We hit the streets to find out what real "Game of Thrones" fans loved and hated about the final episode of the epic HBO series. Warning: Spoilers ahead!
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
Director:
Martin Scorsese
Stars:
Leonardo DiCaprio,
Jonah Hill,
Margot Robbie
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Director:
Steven Spielberg
Stars:
Leonardo DiCaprio,
Tom Hanks,
Christopher Walken
Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins.Written by
JD
The characters streaming down the left side of the screen in the opening scenes are Japanese kanji and hiragana. They read "Hana yome ga kuru, hana yome ga kuru" ("The Bride is coming, the Bride is coming") over and over again. See more »
Goofs
When the Bride is following Sophie through the highways of Tokyo, Sophie's car is left-hand drive, and obviously driving in the fast lane with exits on the right side (as in the US). In Japan, drive is on the left-hand side of the road and steering is on the right side of the car. This is corrected when the Bride dumps Sophie off at the hospital. See more »
Quotes
[first lines]
Bill:
Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill:
masochistic.
The Bride:
Bill... it's your baby...
[BLAM!]
See more »
The Japanese cut, while only a little over a minute longer than the US cut, features not only a full color version of the "House of Blue Leaves" fight, but some quick new shots in the anime scenes as well as some alternate footage, most cut/altered to avoid an NC-17 rating:
The opening scene between The Bride and Vernita Green has two alternate angles shown when The Bride asks for a towel instead of keeping the overhead shot.
In the anime sequence, one of Boss Matsumoto's men has his face smashed into a wall twice, rather then just once.
In the anime sequence, when O-Ren Ishii kills Matsumoto and tells him to look at her face, she asks him to look at more facial features (nose, chin. etc.) to be recognized, and then before pulling the knife out, there is a close up shot of her moving the knife up his stomach and then finally pulling it out. There are a couple of close up shots of Matsumoto's face as he's dying as well that were eliminated from the US print and then a pan up shot of Matsumoto's blood covered and disemboweled body.
The "House of Blue Leaves" fight is not only in full color, but features about 9 new shots missing from the US print which include:
A close up of the first female Crazy 88 (Julie Manase) gargling blood after being pinned to a wooden pillar by a sword. This shot, while cut from the US version of Vol 1, showed up in the end credits of the US cut of Vol 2.
A shot of The Bride stabbing two Crazy 88s at once using her own sword as well as another Crazy 88's sword.
A ten foot high super backflip that The Bride executes before landing back down to pop out one of the Crazy 88's eyes. This shot appeared in the TV spot teaser, but disappeared soon after.
After The Bride pops out the one Crazy 88's eye, as another one charges at her screaming, she simply throws the eye into the attackers mouth, causing him to start to choke. The partially armless Sofie Fatale gives a follow up disgusted reaction.
A shot of another female Crazy 88 attacking only to get slashed in the throat and spraying blood everywhere.
The first appearance of the "Kid Crazy 88" (the one who gets spanked with the sword). In this shot, we now find out why he's missing a mask later on. As he's about to attack The Bride, she swipes his mask off. We see he's just a kid, and he gives the universal "don't hurt me" sign. The Bride has a look of shock on her face in realizing he's just a kid, so she grabs him, throws him across, knocking 3-4 Crazy 88 into a blood filled mini pool. This shot of the 3-4 falling, while cut from the US version of Vol 1, also showed up in the end credits of the US cut of Vol 2. Overall, this "mini scene" helps establish The Bride's look of surprise even more when she sees the young Crazy 88 the last time... and his follow up "don't hurt me" look even funnier.
A shot of a Crazy 88 getting slashed across the chest and spraying blood all over a wall.
When The Bride jumps onto the shoulders of one of the Crazy 88, after she slashes another one across the face, the Crazy 88 she's standing on tries to attack her from below. She parries the attack and cuts his hands off. The shot then cuts to the forward sommersault.
Since the fight is already in color, the close up "eye shot" of The Bride blinking is cut. Instead, the first part of the close up before she blinks is shown, however, at the point when she normally blinks, there is a replacement medium shot of her standing slightly fatigued and holding her sword out.
Finally, after the "House of Blue Leaves" fight, is the most infamous of the missing scenes and that is Sofie Fatale's extended "trunk interrogation" scene. After The Bride warns Sofie about cutting off something, instead of cutting back to Sofie in the hospital, The Bride is shown grabbing Sofie's arm and screams "GIVE ME YOUR OTHER ARM!". Sofie starts to panic, but then The Bride chops off her other arm, causing blood to splash onto the screen and Sofie begins screaming again.
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
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Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.