After the birth of Renesmee/Nessie, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.
Director:
Bill Condon
Stars:
Kristen Stewart,
Robert Pattinson,
Taylor Lautner
Edward leaves Bella after an attack that nearly claimed her life, and in her depression she falls into yet another paranormal relationship - this time with werewolf Jacob Black.
Director:
Chris Weitz
Stars:
Kristen Stewart,
Robert Pattinson,
Taylor Lautner
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
Director:
David Slade
Stars:
Kristen Stewart,
Robert Pattinson,
Taylor Lautner
A rebellious girl is sent to a Southern beach town for the summer to stay with her father. Through their mutual love of music, the estranged duo learn to reconnect.
In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart with the help from others on her side.
Christian and Ana decide to rekindle their relationship, except this time there are no more rules or punishments. As they begin to get used to their newfound relationship, Christian's past begins to haunt Ana as Christian struggles with his innermost thoughts.
It's implied that Christian's room in his parent's house was his as a teenager and unused for some time (He says it was his room "once upon a time"). However, some of the books are too new to be his as a teenager: The book, "Kill City Blues", by Richard Kadrey, was published in 2013, when Christian would've been 25, and "A War of Gifts" by Orson Scott Card (2007), when he would've been 19. See more »
Quotes
Anastasia Steele:
[on the yacht, as he prepares to hoist the sail]
So this is where your knot-tying expertise comes in.
See more »
Crazy Credits
In the theatrical & home media releases, the brief teaser trailer for Fifty Shades Freed (2018) is shown halfway through the closing credits. On the HBO version, the trailer is deleted to go to straight into the shortened Perfect World Pictures logo. See more »
One Woman Man
Written by John Legend (as John Stephens) and Toby Gad
Performed by John Legend
Courtesy of John Legend Music, Inc./Columbia Records
By arrangement with Sony Music Licensing See more »
I saw it and yeah...I had fun, laughing I guess? For anyone who tells me that its a beautiful, love story...f*ck off. It was the cheesiest, corniest, most awkward-comedic film. But hey, it worked for a great comedy where the jokes on the film. Seriously, the scenes were so bad you couldn't help but laugh. I think FSoG was better in the aspect to take it a bit more "serious" than FSD. This film completely did not give a f*ck, I was disappointed that the plots and other characters (Mrs. Robinson, Jack Hyde, Leila) were weak! It had potential to explore more of these arcs, but it didn't. It was dull and so rushed! Everything was rushed. Even the sex! I'm not expecting full-blown porn but cut the soundtrack songs out, more positions (not just mostly missionary all the time), and please bring in some foreplay. How can a movie about risqué intimacy not show good foreplay? Why does Christian always have an un-emotional face while having sex? No climax either? In the books, wasn't he always grinning (or proudly smiling) for his accomplishment in giving Ana orgasms? For getting off too? None of that...it cuts straight to the next scene. Man...and why was it so Soap-Opera-ish?
I'm not going to lie, I read the trilogy once and I was like, "whatever, this is the junk food to my brain". It wasn't good, but whatever... it served some purpose. Did I think that it was the greatest love story? Nope. Did I think it was a great romantic story? Nope. I was honestly intrigued by the fetish that surrounds BDSM. But it turned out, that even if the sex was hot, it wasn't even portrayed properly. BDSM is a whole other level.
I was walking out and a lot of the viewers said that it did poorly in capturing the book. Like sure, the sex was there, but that connectivity...intimacy... was not. It was like : fight, bang (sex). Argument, bang. Present, bang again. It was repetitive in the sense of just make-up sex all the time. Ana is annoying. She doesn't know what she wants in the film or in life. Its like she can't take Christian's dark ways and not kidding, a few seconds later she's okay with it, without any solidifying reason (unless its going down on her or sex) . I feel like FSoG (2015) attempted some direction towards a woman's viewpoint. Like Ana being "dominant" in the sense of negotiation and choices. In this film, I'm sorry...she comes off like a gold-digger. She comes off like the only reason she's with him is because he's rich. Its like "I can't be with you, like this...(he gives her a gift), oh, I love you!) WTF? She tries so hard to be her own woman, but really ends up being Christian's (and not in the cute way like "Oh, I'm his girl *googly-eyes*) I feel that FSoG (2015) did a better job in where Ana had control and it made sense. Here it's wishy-washy.
Its just a mess, not sexy, everything is rushed that you don't understand the reasoning behind motives. They cut off and rushed great moments and characters that could have given the film more sense, romance and great eroticism. Yes its funny because it tries so hard to take itself serious. But that's about it.
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I saw it and yeah...I had fun, laughing I guess? For anyone who tells me that its a beautiful, love story...f*ck off. It was the cheesiest, corniest, most awkward-comedic film. But hey, it worked for a great comedy where the jokes on the film. Seriously, the scenes were so bad you couldn't help but laugh. I think FSoG was better in the aspect to take it a bit more "serious" than FSD. This film completely did not give a f*ck, I was disappointed that the plots and other characters (Mrs. Robinson, Jack Hyde, Leila) were weak! It had potential to explore more of these arcs, but it didn't. It was dull and so rushed! Everything was rushed. Even the sex! I'm not expecting full-blown porn but cut the soundtrack songs out, more positions (not just mostly missionary all the time), and please bring in some foreplay. How can a movie about risqué intimacy not show good foreplay? Why does Christian always have an un-emotional face while having sex? No climax either? In the books, wasn't he always grinning (or proudly smiling) for his accomplishment in giving Ana orgasms? For getting off too? None of that...it cuts straight to the next scene. Man...and why was it so Soap-Opera-ish?
I'm not going to lie, I read the trilogy once and I was like, "whatever, this is the junk food to my brain". It wasn't good, but whatever... it served some purpose. Did I think that it was the greatest love story? Nope. Did I think it was a great romantic story? Nope. I was honestly intrigued by the fetish that surrounds BDSM. But it turned out, that even if the sex was hot, it wasn't even portrayed properly. BDSM is a whole other level.
I was walking out and a lot of the viewers said that it did poorly in capturing the book. Like sure, the sex was there, but that connectivity...intimacy... was not. It was like : fight, bang (sex). Argument, bang. Present, bang again. It was repetitive in the sense of just make-up sex all the time. Ana is annoying. She doesn't know what she wants in the film or in life. Its like she can't take Christian's dark ways and not kidding, a few seconds later she's okay with it, without any solidifying reason (unless its going down on her or sex) . I feel like FSoG (2015) attempted some direction towards a woman's viewpoint. Like Ana being "dominant" in the sense of negotiation and choices. In this film, I'm sorry...she comes off like a gold-digger. She comes off like the only reason she's with him is because he's rich. Its like "I can't be with you, like this...(he gives her a gift), oh, I love you!) WTF? She tries so hard to be her own woman, but really ends up being Christian's (and not in the cute way like "Oh, I'm his girl *googly-eyes*) I feel that FSoG (2015) did a better job in where Ana had control and it made sense. Here it's wishy-washy.
Its just a mess, not sexy, everything is rushed that you don't understand the reasoning behind motives. They cut off and rushed great moments and characters that could have given the film more sense, romance and great eroticism. Yes its funny because it tries so hard to take itself serious. But that's about it.