from Zinacantán in Chiapas, Mexico, teems with beautifully shot images of folks playing music, embroidering, participating in days-long community rituals, and tending their crops of flowers in polytunnels – pretty normal everyday stuff. It feels a little more elevated because it affords a glimpse into the life of descendants of the Mayans who practice ancestor worship and polytheistic beliefs but also have shrines with Catholic saints. The film’s website has a handy chunk of text about Bats’i son ta Sots’leb, the traditional music of Zinacantán, described in fascinating musicological detail.
It’s a shame that kind of explanatory background can’t be found anywhere in the movie. In fact, the subtitles and dialogue...
- 5/13/2024
- by Leslie Felperin
- The Guardian - Film News
Once a celebration of arthouse raunch, the film festival has had to change in the #MeToo era. Is that why, on screen and off, pooches are everywhere this year? Our writer goes walkies on the Côte d’Azur
One of the most eagerly anticipated talents about to grace the red carpet at Cannes this week is tall, blond, leggy and has a seductively husky voice. Par for the course, you might think, at the glitzy, notoriously libidinous film festival on the sun-kissed Côte d’Azur – were it not for that lolling tongue and the fact that the bag in the hands of the entourage is more likely to be a doggy-doo than a Birkin or Chanel.
Fawn-maned griffon cross Kodi is the star of French-Swiss actor Laetitia Dosch’s directorial debut Dog on Trial, a film that feels precision-engineered for Cannes’ 77th edition in more ways than one. Dosch tells...
One of the most eagerly anticipated talents about to grace the red carpet at Cannes this week is tall, blond, leggy and has a seductively husky voice. Par for the course, you might think, at the glitzy, notoriously libidinous film festival on the sun-kissed Côte d’Azur – were it not for that lolling tongue and the fact that the bag in the hands of the entourage is more likely to be a doggy-doo than a Birkin or Chanel.
Fawn-maned griffon cross Kodi is the star of French-Swiss actor Laetitia Dosch’s directorial debut Dog on Trial, a film that feels precision-engineered for Cannes’ 77th edition in more ways than one. Dosch tells...
- 5/13/2024
- by Philip Oltermann
- The Guardian - Film News
“Kingdom of the Planet of the Apes” debuted on top of the mainland China box office with an opening weekend score of $11.4 million (RMB81.1 million).
That was only the fourth weekend this year that a Hollywood film has topped the China charts and the third time in 2024 that a Hollywood title has opened on top. “Apes” was also the top film this weekend in North America and international markets.
Data from consultancy firm Artisan Gateway showed that the film accounted for some 30% of the theatrical total on a weekend where theaters earned a combined $38.2 million. The nationwide total represented a significant slump compared with the previous May Day holiday weekend which was worth $109 million.
On a year-to-date basis, Chinese theaters have earned $2.92 billion. That still leaves China as the world’s biggest theatrical market so far in 2024, ahead of North America where cumulative takings amount to $2.92. But the gap may...
That was only the fourth weekend this year that a Hollywood film has topped the China charts and the third time in 2024 that a Hollywood title has opened on top. “Apes” was also the top film this weekend in North America and international markets.
Data from consultancy firm Artisan Gateway showed that the film accounted for some 30% of the theatrical total on a weekend where theaters earned a combined $38.2 million. The nationwide total represented a significant slump compared with the previous May Day holiday weekend which was worth $109 million.
On a year-to-date basis, Chinese theaters have earned $2.92 billion. That still leaves China as the world’s biggest theatrical market so far in 2024, ahead of North America where cumulative takings amount to $2.92. But the gap may...
- 5/13/2024
- by Patrick Frater
- Variety - Film News
There were multiple crossovers between the original "Star Trek" and "Star Trek: The Next Generation." This first happened in the 1987 pilot episode of the latter, wherein DeForest Kelley appeared as a very elderly — 137! — Dr. McCoy. Then in 1991's "Star Trek VI: The Undiscovered Country," Captain Kirk (William Shatner) and Dr. McCoy were put on trial in a Klingon court, and their Klingon defense lawyer was played by "Next Generation" Worf actor Michael Dorn. There is some debate as to whether or not Dorn was playing an ancestor of Worf's in that film. What's more, Sarek (Mark Lenard) appeared on "Next Generation" in an episode devoted to him.
Later still, Spock (Leonard Nimoy) appeared in a two-part episode of "Next Generation" as a rogue diplomat trying to reunify the Romulans and the Vulcans. Luckily, Vulcans are very long-lived. And finally, Scotty (James Doohan) appeared on an episode of "Next Generation," having...
Later still, Spock (Leonard Nimoy) appeared in a two-part episode of "Next Generation" as a rogue diplomat trying to reunify the Romulans and the Vulcans. Luckily, Vulcans are very long-lived. And finally, Scotty (James Doohan) appeared on an episode of "Next Generation," having...
- 5/13/2024
- by Witney Seibold
- Slash Film
This post contains spoilers for AMC's "Interview with the Vampire."
What is the price of being immortal? The true bane of immortality is erosion, where memories elongate and distort over time, and our perceptions of people ebb and flow with the power of hindsight and the lull of nostalgia. If an immortal were to narrate their lives on record, recount every delightful and traumatic memory in vivid detail, would these accounts be considered "truth"? This crucial question lies at the heart of the season 2 premiere of "Interview with the Vampire," which builds on the slanted truth of its first season and deepens the distortions of experiencing emotions that never end.
The AMC show has already proven its ingenuity in adapting a classic novel series that is beloved and controversial. It has identified the core appeal of Anne Rice's "The Vampire Chronicles" by leaning on the novel series' danger-tinged...
What is the price of being immortal? The true bane of immortality is erosion, where memories elongate and distort over time, and our perceptions of people ebb and flow with the power of hindsight and the lull of nostalgia. If an immortal were to narrate their lives on record, recount every delightful and traumatic memory in vivid detail, would these accounts be considered "truth"? This crucial question lies at the heart of the season 2 premiere of "Interview with the Vampire," which builds on the slanted truth of its first season and deepens the distortions of experiencing emotions that never end.
The AMC show has already proven its ingenuity in adapting a classic novel series that is beloved and controversial. It has identified the core appeal of Anne Rice's "The Vampire Chronicles" by leaning on the novel series' danger-tinged...
- 5/13/2024
- by Debopriyaa Dutta
- Slash Film
“Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.”
“Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). Its earnings represented a still strong 58% share of the weekend theatrical market, but they were also down by 60% week-on-week, suggesting that “Punishment” may not reach the heights of the previous franchise elements.
In 2022, “The Roundup” earned $95.7 million (using current rates of currency exchange), while last year “The Roundup: No Way Out” earned $76.3 million.
“Kingdom of the Planet of the Apes” recorded $2.45 million between Friday and Sunday with a 26% market share. Over its full five-day opening in Korea, the film earned $3.10 million from 415,000 ticket sales.
“Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). Its earnings represented a still strong 58% share of the weekend theatrical market, but they were also down by 60% week-on-week, suggesting that “Punishment” may not reach the heights of the previous franchise elements.
In 2022, “The Roundup” earned $95.7 million (using current rates of currency exchange), while last year “The Roundup: No Way Out” earned $76.3 million.
“Kingdom of the Planet of the Apes” recorded $2.45 million between Friday and Sunday with a 26% market share. Over its full five-day opening in Korea, the film earned $3.10 million from 415,000 ticket sales.
- 5/13/2024
- by Patrick Frater
- Variety - Film News
40 years later, the original "A Nightmare on Elm Street" has more than earned its place in cinema history as a slasher classic. Written and directed by the late (and very much missed) Wes Craven, the 1984 horror film follows a group of teens from Springwood, Ohio -- which looks suspiciously like Los Angeles in several shots, but charmingly so -- as they begin dreaming of the same mysterious figure. This man, whose face is covered in burn marks and wears a glove armed with razor blades, is no shared figment of their imagination. He's Freddy Krueger (Robert Englund), the vengeful ghost of a local child murderer who now has the power to kill his victims in their sleep.
Why is he vengeful? Freddy, you see, was eventually arrested but avoided punishment after getting off on a legal technicality. In retaliation, his victims' loved ones hunted him down and burnt him to death,...
Why is he vengeful? Freddy, you see, was eventually arrested but avoided punishment after getting off on a legal technicality. In retaliation, his victims' loved ones hunted him down and burnt him to death,...
- 5/13/2024
- by Sandy Schaefer
- Slash Film
Mark Damon, an actor-turned-independent sales executive who was a force in the foreign sales world and at film markets for many decades, died Sunday in Los Angeles, according to his wife. He was 91.
Damon won the Golden Globe for Most Promising Newcomer for his starring role in 1960’s “House of Usher” for director Roger Corman, who died Thursday, then went on to appear in numerous Spaghetti Westerns and other B-movies shot in Europe, from “Johnny Yuma” to Mario Bava’s “Black Sabbath.”
Born Alan Harris in Chicago, Damon earned an Mba at UCLA, then moved to Rome where he established a busy acting career. When he returned to the U.S., he founded Producers Sales Organization to bring American independent films to international distributors, helping launch the American Film Market and Independent Film & Television Alliance.
He explained how his business started in a 2013 Variety profile: “Back in 1975, it was very tough.
Damon won the Golden Globe for Most Promising Newcomer for his starring role in 1960’s “House of Usher” for director Roger Corman, who died Thursday, then went on to appear in numerous Spaghetti Westerns and other B-movies shot in Europe, from “Johnny Yuma” to Mario Bava’s “Black Sabbath.”
Born Alan Harris in Chicago, Damon earned an Mba at UCLA, then moved to Rome where he established a busy acting career. When he returned to the U.S., he founded Producers Sales Organization to bring American independent films to international distributors, helping launch the American Film Market and Independent Film & Television Alliance.
He explained how his business started in a 2013 Variety profile: “Back in 1975, it was very tough.
- 5/13/2024
- by Pat Saperstein
- Variety - Film News
When you think of Sean Connery, you probably think of either James Bond or Indiana Jones' dad. If you grew up in the '90s you might even think of that movie where he was on a submarine, or vaguely recall the marketing for a film where he played opposite Catherine Zeta-Jones. But there's no doubt that long before Connery was advising the "Hunt for Red October" director to rewrite the film's script, or complaining about "Entrapment" having too many special effects, he was best known as either England's greatest spy or as Dr. Henry Jones, Sr.
Still, when it comes to an actor as talented as Connery, not everyone thinks of these roles as his best. If you ask Christopher Nolan, for instance, he'll tell you that the Scottish star's finest performance came in Sidney Lumet's 1973 crime drama "The Offence," with Nolan recently celebrating the film for containing...
Still, when it comes to an actor as talented as Connery, not everyone thinks of these roles as his best. If you ask Christopher Nolan, for instance, he'll tell you that the Scottish star's finest performance came in Sidney Lumet's 1973 crime drama "The Offence," with Nolan recently celebrating the film for containing...
- 5/13/2024
- by Joe Roberts
- Slash Film
It’s a cardinal rule of entertainment obsession that if any movie, TV show, or special explicitly offers you contact information — be it a phone number, a social media account, or an email address — you try to use it.
Following that lead out of “Hannah Gadsby’s Gender Agenda,” which debuted March 5 on Netflix, DeAnne Smith discovered a bouncy and bold new reason for sneaking just that sort of bonus content into stand-up comedy. Commemorating their specific experience as a nonbinary person through a secret inbox for fans (something Smith is still managing in their spare time offstage months later), the agender comedian found a means of connecting to both cis and trans people through a shared interest: boobs.
“I wanted to talk about top surgery because I know that’s not relatable to everyone, but I wanted to reach people that it was relatable to,” Smith told IndieWire. For the...
Following that lead out of “Hannah Gadsby’s Gender Agenda,” which debuted March 5 on Netflix, DeAnne Smith discovered a bouncy and bold new reason for sneaking just that sort of bonus content into stand-up comedy. Commemorating their specific experience as a nonbinary person through a secret inbox for fans (something Smith is still managing in their spare time offstage months later), the agender comedian found a means of connecting to both cis and trans people through a shared interest: boobs.
“I wanted to talk about top surgery because I know that’s not relatable to everyone, but I wanted to reach people that it was relatable to,” Smith told IndieWire. For the...
- 5/12/2024
- by Alison Foreman
- Indiewire
“Kingdom of the Planet of the Apes” may not feature the words of screenwriting power couple Rick Jaffa and Amanda Silver, but their imprint is all over the reboot franchise and because of the producer credit they fought for when they wrote “Rise,” their names will be too. Having been an agent before he transitioned into screenwriting, Jaffa was well acquainted with the benefits of obtaining producer status and it has since allowed him and wife Amanda Silver to maintain ownership over a reboot franchise many consider to be better than its predecessor. In a recent interview with The Hollywood Reporter, Jaffa said his creative shift away from agency work wasn’t much of a surprise, but that Silver helped him along.
“I loved movies and saw a ton of films,”Jaffa said of how he spent his youth. “I would drive from the small town I grew up in...
“I loved movies and saw a ton of films,”Jaffa said of how he spent his youth. “I would drive from the small town I grew up in...
- 5/12/2024
- by Harrison Richlin
- Indiewire
For many years, Frank Herbert's "Dune" saga was described as impossible to adapt. Oh, people tried (check out our ranking of the "Dune" movies/TV here), but it wasn't until director Denis Villeneuve's two recent "Dune" films (with a third movie forthcoming) that one of these efforts was acclaimed. Villeneuve went from making a sequel to "Blade Runner" to adapting a story deemed a white whale. You can't say he doesn't have ambition, but even he has his limits.
Speaking to IndieWire in 2022, "Dune" screenwriter Eric Roth described his original pitch for the movie's opening sequence. Essentially, it was the Book of Genesis, Arrakis edition: "I started the movie with what would seem to be 'Genesis — 'and God created'— and you think you're seeing the formation of the Earth. And it's Dune, with wild animals, things you've never seen."
Roth remembered Villeneuve's answer, "This is magnificent, but...
Speaking to IndieWire in 2022, "Dune" screenwriter Eric Roth described his original pitch for the movie's opening sequence. Essentially, it was the Book of Genesis, Arrakis edition: "I started the movie with what would seem to be 'Genesis — 'and God created'— and you think you're seeing the formation of the Earth. And it's Dune, with wild animals, things you've never seen."
Roth remembered Villeneuve's answer, "This is magnificent, but...
- 5/12/2024
- by Devin Meenan
- Slash Film
Mark Damon, the former spaghetti western leading man who turned to a pioneering career in independent sales and financing and was a fixture at the film markets, has died on the eve of Cannes. He was 91.
Damon’s representatives confirmed he died in Los Angeles on Sunday (May 12).
Damon produced, packaged and sold numerous films and led Producer Sales Organization (Pso), Vision International, Mdp Worldwide, Media 8, and most recently Foresight Unlimited.
He attended Cannes dozens of times and produced or served as executive producer on more than 70 films.
One of his most illustrious producer credits came at Media 8 with Patty Jenkins’ Monster.
Damon’s representatives confirmed he died in Los Angeles on Sunday (May 12).
Damon produced, packaged and sold numerous films and led Producer Sales Organization (Pso), Vision International, Mdp Worldwide, Media 8, and most recently Foresight Unlimited.
He attended Cannes dozens of times and produced or served as executive producer on more than 70 films.
One of his most illustrious producer credits came at Media 8 with Patty Jenkins’ Monster.
- 5/12/2024
- ScreenDaily
Before "Star Wars," there was "Thx 1138." A strange, dystopic science fiction movie packed with big ideas up to its eyeballs, "Thx 1138" is now mostly known as the feature directorial debut of one George Walton Lucas Jr. (though it also came back in conversation when the best episode of "Andor" paid homage to it). The future Lucasfilm founder originally created this story of repressed emotions and stymied sexuality as a student film, but by the time it was reimagined as a feature, it had gained backing from Warner Bros.
Lucas' American Zoetrope co-founder Francis Ford Coppola also had faith in the movie, and served as one of its producers. "Thx 1138" starred Robert Duvall, then already known for his work on stage and television, not to mention in films like "To Kill A Mockingbird," "M*A*S*H," and "True Grit." Future "Halloween" actor Donald Pleasence co-starred, along with a then-unknown actress named Maggie McOmie.
Lucas' American Zoetrope co-founder Francis Ford Coppola also had faith in the movie, and served as one of its producers. "Thx 1138" starred Robert Duvall, then already known for his work on stage and television, not to mention in films like "To Kill A Mockingbird," "M*A*S*H," and "True Grit." Future "Halloween" actor Donald Pleasence co-starred, along with a then-unknown actress named Maggie McOmie.
- 5/12/2024
- by Valerie Ettenhofer
- Slash Film
Is Disney about to have its own “Before” series? Just as Richard Linklater’s day-in-the-life romances touch in on the lives of Celine and Jesse at different points in their lives, Amy Poehler would like to see the “Inside Out” sequels explore main character Riley’s emotions at different stages in her aging.
“I just think that they should make these films like ‘Seven Up,’ every couple of years in Riley’s life,” she said in an interview with Empire. “A young adult, and a young mother, and I think a middle-aged person — everyone’s having these very distinct new emotions that are showing up all the time.”
Speaking to IndieWire last month for a sneak peek of “Inside Out 2,” the film’s director Kelsey Mann echoed that idea of “new emotions showing up” being central to how he looked at this new chapter.
“I hated everyone looking at me,...
“I just think that they should make these films like ‘Seven Up,’ every couple of years in Riley’s life,” she said in an interview with Empire. “A young adult, and a young mother, and I think a middle-aged person — everyone’s having these very distinct new emotions that are showing up all the time.”
Speaking to IndieWire last month for a sneak peek of “Inside Out 2,” the film’s director Kelsey Mann echoed that idea of “new emotions showing up” being central to how he looked at this new chapter.
“I hated everyone looking at me,...
- 5/12/2024
- by Harrison Richlin
- Indiewire
"Star Wars" is very unique even in and amongst other major franchises. One thing that stands out is that even minor characters with mere seconds of screen time can achieve some form of infamy in the greater pop culture consciousness. Boba Fett, played by actor Jeremy Bulloch, remains the best example of this. But Amy Allen experienced her own version of this phenomenon when she played the Twi'lek Jedi Master Aayla Secura in George Lucas' prequel trilogy.
Aayla appeared in both "Attack of the Clones" and "Revenge of the Sith," though she traces her roots back to the pages of the "Star Wars" comics published by Dark Horse in the early 2000s, having appeared on the cover of "Star Wars" #33 in 2001 as part of the "Darkness" arc, for example. So, how did Allen come to bring the Jedi to life on the big screen? The actress explained to Tatooine Times...
Aayla appeared in both "Attack of the Clones" and "Revenge of the Sith," though she traces her roots back to the pages of the "Star Wars" comics published by Dark Horse in the early 2000s, having appeared on the cover of "Star Wars" #33 in 2001 as part of the "Darkness" arc, for example. So, how did Allen come to bring the Jedi to life on the big screen? The actress explained to Tatooine Times...
- 5/12/2024
- by Ryan Scott
- Slash Film
Susan Backlinie, who played the first shark attack victim in Steven Spielberg’s “Jaws,” has died. She was 77.
Backlinie died Saturday morning at her California home due to a heart attack, Convention All Stars owner Sean Clark confirmed to Variety. The former actor and stuntwoman was one of the company’s clients.
Backlinie was best known for her role as Chrissie Watkins in “Jaws,” who is dragged to her death by a killer shark in the 1975 film’s iconic opening scene. Backlinie specialized in swimming work as a stunt performer.
Contrary to widespread belief, Backlinie’s screams of anguish in the “Jaws” opening scene were not due to her being injured by the harness that jerked her back and forth. However, no one warned Backlinie when she would be pulled underwater in order to get a genuine reaction from her.
Variety‘s “Jaws” review said of the shark attack sequences:...
Backlinie died Saturday morning at her California home due to a heart attack, Convention All Stars owner Sean Clark confirmed to Variety. The former actor and stuntwoman was one of the company’s clients.
Backlinie was best known for her role as Chrissie Watkins in “Jaws,” who is dragged to her death by a killer shark in the 1975 film’s iconic opening scene. Backlinie specialized in swimming work as a stunt performer.
Contrary to widespread belief, Backlinie’s screams of anguish in the “Jaws” opening scene were not due to her being injured by the harness that jerked her back and forth. However, no one warned Backlinie when she would be pulled underwater in order to get a genuine reaction from her.
Variety‘s “Jaws” review said of the shark attack sequences:...
- 5/12/2024
- by Selena Kuznikov and Michaela Zee
- Variety - Film News
Back in 2017, Robinne Lee dropped by a local L.A. news station for an interview promoting her role in “Fifty Shades Darker,” the second film in the steamy series based on books by E.L. James.
“You’re venturing out a little bit now with a new novel…” the Kcal anchor said to Lee, whose filmography already included “Deliver Us From Eva,” “Hitch” and “13 Going on 30,” teeing the actor up to mention her career pivot. “I have a novel coming out this spring called ‘The Idea of You,’” Lee replied, grinning.
The premise was unique: A divorced mother and art gallery owner, living in L.A. on the precipice of turning 40, takes her daughter to a concert meet-and-greet and the 20-year-old lead singer of the band falls in love with her. The story, Lee explained, was “as much about a love story complicated by celebrity and the underbelly of...
“You’re venturing out a little bit now with a new novel…” the Kcal anchor said to Lee, whose filmography already included “Deliver Us From Eva,” “Hitch” and “13 Going on 30,” teeing the actor up to mention her career pivot. “I have a novel coming out this spring called ‘The Idea of You,’” Lee replied, grinning.
The premise was unique: A divorced mother and art gallery owner, living in L.A. on the precipice of turning 40, takes her daughter to a concert meet-and-greet and the 20-year-old lead singer of the band falls in love with her. The story, Lee explained, was “as much about a love story complicated by celebrity and the underbelly of...
- 5/12/2024
- by Angelique Jackson and Michaela Zee
- Variety - Film News
"Carrie" is the book that put Stephen King on the map. When King wrote it, he was struggling financially, eking out a living selling short stories and teaching high school. Then he sat down to write what was first a short story that turned into a novella that turned into a novel. The novel was "Carrie," the story of a bullied teenage girl with telekinesis. The book wasn't a blockbuster when it was published in hardcover, but by the time it hit paperback, it flew off the shelves and King was on his way to becoming one of the best-selling novelists of all time. Sure enough, Hollywood came calling. The book was published in 1974, and by 1976, Brian De Palma's dreamy film adaptation arrived in theaters, starring Sissy Spacek as poor, doomed Carrie White, a girl who is tormented by pretty much everyone, including her Bible-loving mother (played by Piper Laurie) and her classmates.
- 5/12/2024
- by Chris Evangelista
- Slash Film
Voltage Pictures launches Cannes sales this week on the motor racing drama Faster, which is currently shooting in France.
Radar Films’ Clément Miserez and Matthieu Wart are producing the project, which is called Rapide in France, where Universal has targeted a February 2025 theatrical release.
Morgan S. Dalibert, whose credits include Aka, directs the story starring French influencer Paola Locatelli from Netflix’s Dangerous Liaisons as Max, a speed freak who loves karting and dreams of winning the Formula 1 championship.
Conquering every junior competition, at the age of 17 she realises the professional racing world remains a fortress, reluctant to welcome a...
Radar Films’ Clément Miserez and Matthieu Wart are producing the project, which is called Rapide in France, where Universal has targeted a February 2025 theatrical release.
Morgan S. Dalibert, whose credits include Aka, directs the story starring French influencer Paola Locatelli from Netflix’s Dangerous Liaisons as Max, a speed freak who loves karting and dreams of winning the Formula 1 championship.
Conquering every junior competition, at the age of 17 she realises the professional racing world remains a fortress, reluctant to welcome a...
- 5/12/2024
- ScreenDaily
The new "Doctor Who" season's second installment, "The Devil's Chord," is the closest the show's come to a proper musical episode. Sure, there was that brief musical number in the latest Christmas episode, and that one song-based resolution in season 7, but we've never seen the show embrace the music quite like this one. There are multiple original numbers, including a battle where the villain's using floating notations like a cowboy swinging a lasso around. It's fun when "Doctor Who" goes full weird, and this episode is an exciting promise of more musical weirdness to come.
But judging the episode by proper musical standards, how does it hold up? Well, not great. There's the problem that "There's Always a Twist At the End" is the only genuine catchy banger in the bunch, but more importantly, we never really got to hear the Doctor and Ruby sing about anything that matters. Sure,...
But judging the episode by proper musical standards, how does it hold up? Well, not great. There's the problem that "There's Always a Twist At the End" is the only genuine catchy banger in the bunch, but more importantly, we never really got to hear the Doctor and Ruby sing about anything that matters. Sure,...
- 5/12/2024
- by Michael Boyle
- Slash Film
Steven Spielberg's filmmaking techniques took a large bound forward in 2001 with the release of "A.I. Artificial Intelligence." The sci-fi film, set in a near future populated by conscious androids, was a project Spielberg took over from an ailing Stanley Kubrick, who passed on it when he felt Spielberg could do it better. In "A.I.," Spielberg's photography and editing were very different from the slick, adventure films and glossy prestige pictures he had become popular making. Now everything was hazy, staid, more deliberate.
Although he had already won three Oscars (two for "Schindler's List" and one for "Saving Private Ryan") and was widely considered to be a reigning master of Hollywood's blockbuster class, Spielberg evolved. After 2001, Spielberg's career bifurcated into dispassionate effects-based thrillers wherein the filmmaker was merely experimenting, and deeply passionate political thrillers that used the politics of the past to reflect on issues of the day.
The official...
Although he had already won three Oscars (two for "Schindler's List" and one for "Saving Private Ryan") and was widely considered to be a reigning master of Hollywood's blockbuster class, Spielberg evolved. After 2001, Spielberg's career bifurcated into dispassionate effects-based thrillers wherein the filmmaker was merely experimenting, and deeply passionate political thrillers that used the politics of the past to reflect on issues of the day.
The official...
- 5/12/2024
- by Witney Seibold
- Slash Film
Nowadays, when people hear the name Justin Lin, they think big-time Hollywood director with installments in both the “Star Trek” reboot film series and the “Fast & Furious” franchise. But back in 2002, he was just an indie filmmaker with one little-known feature under his belt and not much credit to his name. That all changed with one film, his 2002 Sundance breakout, “Better Luck Tomorrow,” which he also edited, co-wrote, and co-produced with the help of Mr. “Can’t Touch This” himself, Mc Hammer. The film chronicles a group of young Asians in America who start as overachievers but quickly turn to a life of crime and violence. Though not based on a real story, Lin was influenced by the violence he saw in his 20s, such as the Columbine shootings and more directly the murder of Stuart Tay.
Speaking in a retrospective interview on the film with IGN, Lin said of the film’s success,...
Speaking in a retrospective interview on the film with IGN, Lin said of the film’s success,...
- 5/12/2024
- by Harrison Richlin
- Indiewire
Ross Matthews wasn’t three words into his opening monologue at the 35th annual GLAAD Awards in New York City Saturday evening when a protester stood up from the audience to shout, “GLAAD is complicit in genocide.” The lone pro-Palestine advocate, blanketed by a wide-eyed room who let out a few jeers — “Who are you, you weirdo?” one donor shouted — was slowly, if not ceremoniously escorted from the room before she gave a final jab: “And so are all of you.”
“Thank you for your free speech. I’m so glad you have freedom,” Matthews, the evening’s host, said from the stage in an awkward attempt to recognize the protester. “Well, that was uncomfy for all of us, but we have to fight for everyone’s rights. Thank you for my opener,” he moved on, back on his feet.
And so set the tone for the evening. Each year in a star-studded ceremony,...
“Thank you for your free speech. I’m so glad you have freedom,” Matthews, the evening’s host, said from the stage in an awkward attempt to recognize the protester. “Well, that was uncomfy for all of us, but we have to fight for everyone’s rights. Thank you for my opener,” he moved on, back on his feet.
And so set the tone for the evening. Each year in a star-studded ceremony,...
- 5/12/2024
- by Michael Appler
- Variety - Film News
Lucy Liu was honored with the Legend award at the third annual Gold House Gold Gala on Saturday in Los Angeles.
Liu delivered a passionate speech after accepting the award from Regina King. “What I love about Regina is that she always makes choices that are for her,” Liu told the audience. “When I started over 30 years ago, there weren’t a lot of choices that I could make for myself.”
Liu — whose credits include “Ally McBeal,” “Elementary,” “Kill Bill Vol. 1,” “Charlie’s Angels” and Steven Soderbergh’s “Presence” — talked about having to make casting decisions “because of limitations.” She said, “I love that we are all here tonight because there is no ceiling, and I’ve never seen that for myself. I want us to all collectively understand how special this moment is that we are together as a community. I share this award with you because you have lifted me up,...
Liu delivered a passionate speech after accepting the award from Regina King. “What I love about Regina is that she always makes choices that are for her,” Liu told the audience. “When I started over 30 years ago, there weren’t a lot of choices that I could make for myself.”
Liu — whose credits include “Ally McBeal,” “Elementary,” “Kill Bill Vol. 1,” “Charlie’s Angels” and Steven Soderbergh’s “Presence” — talked about having to make casting decisions “because of limitations.” She said, “I love that we are all here tonight because there is no ceiling, and I’ve never seen that for myself. I want us to all collectively understand how special this moment is that we are together as a community. I share this award with you because you have lifted me up,...
- 5/12/2024
- by Jazz Tangcay
- Variety - Film News
“Kingdom of the Planet of the Apes” (Disney) opened to $56.5 million, slightly above pre-opening projections, which is encouraging after “The Fall Guy” (Universal) last week. That’s a relief to theaters that hope summer releases meet their potential and buffer what is expected to be a major drop in revenues versus last year.
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom” opening matched the last “Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom” seems poised for a solid run.
The opening for “Kingdom” doubled that of “The Fall Guy;” that differential happens to reflect the difference in the films’ production budgets. “Apes” took in an initial $129 million worldwide. “The Fall Guy...
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom” opening matched the last “Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom” seems poised for a solid run.
The opening for “Kingdom” doubled that of “The Fall Guy;” that differential happens to reflect the difference in the films’ production budgets. “Apes” took in an initial $129 million worldwide. “The Fall Guy...
- 5/12/2024
- by Tom Brueggemann
- Indiewire
The summer TV series is here, and some of it has already commenced. Yes, some of these shows have aired already, but given most of them will be playing throughout the next few months—given the binge model seems to be going away on most channels, networks, and streamers other than Netflix—it looks more than ok to join them mid-airing.
It should be said that summer previews are weird in that many streamers, networks, and cable channels do not reveal their entire lineups until maybe a month or two before release.
Continue reading Summer TV Preview: Over 35 Series Must-See Series To Watch at The Playlist.
It should be said that summer previews are weird in that many streamers, networks, and cable channels do not reveal their entire lineups until maybe a month or two before release.
Continue reading Summer TV Preview: Over 35 Series Must-See Series To Watch at The Playlist.
- 5/12/2024
- by Rodrigo Perez
- The Playlist
One of the best running gags in "The Marvels" involves Monica Rambeau (Teyonah Parris) and the search for a perfect superhero name. Despite a fair amount of enthusiasm from Kamala Khan (Iman Vellani), whose own alter ego was not-so-subtly inspired by her obsession with Captain Marvel (Brie Larson), Monica is seemingly uninterested in that particular hero perk. By the end of "The Marvels," she's still just Monica Rambeau — despite powering up in a major way, saving the universe from an errant wormhole, and ending up in an entirely new timeline.
Monica's arc across the Marvel Cinematic Universe is pretty different from her peers, but it largely works to her benefit. In the comics, Monica is a superhero who's burned through a number of superhero nicknames. She's been called Photon, Spectrum, and even Captain Marvel throughout her tenure on the page — and her ever-changing role in the comics seems to have...
Monica's arc across the Marvel Cinematic Universe is pretty different from her peers, but it largely works to her benefit. In the comics, Monica is a superhero who's burned through a number of superhero nicknames. She's been called Photon, Spectrum, and even Captain Marvel throughout her tenure on the page — and her ever-changing role in the comics seems to have...
- 5/12/2024
- by Lyvie Scott
- Slash Film
This post contains spoilers for "Blue Velvet."
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
David Lynch's cinematic world tiptoes between stark reality and nightmarish dreams, where quaint, perfect lives and locales often hide Boschian hells. While some Lynchian small towns are infused with poetic romanticism despite harboring great evils (such as Twin Peaks), others, like Lumberton, weave an insincere facade with its aura of suburban bliss: a sentiment that forms the crux of Lynch's sensational, oft-misunderstood "Blue Velvet." Most of Lynch's work defies objective analysis, as the foundational ideas he embeds into his stories feel abstract and elusive, but are always tethered to reality in essential and terrifying ways. Although "Blue Velvet" helms one of the most straightforward narratives in Lynch's oeuvre — it is neither as labyrinthine nor heady as "Inland Empire" or "Mulholland Drive" — the film's graphic depictions of psychosexual impulses tend to confuse and alienate, with the merging of the real and the...
- 5/12/2024
- by Debopriyaa Dutta
- Slash Film
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