A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.Written by
According to Quentin Tarantino and Uma Thurman in the DVD documentary, the idea for doing "Kill Bill" began during the filming of Pulp Fiction (1994). The two began talking about the kinds of movies that they would like to do, and Quentin said he would like to do a 70's style kung-fu flick. Uma came up with the film's opening shot of her beaten up and wearing a wedding gown. See more »
At The House of Blue Leaves, when O-Ren suspects someone outside her private room, she throws a dart that sticks in a beam narrowly missing The Bride. When Go-Go goes to check things out, the dart is sticking in the beam in a downward angle when in the previous shot it was straight on. Also, considering O-Ren was seated and that the dart flew by the Bride at eye level, it would have been more conceivable for the dart to hit the beam at an upward angle, not downward. See more »
Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
Bill... it's your baby...
See more »
The opening credits do not include a writer or director but include the names of producers, casting directors, etc. The writer/director credit appears at the end of the film. See more »
There is a print or prints that excludes the overhead shot of the Bride and other dead wedding attendants being examined by police right after "Chapter 3: The Blood-Spattered Bride" appears. It also excludes the two shots that usually follow and cuts directly to Earl McGraw pulling up in front of the chapel. Thus, Charlie Feathers' contribution to the soundtrack is not heard in this print. See more »
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
46 of 62 people found this review helpful.
Was this review helpful to you?
| Report this