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Blue Velvet (1986)

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The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.

Director:

David Lynch

Writer:

David Lynch (screenplay)
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Popularity
1,605 ( 180)
Nominated for 1 Oscar. Another 18 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Isabella Rossellini ... Dorothy Vallens
Kyle MacLachlan ... Jeffrey Beaumont
Dennis Hopper ... Frank Booth
Laura Dern ... Sandy Williams
Hope Lange ... Mrs. Williams
Dean Stockwell ... Ben
George Dickerson George Dickerson ... Detective John Williams
Priscilla Pointer ... Mrs. Beaumont
Frances Bay ... Aunt Barbara
Jack Harvey Jack Harvey ... Tom Beaumont
Ken Stovitz Ken Stovitz ... Mike
Brad Dourif ... Raymond
Jack Nance ... Paul
J. Michael Hunter J. Michael Hunter ... Hunter
Dick Green Dick Green ... Don Vallens
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Storyline

College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It's a strange world.


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM | Official Facebook

Country:

USA

Language:

English

Release Date:

23 October 1986 (Italy) See more »

Also Known As:

Terciopelo azul See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$789,409, 21 September 1986, Limited Release

Gross USA:

$8,551,228
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The word "fuck" is used 56 times. All but once by Frank Booth. See more »

Goofs

Dorothy lives on the seventh floor of Deep River Apartments, a building which only has six floors. This is done purposely and occurs similarly in many movies to deter sightseers, fans and psychos from disrupting people who live in the real location. For similar reasons, "555-" is nearly always used on film and TV as the first three digits of phone numbers, to prevent people from trying the number and annoying people. See more »

Quotes

[first lines]
Radio announcer: It's a sunny, woodsy day in Lumberton, so get those chainsaws out. This is the mighty W.O.O.D., the musical voice of Lumberton. At the sound of the falling tree, it's 9:30. There's a whole lotta wood waitin' out there, so let's get goin'.
Nurse Cindy: Mr. Beaumont? Your son Jeffrey's here to see you.
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Connections

Referenced in A Nightmare on Elm Street 3: Dream Warriors (1987) See more »

Soundtracks

Gone Ridin'
Music Excerpts Performed by Chris Isaak
Courtesy of Transtone Productions, Inc.
Publisher: Isaak Music Co.
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Frequently Asked Questions

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User Reviews

 
I've never seen anything quite like this before...
5 May 2003 | by SpleenSee all my reviews

What surprised me was how very different this was from the two other great David Lynch films I'd seen: "Lost Highway" and "The Straight Story", which are in turn very different from one another. I'd been told by a disappointed David Lynch fan, back in 1997, that the only reason I was so deeply impressed with "Lost Highway" was that I hadn't seen "Bue Velvet", in which he does much the same kind of thing better. "Blue Velvet" may indeed be better (I wouldn't want to say), but in no respect is it the same kind of thing. (The only instance I've encountered so far of Lynch making the same film twice is "Lost Highway" being remade as "Mulholland Drive", which partly accounts for the latter film being so stale and uninvolving.)

"Blue Velvet" is a simple amateur sleuthing story, but the genius is in the telling of it. It's hard to avoid the feeling that something supernatural is somehow involved, although it isn't, and we know that it isn't. It looks and feels as though we're watching the world through a special enchanted (or cursed) prism: the image has been pulled apart, ALMOST into two distinct images, with the elements of pure evil and pure wholesomeness now distinct from one another, sitting just millimetres apart.

Unrelated to this, but still contributing to the intense suspense and the overall creepiness, is Lynch's ability to make us familiar with a few ordinary locations, which grow more sinister - or at least more meaningful - every time we see them, until the sight of a simple concrete stairwell in the dark is enough to make us start to panic.


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