Small-town Alabama, 1932. Atticus Finch (played by Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout. Atticus Finch is currently defending Tom Robinson, a black man accused of raping a white woman. Meanwhile, Jem and Scout are intrigued by their neighbours, the Radleys, and the mysterious, seldom-seen Boo Radley in particular.Written by
The band "The Boo Radleys", who had hits in the 1990's such as "Wake Up Boo!", took inspiration for their name from the original book. See more »
Similar to her "close up" conversation with Jem about retrieving his breeches, Scout mouths Atticus' next lines when begging to be allowed a ride to visit Tom Robinson's family before the court case (from 0:44:27 to 0:44:57). The lip movement is slight and would be mumbling were she speaking, but when Atticus says "Promise to stay in the car while I talk with Helen Robinson" the movement does seem to match "Helen Robinson". See more »
[Atticus on the porch overhearing their conversation]
How old was I when Mama died?
How old were you?
Old as I am now?
Was Mama pretty?
Was Mama nice?
[...] See more »
The title is revealed in a child's crayon rubbing. See more »
After studying the outstanding book of To Kill A Mockingbird at school, I viewed this film, and was on the whole very impressed. Scout and Jem are portrayed brilliantly, considering the ages of the children who played them, and they, as with everything else in the production, are true to the book's spirit. Gregory Peck is perfect as the unflappable Atticus Finch, and deserved his Oscar. The music is worthy of praise, especially for the climatic scene, and the raw emotion and feeling of the book is amply conveyed. All of the cast are well cast, and it's interesting to ponder how much this film, at the time, would've shocked. That the book explores racism and outsiders in a southern town, through the eyes of a child is genius and works very nicely here. The only problems are minor- much of the book's counter-balancing humour was left out, certain characters are omitted (Dolphus Raymond and Aunt Alexandra), and some of the book's early characterisation is missed. Aside from these gripes, this is a magical film and a "must-see," as a companion piece to the classic novel. 9/10
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