When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us.Written by
Harald Mayr <email@example.com>
The only film released in the last quarter century to make it onto the American Film Institute's top ten list of best American movies of all time. See more »
When Schindler takes his meal he uses his fork with the right hand and his knife with the left. Not being left-handed this would be a very unusual thing for a German man to do. In fact, Germans and many Europeans do in fact cut their meat with their dominant hand, and do not rotate utensils. Rather the meat is eaten straight from the knife, so the way Schindler eats in that scene is technically culturally correct. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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There are no opening credits after the title is shown. See more »
At the end of the sequence in which the family is kicked out of their apartment and forced into the ghetto, while Oskar Schindler moves in to their former home, a stream of fellow Jews pour through the family's new apartment. In the theatrical version, they each greeted the displaced family by saying "Shalom." However, before the film came to video, it was realized that Polish Jews would not have said this Hebrew word, so the line from each Jew was re-dubbed to the Polish "Dzien Dobry." See more »
Poor Oskars's remarkable and more than brave endeavor in saving human lives during the dark days of WW2 in Europe almost immediately takes a back seat to the lamentations of the filmmaker in perpetuating the plight of a certain group of people on which unspeakable atrocities were perpetrated upon. A film that helps promote liberties taken over the years by that certain group of people from anything to a good seat at the Opera to unabated attempts to destroy other people's beliefs and right to exist.
This film is (unfortunately), not about a man's humanitarian well-meant efforts to do what he could to help to save a group of desperate and obviously(for most of them) doomed to their certain death, people.
The point that came across was visually witnessing the random acts of a certain person committing atrocities and exaggerating them to an extent that diminished what really happened to those people. In trying to add visual credibility via sensationalism made a mockery and a not so subtle message that a certain group of people have rights forever to commit atrocities to avenge what befell them over the centuries. If there is such a thing as a hate film, well this is it, generalizing 40 million people as monsters for the actions of a handful of lunatics sanctioned by the so-called Allies that were still full of boast and smugness and let's face it, blindness to what was going on. In short, the filmmaker's point was very subjective, to put it mildly.
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