THX 1138 (1971)

In the twenty-fifth century, a time when people have designations instead of names, a man, THX 1138, and a woman, LUH 3417, rebel against their rigidly controlled society.

Director:

George Lucas

Writers:

George Lucas (story by), George Lucas (screenplay by)

Stars:

Robert Duvall, Donald Pleasence, Don Pedro Colley

2 wins & 2 nominations.

Cast

Cast overview, first billed only:
Robert Duvall	...	THX
Donald Pleasence	...	SEN
Don Pedro Colley	...	SRT
Maggie McOmie	...	LUH
Ian Wolfe	...	PTO
Marshall Efron	...	TWA
Sid Haig	...	NCH
John Pearce	...	DWY
Irene Cagen	...	IMM (as Irene Forrest)
Gary Alan Marsh	...	CAM
John Seaton	...	OUE
Eugene I. Stillman	...	JOT
Jack Walsh	...	TRG (as Raymond J. Walsh)
Mark Lawhead	...	Shell Dweller
Robert Feero	...	Chrome Robot

Storyline

It's sometime in the future in a state controlled society, where conformity and homogeneity are the rule. What is also the rule is that the populace follows the wants of the faceless state without question. How this is achieved is through a mandatory drug regimen, which also suppresses human desire, with sexual intercourse and human relationships banned. The law of the state is policed by a force of robocops. The physical environment is totally within a manufactured enclosure, what being outside of this unknown. THX 1138 is a loyal subject, he who goes about his business as a skilled factory working building robocops. And even when he begins to have strange feelings, he does what is obliged by going to the state run confessional, which further brainwashes through its reinforced mantra of happiness, loyalty and understanding. THX 1138 is given a glimpse into the other side through his computer matched and thus appointed female roommate, LUH 3417, and her surveillance colleague SEN 5241...

---

Plot Keywords:

drugs | escape | factory | underground city | roommate | 

---

Taglines:

The Future is here.

---

Genres:

Drama | Sci-Fi | Thriller

---

Motion Picture Rating (MPAA)

Rated R for some sexuality/nudity

Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

11 March 1971 (USA)

Also Known As:

THX-1138

Filming Locations:

One Maritime Plaza, Financial District, San Francisco, California, USA

Box Office

Budget:

$777,000 (estimated)

Gross USA:

$2,437,000

Company Credits

Production Co:

American Zoetrope,Warner Bros.

Technical Specs

Runtime:

86 min 88 min (director's cut) 81 min (1971 Studio Theatrical Cut)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

George Lucas' original plan was to shoot the film in Japan, but Francis Ford Coppola did not give Lucas enough money in the film's budget to take the entire production to Japan. The film was shot in San Francisco and Los Angeles.

---

Goofs

The Hologram can eat.

---

Quotes

[first lines]
Male voice (medicine cabinet): What's wrong?
THX 1138: Nothing. Nothing really. I just feel that I need something stronger.
Male voice (medicine cabinet): If you have a problem, don't hesitate to ask for assistance.
THX 1138: Yes, thank you, I'll be alright.
Male voice (medicine cabinet): Call 3485...

---

Crazy Credits

Credits roll down instead of up.

---

Alternate Versions

The 2004 "George Lucas Director's Cut" contains several updated and CGI- expanded sequences:

• The mosaic at the beginning of the film has been color treated and looks more like a bank of monitors.
• The droid factory at the start of the film has been greatly expanded with CGI and we see much more detail of the creation of droids.
• Many shots of the "city" have been greatly expanded with much more detail.
• Several corridors in the film have been extended with more people.
• The "Mind Lock" sequence has been updated and now has much more shots of the droids being created and new eye effects on Robert Duvall.
• There is a never-before-seen shot of the police station.
• The train scenes at the end have been expanded with more special effects.
• The car chase scene is longer and more intense, with more CGI.
• THX is attacked by new CGI shell dwellers at the end on his way out.

---

Connections

Referenced in Fifty Shades Darker (2017)

---

Soundtracks

Elevator Music
(uncredited)
from the Miracle in the Rain (1956) score
Composed by Franz Waxman

User Reviews

Was loving it... was loving it... hated it.

===EDIT: The following review was written before I knew the extent of the cgi doctoring that Lucas added recently. These are the "cheap action scenes" I'm talking about below. If you can find a copy of the original undoctored THX-1138, that's the one to watch.===

Aw man. This film had so much promise. It starts out abstract, minimalist, challenging and poetic. It gets deeper, more bizarre and artistic. But then it suddenly degenerates into a cheap action flick with hi-tech car chases, and it ends with the most simplistic, meaningless resolution. Total letdown.

It's as if Hamlet's famous soliloquy went:

"To be, or not to be: that is the question. Whether 'tis nobler in the mind to suffer the slings and arrows... and CARS! and MOTORCYCLES! and fast whizzy things BAM!! The End!!!!"

I suspect that Lucas began this film with a fantastic premise & with artistic intent, but then he suddenly realized "hey wait, I don't know what I'm doing. How do I end this damn thing?" True, it's an interesting dystopian drama. George must've been reading a lot of Kurt Vonnegut when he filmed this. Yes, it's very much in the style of 2001: A Space Odyssey. George must've been watching a lot of Kubrick. But that's where it ends. George fails to present anything original. And as it unravels into a simplistic action flick in the last 20 minutes, you realize that George has been fooling you for the last hour and a half. Literally, it ended, and I said out loud, "Uh... is this where Lucas got bored and stopped filming?"

Still, I have to give him an "A" for effort. Like most of the other reviewers, I was blown away by the fact that George Lucas was capable of this type of abstract poetry. With the exception of those cheezy action scenes (which I'm sure Lucas added ex post facto, like he did with Star Wars + CGI) it is reminiscent of the old Michael Crichton films (Andromeda Strain, Westworld) with maybe a dash of Rollerball.

The early 70s was a wonderful time for scifi, because all the directors were scrambling to emulate Kubrick's masterpiece. But like this film, the effort ran out of gas and eventually slumped into plot-driven cheese. What is so frustrating is that Lucas could have made something truly great if he had just followed up on Donald Pleasence's cryptic ramblings midway. Unfortunately, he chose to go in the other direction, and the film ends with no dialogue for the last 20 minutes. Instead we get a lot of (ex post facto CGI) special effects and chase scenes. What a shame. We literally see before our eyes the unfortunate turning point of Lucas' career.

In space, sometimes a nebula--for all its swirling promise--never quite consolidates itself into a star. This movie, like Lucas, like the failed nebula, is the big one that got away.

P.S. George, if you're listening, please stop adding "new" special effects to the old films! You're not impressing anyone. You & Ted Turner both...