The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/24/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Translating film titles for international markets can be a commercial necessity, but magic is often lost in the process. It’s hard to think of a more perfect name for Gilles Lelouche’s latest movie than “L’amour ouf,” which punchily captures the bruising nature of the love story at its heart. The clue is in the wordplay: If l’amour fou is an affliction of the mind, l’amour ouf tells us the force we’re dealing with is rather more physical, perhaps even painful.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
- 5/24/2024
- by Arjun Sajip
- Indiewire
Gilles Lellouche arrived at the Cannes press conference for his Competition title Beating Hearts (L’amour Ouf) on Friday with one of the biggest cast delegations of the festival as its 77th edition entered its final strait.
As well as being joined on the stage by co-stars François Civil and Adèle Exarchopoulos and newcomers Mallory Wanecque and Malik Frikah, actors Jean-Pascal Zadi, Elodie Bouchez, Raphaël Quenard, Vincent Lacoste, Alain Chabat, Karim Leklou and Antony Bajon took up the front row of the press room.
They arrived on the wave of an enthusiastic response from the audience at Thursday night’s world premiere in the Grand Théâtre Lumière, which gave it a 15-minute standing ovation.
The modern Romeo and Juliet tale, which took Lellouche 17 years to bring to the big screen, is the actor and director’s third feature after hit comedy Sink or Swim.
“I take great, great pleasure from directing.
As well as being joined on the stage by co-stars François Civil and Adèle Exarchopoulos and newcomers Mallory Wanecque and Malik Frikah, actors Jean-Pascal Zadi, Elodie Bouchez, Raphaël Quenard, Vincent Lacoste, Alain Chabat, Karim Leklou and Antony Bajon took up the front row of the press room.
They arrived on the wave of an enthusiastic response from the audience at Thursday night’s world premiere in the Grand Théâtre Lumière, which gave it a 15-minute standing ovation.
The modern Romeo and Juliet tale, which took Lellouche 17 years to bring to the big screen, is the actor and director’s third feature after hit comedy Sink or Swim.
“I take great, great pleasure from directing.
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Payal Kapadia’s All We Imagine As Light joins Sean Baker’s Anora at the top of Screen’s Cannes jury grid while Gilles Lellouche’s Beating Hearts lands bottom of the pack.
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
- 5/24/2024
- ScreenDaily
Seemingly from out of nowhere, actor turned director Gilles Lellouche throws a Molotov Flanby into the Competition with only his second feature, a terrific and unexpectedly potent piece of genre filmmaking that could, to avoid spoilers, be described as a kind of mash-up of Badlands and La Haine, as if directed by Walter Hill. Throw in a little Eurocrime, from the likes of Fernando Di Leo and late-period Jean-Pierre Melville, and you’re getting close to what Lellouche has achieved here, a romantic banlieue opera that delivers all the gritty, vicarious thrills of the now-standard post-Goodfellas gangster movie but also burrows into issues of class and gender in refreshingly unpredictable ways.
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? By Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? By Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
- 5/24/2024
- by Damon Wise
- Deadline Film + TV
Cannes – A very popular actor in his native France, Gilles Lellouche has dipped his toe into filmmaking co-directing one movie and helming another over the past 20 years. Nothing he’s directed previously would prepare anyone for the impressive visual authority he welds over the camera in “Beating Hearts,” which debuted at this year’s Cannes Film Festival. There’s actually very little in his first collaboration with cinematographer Laurent Tangy, 2018’s “Sink or Swim,” that would hint at this level of cinematic creativity.
Continue reading ‘Beating Hearts’ Review: Gilles Lellouche’s Stylish Thriller Descends Into Clichés [Cannes] at The Playlist.
Continue reading ‘Beating Hearts’ Review: Gilles Lellouche’s Stylish Thriller Descends Into Clichés [Cannes] at The Playlist.
- 5/24/2024
- by Gregory Ellwood
- The Playlist
If you took Magnolia, Goodfellas, Boyz n the Hood and perhaps Claude Lelouch’s A Man and a Woman, plugged them all into the latest version of ChatGPT and asked it to spit out a brand new film, you could wind up with something like Gilles Lellouche’s (no relation to Claude) swooning French crime romance, Beating Hearts (L’Amour ouf).
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
- 5/23/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
It has been a big week for beloved musical The Umbrellas of Cherbourg at the Cannes Film Festival, where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations and served as one of the key inspirations for Damien Chazelle’s La La Land.
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
- 5/23/2024
- by Pete Hammond
- Deadline Film + TV
Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting a narrative around the performers, often to the detriment of the film itself. Such is the case with Beating Hearts (L’amour Ouf), the third film directed by Gilles Lellouche, an actor who often oscillates between comedy and drama, and has thus far focused on lighter, frivolous fare as a director. The French language title of his latest roughly translates to Phew, Love, which gives a better indication of the irreverent tone aimed for in this violently stylized romantic melodrama, clocking in at nearly three hours, the justification of which never arrives.…...
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting a narrative around the performers, often to the detriment of the film itself. Such is the case with Beating Hearts (L’amour Ouf), the third film directed by Gilles Lellouche, an actor who often oscillates between comedy and drama, and has thus far focused on lighter, frivolous fare as a director. The French language title of his latest roughly translates to Phew, Love, which gives a better indication of the irreverent tone aimed for in this violently stylized romantic melodrama, clocking in at nearly three hours, the justification of which never arrives.…...
- 5/23/2024
- by Nicholas Bell
- IONCINEMA.com
This evening the Cannes Film Festival welcomed another world premiere of an ambitious French title with Beating Hearts (L’Amour Ouf). Gilles Lellouche’s competition entry from Studiocanal was greeted with a 15-minute standing ovation inside the Grand Théâtre Lumière.
The modern Romeo and Juliet tale co-stars François Civil, who featured as D’Artagnan in last year’s Three Musketeers reboot, and Blue is the Warmest Color’s Adèle Exarchopoulos. The pair play former childhood sweethearts from different sides of the tracks.
Having gone their separate ways when the boy gets caught up in gang violence and lands in jail on trumped-up murder charges, the couple reconnects against the odds years later.
Further cast includes Raphaël Quenard, Benoît Poelvoorde, Elodie Bouchez, Vincent Lacoste, Alain Chabat and Jean-Pascal Zadi.
The film is adapted from Irish writer Neville Thompson’s 1997 novel Jackie Loves Johnser Ok? which unfolded against the backdrop of Dublin’s tough...
The modern Romeo and Juliet tale co-stars François Civil, who featured as D’Artagnan in last year’s Three Musketeers reboot, and Blue is the Warmest Color’s Adèle Exarchopoulos. The pair play former childhood sweethearts from different sides of the tracks.
Having gone their separate ways when the boy gets caught up in gang violence and lands in jail on trumped-up murder charges, the couple reconnects against the odds years later.
Further cast includes Raphaël Quenard, Benoît Poelvoorde, Elodie Bouchez, Vincent Lacoste, Alain Chabat and Jean-Pascal Zadi.
The film is adapted from Irish writer Neville Thompson’s 1997 novel Jackie Loves Johnser Ok? which unfolded against the backdrop of Dublin’s tough...
- 5/23/2024
- by Nancy Tartaglione
- Deadline Film + TV
Cannes film festival
Gilles Lelouche’s new movie aims for a Springsteenesque blue-collar energy but buckles under the weight of its own naivety
Gilles Lelouche’s new film is a giant operatic crime drama of star-crossed lovers and hurt feelings; it’s very French, but aiming for some blue-collar Springsteen energy. There are some good performances, and a very serviceable armed robbery scene. But Beating Hearts suffers from a lack of subtlety and bloat, with an increasingly insistent cry-bully sensitive-macho ethic, and a colossally inflated final section belatedly reassuring us of the film’s belief in the power and importance of love. In the end it is sentimental and naive, particularly about the legal consequences of beating your husband half to death in a phone box, however abusive he has been. And I had a strange taste in my mouth after a late scene in which the heroine, working on...
Gilles Lelouche’s new movie aims for a Springsteenesque blue-collar energy but buckles under the weight of its own naivety
Gilles Lelouche’s new film is a giant operatic crime drama of star-crossed lovers and hurt feelings; it’s very French, but aiming for some blue-collar Springsteen energy. There are some good performances, and a very serviceable armed robbery scene. But Beating Hearts suffers from a lack of subtlety and bloat, with an increasingly insistent cry-bully sensitive-macho ethic, and a colossally inflated final section belatedly reassuring us of the film’s belief in the power and importance of love. In the end it is sentimental and naive, particularly about the legal consequences of beating your husband half to death in a phone box, however abusive he has been. And I had a strange taste in my mouth after a late scene in which the heroine, working on...
- 5/23/2024
- by Peter Bradshaw
- The Guardian - Film News
Love, as everyone has long agreed, makes you do crazy things. Silly things, too, and vastly indulgent things, and occasionally even beautiful ones. Gilles Lellouche does all of these, in significant quantities, in his supersized gangster melodrama “Beating Hearts,” which takes the slender plot of innumerable B-movies of the past — as time and crime collaborate to derail the pure-hearted romance between two pretty young things — and blows it up to a dizzily grand scale, complete with widescreen camera gymnastics, daydreamy reality breaks and sporadic swirls of Old Hollywood musical choreography. It’s a mad indulgence, but also one fully attuned to the mindset of its two besotted lead characters: When you fall completely in love for the first (and maybe last) time, doesn’t your life become its own Technicolor epic?
That air of big-swinging, love-drunk bravado will buy Lellouche’s film a lot of goodwill from audiences — particularly those at home in France,...
That air of big-swinging, love-drunk bravado will buy Lellouche’s film a lot of goodwill from audiences — particularly those at home in France,...
- 5/23/2024
- by Guy Lodge
- Variety Film + TV
Miguel Gomes’ Grand Tour impressed critics on Screen International’s Cannes jury grid while Karim Aïnouz’s Motel Destino saw mixed results.
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
- 5/23/2024
- ScreenDaily
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Like the future, the Croisette is so bright, you gotta wear shades. Fortunately, Persol has found a perch in Cannes in time for the festival and summer season with a new collection and pop-up in a prime location. The Italian eyewear brand is setting up shop on the La Terrasse by Albane atop the Jw Marriott, site of many a premiere afterparty and A-list affair over the years.
Persol is sponsoring the space, which will be used for press junkets by day and parties by night. Michelin star chef Mauro Colagreco — owner of Mirazur restaurant in Menton, France — has been recruited to oversee the edible offerings at La Terrasse. Also on the menu: Persol will present a showroom of the spring/summer ’24 collection that includes three options, each designed with soft rectangular frames and adorned with extra-large 80 mm arrows that run along the front and temple, made to amplify the Persol heritage.
Persol is sponsoring the space, which will be used for press junkets by day and parties by night. Michelin star chef Mauro Colagreco — owner of Mirazur restaurant in Menton, France — has been recruited to oversee the edible offerings at La Terrasse. Also on the menu: Persol will present a showroom of the spring/summer ’24 collection that includes three options, each designed with soft rectangular frames and adorned with extra-large 80 mm arrows that run along the front and temple, made to amplify the Persol heritage.
- 5/18/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton’s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday.
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
- 5/16/2024
- by Elsa Keslassy and Ben Croll
- Variety Film + TV
Image created by The Hollywood Insider
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
- 5/16/2024
- by Abigail Johnson
- Hollywood Insider - Substance & Meaningful Entertainment
Audrey Diwan is attached to direct “The Marriage Portrait,” based on the novel by award-winning Northern Irish writer Maggie O’Farrell, best known for “Hamnet.”
Variety hears that the project will see the fast-rising French auteur team with two of Europe’s leading arthouse producers in Ireland’s Element Pictures (which has three films in Cannes’ official selection this year) and Italy’s Wildside (which has competition title “Limonov: The Ballad”). Film4 helped develop the feature.
Set in 1500s Renaissance Florence, “The Marriage Portrait” — which was published in 2022 — follows the fictional tale of young duchess Lucrezia de’ Medici, a sheltered 16-year-old who has spent her life locked inside the city’s grandest palazzo. But when her husband takes her on an unexpected visit to a country villa, it occurs to her that he has a sinister purpose — he intends to kill her.
Diwan, who has just completed the post-production of her...
Variety hears that the project will see the fast-rising French auteur team with two of Europe’s leading arthouse producers in Ireland’s Element Pictures (which has three films in Cannes’ official selection this year) and Italy’s Wildside (which has competition title “Limonov: The Ballad”). Film4 helped develop the feature.
Set in 1500s Renaissance Florence, “The Marriage Portrait” — which was published in 2022 — follows the fictional tale of young duchess Lucrezia de’ Medici, a sheltered 16-year-old who has spent her life locked inside the city’s grandest palazzo. But when her husband takes her on an unexpected visit to a country villa, it occurs to her that he has a sinister purpose — he intends to kill her.
Diwan, who has just completed the post-production of her...
- 5/14/2024
- by Alex Ritman and Elsa Keslassy
- Variety Film + TV
Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
Update 8 Am Pt: Studiocanal has now unveiled Sara Reese Geffroy as SVP of its nascent Studiocanal Stories label and TV series development.
She will run the French major’s new literary adaptations division, which was unveiled earlier today, while also supervising the development of Studiocanal TV series. She has held the VP Development TV series role for the past three years.
Geffroy will start on May 1 and report into new Studiocanal TV boss M-k Kennedy and Ron Halpern, EVP Global Production and Talent Management.
Studiocanal CEO Anna Marsh said Geffroy’s “knowledge of the sales and production roles, as well as her trusted relationships with the production companies which form part of the Studiocanal ecosystem, are major assets to achieve our ambitions in the franchise and adaptations market.”
Previous: Studiocanal is pushing further into TV and film adaptations of literary IP.
The Canal+-owned company has launched Studiocanal Stories, two...
She will run the French major’s new literary adaptations division, which was unveiled earlier today, while also supervising the development of Studiocanal TV series. She has held the VP Development TV series role for the past three years.
Geffroy will start on May 1 and report into new Studiocanal TV boss M-k Kennedy and Ron Halpern, EVP Global Production and Talent Management.
Studiocanal CEO Anna Marsh said Geffroy’s “knowledge of the sales and production roles, as well as her trusted relationships with the production companies which form part of the Studiocanal ecosystem, are major assets to achieve our ambitions in the franchise and adaptations market.”
Previous: Studiocanal is pushing further into TV and film adaptations of literary IP.
The Canal+-owned company has launched Studiocanal Stories, two...
- 4/29/2024
- by Jesse Whittock and Max Goldbart
- Deadline Film + TV
Mediawan CEO Pierre-Antoine Capton is set to receive Variety’s International Visionary Award at the Cannes Film Festival where the company will have multiple films playing across the Official Selection.
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
- 4/29/2024
- by Elsa Keslassy
- Variety Film + TV
European production and distribution group StudioCanal has launched a new label, StudioCanal Stories, focused on book-to-screen adaptations. The outfit will be the first of its kind in France and follows StudioCanal’s creation of a dedicated literary adaptation division in 2022.
Unveiling the new label Monday, StudioCanal pointed to the success of book adaptations, citing figures from a study last year by France’s Centre National du Livre (Cnl) that found 42 percent of the top 100 most successful films at the U.S. box office were literary adaptations. The figure for France was 44 percent and, according to the study, the production of literary adaptations for French film and TV has jumped nearly 30 percent over the period from 2015 to 2021.
StudioCanal is bringing two of its latest adaptations: Gilles Lellouche’s Beating Hearts, an adaptation of Neville Thompson’s 2000 novel Jackie Loves Johnser Ok?; and Michel Hazanavicius’ The Most Precious of Cargoes to competition...
Unveiling the new label Monday, StudioCanal pointed to the success of book adaptations, citing figures from a study last year by France’s Centre National du Livre (Cnl) that found 42 percent of the top 100 most successful films at the U.S. box office were literary adaptations. The figure for France was 44 percent and, according to the study, the production of literary adaptations for French film and TV has jumped nearly 30 percent over the period from 2015 to 2021.
StudioCanal is bringing two of its latest adaptations: Gilles Lellouche’s Beating Hearts, an adaptation of Neville Thompson’s 2000 novel Jackie Loves Johnser Ok?; and Michel Hazanavicius’ The Most Precious of Cargoes to competition...
- 4/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
After announcing a whopping number of English-language films in competition, Cannes Film Festival has added some international titles: Michel Hazanavicius’ animated feature “The Most Precious of Cargoes” and Iranian filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” Variety has learned.
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
- 4/22/2024
- by Elsa Keslassy
- Variety Film + TV
“Beating Hearts” (“L’amour ouf”), an epic crime romance directed by Gilles Lellouche and slated to compete at the Cannes Film Festival, has lured major distributors in key markets ahead of its world premiere.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Goodfellas has boarded Julien Colonna’s father-daughter coming-of-age thriller Le Royaume ahead of the film’s world premiere in Cannes’ Un Certain Regard.
The debut feature is set in Corsica in summer 1995 and follows a teenage girl (played by Ghjuvanna Benedetti) who discovers her father (Saveriu Santucci) in hiding in an isolated villa with his clan of men. As war breaks out in the underworld, the noose tightens around the clan and death strikes. Forced to go on the run, the father-daughter duo must learn to understand and love each other.
The film is produced by Hugo Selignac and Antoine Lafon at Mediawan-owned Chi-Fou-Mi,...
The debut feature is set in Corsica in summer 1995 and follows a teenage girl (played by Ghjuvanna Benedetti) who discovers her father (Saveriu Santucci) in hiding in an isolated villa with his clan of men. As war breaks out in the underworld, the noose tightens around the clan and death strikes. Forced to go on the run, the father-daughter duo must learn to understand and love each other.
The film is produced by Hugo Selignac and Antoine Lafon at Mediawan-owned Chi-Fou-Mi,...
- 4/12/2024
- ScreenDaily
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
Following the press conference unveiling the Cannes lineup, festival director Thierry Fremaux addressed a few hot topics, including Francis Ford Coppola’s 135-minute epic “Megalopolis,” which doesn’t yet have a distribution deal.
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
- 4/11/2024
- by Elsa Keslassy
- Variety Film + TV
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Cannes Film Festival is continuing its push to marry auteur cinema with films with commercial potential with its 2024 selection, announced by general delegate Thierry Fremaux during the event’s annual press conference in Paris today (April 11).
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
- 4/11/2024
- ScreenDaily
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Quentin Dupieux's Yannick is now showing exclusively on Mubi from April 5, 2024.Yannick.Ever since he dogged a sentient tire on a killing spree in Rubber (2010), musician-turned-filmmaker Quentin Dupieux has been distilling a singular form of gonzo. The films he’s crafted—a body of work swelling at the speed of Hong Sang-soo, with six features released since 2019—all belie their modest means. Rarely stretching longer than eighty minutes, they’ve followed a number of deranged characters, which have recently included a man reprogrammed as a killing machine by his leather jacket; a pig-sized fly and the two bums who try to make a pet out of it; a gang of Power Rangers–type avengers armed with tobacco smoke’s chemical constituents, and a middle-aged couple who discovers a time-travel portal in their basement. Dupieux—who routinely writes, shoots, directs, and edits his own films—likes to work with a...
- 4/8/2024
- MUBI
The 77th edition of the Cannes Film Festival will kick off with Quentin Dupieux’s “The Second Act,” a star-studded surreal French comedy headlined by Léa Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard, Variety has learned.
The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology. The film will play out of competition on May 14 and will be released on the same day in French theaters.
Laced with absurdist humor, the meta movie follows actors starring in a doomed film production. Dupieux is one of France’s most popular and prolific filmmakers. He delivered two films in 2023: “Daaaaaalí,” which played out-of-competition at Venice, and “Yannick,” a French box office hit that sold around the world.
In confirming the film’s selection at Cannes, the festival described Quentin as a “filmmaker who embraces freedom – in tone, form and...
The anticipated movie is produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and is represented in international markets by Kinology. The film will play out of competition on May 14 and will be released on the same day in French theaters.
Laced with absurdist humor, the meta movie follows actors starring in a doomed film production. Dupieux is one of France’s most popular and prolific filmmakers. He delivered two films in 2023: “Daaaaaalí,” which played out-of-competition at Venice, and “Yannick,” a French box office hit that sold around the world.
In confirming the film’s selection at Cannes, the festival described Quentin as a “filmmaker who embraces freedom – in tone, form and...
- 4/3/2024
- by Elsa Keslassy
- Variety Film + TV
French film production skyrocketed in 2023 marking a return to pre-pandemic levels as budgets soared, according to an annual report from the Cnc, the country’s national film organisation.
A total of 298 films were approved by the Cnc last year, driven by French-initiated films which totalled 236, up from 208 in 2022.
There were 18 animated films compared to 13 in 2022; but documentaries dipped from 54 in 2022 to just 40 in 2023.
International co-productions maintained pre-Covid levels with 120 co-productions clocked over the year, in line with the 2017-2019 average of 119 films.
However, just 40.3% of total films were co-productions, down from 50.2% in 2022, but still in line with the pre-pandemic 2017-...
A total of 298 films were approved by the Cnc last year, driven by French-initiated films which totalled 236, up from 208 in 2022.
There were 18 animated films compared to 13 in 2022; but documentaries dipped from 54 in 2022 to just 40 in 2023.
International co-productions maintained pre-Covid levels with 120 co-productions clocked over the year, in line with the 2017-2019 average of 119 films.
However, just 40.3% of total films were co-productions, down from 50.2% in 2022, but still in line with the pre-pandemic 2017-...
- 3/27/2024
- ScreenDaily
French film production skyrocketed in 2023 marking a return to pre-pandemic levels as budgets soared, according to an annual report from the Cnc, the country’s national film organisation.
A total of 298 films were approved by the Cnc last year, driven by French-initiated films which totalled 236, up from 208 in 2022.
There were 18 animated films compared to 13 in 2022; but documentaries dipped from 54 in 2022 to just 40 in 2023.
International co-productions maintained pre-Covid levels with 120 co-productions clocked over the year, in line with the 2017-2019 average of 119 films.
However, just 40.3% of total films were co-productions, down from 50.2% in 2022, but still in line with the pre-pandemic 2017-...
A total of 298 films were approved by the Cnc last year, driven by French-initiated films which totalled 236, up from 208 in 2022.
There were 18 animated films compared to 13 in 2022; but documentaries dipped from 54 in 2022 to just 40 in 2023.
International co-productions maintained pre-Covid levels with 120 co-productions clocked over the year, in line with the 2017-2019 average of 119 films.
However, just 40.3% of total films were co-productions, down from 50.2% in 2022, but still in line with the pre-pandemic 2017-...
- 3/27/2024
- ScreenDaily
Investment in movie production in France rose 13.6% in 2023 to $1.45B (€1.34B), according to an annual report published by the country’s National Cinema Centre (Cnc) on Monday.
The Cnc said that $1.19B of the $1.45B investment hailed from France-based backers, in their third highest contribution after 2016 and 2021.
The body, which oversees funding and support schemes across the cinema chain, registered 298 French majority and minority films in 2023, against 287 in 2022.
Within this figure, 236 were majority French productions, against 208 in 2022.
It said that the 2023 figures suggested that France’s production sector had regained its pre-pandemic dynamic.
In a further sign of a return to pre-Covid-19 norms, the number of co-productions fell to 120, with 38 different territories, against 144 in 2022, which was the highest level for a decade.
That latter trend had been put down to productions traveling to circumvent the tail-end of Covid restrictions and finance crunches in 2022. The average for 2017 to 2019 was 119 co-productions.
In another trend,...
The Cnc said that $1.19B of the $1.45B investment hailed from France-based backers, in their third highest contribution after 2016 and 2021.
The body, which oversees funding and support schemes across the cinema chain, registered 298 French majority and minority films in 2023, against 287 in 2022.
Within this figure, 236 were majority French productions, against 208 in 2022.
It said that the 2023 figures suggested that France’s production sector had regained its pre-pandemic dynamic.
In a further sign of a return to pre-Covid-19 norms, the number of co-productions fell to 120, with 38 different territories, against 144 in 2022, which was the highest level for a decade.
That latter trend had been put down to productions traveling to circumvent the tail-end of Covid restrictions and finance crunches in 2022. The average for 2017 to 2019 was 119 co-productions.
In another trend,...
- 3/25/2024
- by Melanie Goodfellow
- Deadline Film + TV
One Jake Gyllenhaal movie became national headlines in the French media for all the wrong reasons, but the U.S. media are too busy reporting his Road House troubles. Gyllenhaal and Vanessa Kirby were signed for the indie film, Suddenly. Gyllenhaal also agreed to produce the $26 million movie directed by Thomas Bidegain. However, the production of the film fell apart in four days due to allegedly erratic behavior from the Enemy actor.
Jake Gyllenhaal in Road House
Gyllenhaal allegedly proved to be a headache for the production crew with his weird demands on set. At one point, Gyllenhaal demanded he swim in the cold sea for a scene in the film. The film fell apart when a producer refused to agree to Gyllenhaal’s demands.
Jake Gyllenhaal’s Behavior Reportedly Shut Down A $26 Million Indie Movie Road House star Jake Gyllenhaal was allegedly insufferable on the sets of the scrapped...
Jake Gyllenhaal in Road House
Gyllenhaal allegedly proved to be a headache for the production crew with his weird demands on set. At one point, Gyllenhaal demanded he swim in the cold sea for a scene in the film. The film fell apart when a producer refused to agree to Gyllenhaal’s demands.
Jake Gyllenhaal’s Behavior Reportedly Shut Down A $26 Million Indie Movie Road House star Jake Gyllenhaal was allegedly insufferable on the sets of the scrapped...
- 3/22/2024
- by Hashim Asraff
- FandomWire
Roll up, roll up for Part 2 of our Cannes Film Festival preview, this time with a focus on international, mainly non-English-language fare. If you didn’t catch Andreas’ English-language-focused Part 1, check it out.
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest, delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.
With less than four weeks to go until the bulk of the 77th edition (running May 14-25) is revealed at the press conference in Paris on April 11, we’ve rounded up a host of the titles ready and in the running for a splash in either Official Selection or the main parallel sections of Directors’ Fortnight and Critics’ Week.
The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive...
- 3/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
At last year’s Cannes Film Festival, Leonardo DiCaprio, Harrison Ford and Scarlett Johansson hit the red carpet to premiere their latest big movies. But Hollywood may have a much lighter presence at the 2024 edition of one of the world’s most notable film festivals.
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
- 3/4/2024
- by Elsa Keslassy
- Variety Film + TV
“Suddenly” director Thomas Bidegain is clarifying his viral statements about his scrapped film set to star Jake Gyllenhaal and Vanessa Kirby.
In a report published by France’s Technikart magazine (as translated by Film Stories UK and blog World of Reel), Bidegain claimed Gyllenhaal exhibited erratic behavior during pre-production on the survival film. Bidegain was slated to direct from a script he cowrote with Valentine Monteil, as adapted from Isabelle Autissier’s novel “Soudain Seuls.”
Gyllenhaal was a producer on the $26 million indie film set to begin production in Iceland in fall 2021. “Suddenly” starred Gyllenhaal and Kirby as a couple trapped on an island in the South Atlantic. The set was being constructed on a whaling facility, with locations already chosen in Iceland, at the time when the allegations took place. Among Bidegain’s claims included Gyllenhaal stripping down to swim in the freezing ocean and reading the script in...
In a report published by France’s Technikart magazine (as translated by Film Stories UK and blog World of Reel), Bidegain claimed Gyllenhaal exhibited erratic behavior during pre-production on the survival film. Bidegain was slated to direct from a script he cowrote with Valentine Monteil, as adapted from Isabelle Autissier’s novel “Soudain Seuls.”
Gyllenhaal was a producer on the $26 million indie film set to begin production in Iceland in fall 2021. “Suddenly” starred Gyllenhaal and Kirby as a couple trapped on an island in the South Atlantic. The set was being constructed on a whaling facility, with locations already chosen in Iceland, at the time when the allegations took place. Among Bidegain’s claims included Gyllenhaal stripping down to swim in the freezing ocean and reading the script in...
- 2/2/2024
- by Samantha Bergeson
- Indiewire
French director Thomas Bidegain is setting the record straight about Jake Gyllenhaal and Vanessa Kirby’s exit from his project “Suddenly.”
An interview with Bidegain that ran last week in the French magazine Technikart got international attention, with the headline “Four Days to Bury a Movie.” The interview suggested that Gyllenhaal and Kirby had left the film in the last stretch of pre-production in Iceland, which resulted in a loss of $26 million.
According to the story, Gyllenhaal dove into the freezing ocean, demanded multiple rewrites and rehearsed scenes in a mocking “Pepe Le Pew-like accent.” Though Bidegain wouldn’t address those specific claims, he tells Variety that he parted ways with Gyllenhaal and Kirby over a creative clash, rather than unprofessional behavior on Gyllenhaal’s part. He also claims that, contrary to what is suggested in the French article, the company which financed “Suddenly,” Studiocanal, didn’t lose $26 million because...
An interview with Bidegain that ran last week in the French magazine Technikart got international attention, with the headline “Four Days to Bury a Movie.” The interview suggested that Gyllenhaal and Kirby had left the film in the last stretch of pre-production in Iceland, which resulted in a loss of $26 million.
According to the story, Gyllenhaal dove into the freezing ocean, demanded multiple rewrites and rehearsed scenes in a mocking “Pepe Le Pew-like accent.” Though Bidegain wouldn’t address those specific claims, he tells Variety that he parted ways with Gyllenhaal and Kirby over a creative clash, rather than unprofessional behavior on Gyllenhaal’s part. He also claims that, contrary to what is suggested in the French article, the company which financed “Suddenly,” Studiocanal, didn’t lose $26 million because...
- 2/2/2024
- by Elsa Keslassy
- Variety Film + TV
Jake Gyllenhaal’s erratic demands led to the crumbling of his Indie film, Suddenly?
In 2021, Jake Gyllenhaal and Vanessa Kirby were signed up for an Indie film called Suddenly. Thomas Bidegain would direct the film for which he co-wrote the script with Valentine Monteil. However, the English film never happened, and Thomas went on to direct his story as a French-language film, Soudain Seals.
In an explosive interview, Thomas Bidegain revealed what really went wrong between him and Jake. Thomas shared several anecdotes that led to his fallout with Jake, which compelled him to rewrite the script in French.
Jake Gyllenhaal’s Unreasonable Demands
In an interview with Technikart, Thomas Bidegain shares that he was initially happy to have Jake Gyllenhaal in his film. Initially, things went well. However, when they reached Iceland for the shoot, Jake made some demands. According to Bidegain, the Zodiac actor demanded a car that’s neither red nor white.
In 2021, Jake Gyllenhaal and Vanessa Kirby were signed up for an Indie film called Suddenly. Thomas Bidegain would direct the film for which he co-wrote the script with Valentine Monteil. However, the English film never happened, and Thomas went on to direct his story as a French-language film, Soudain Seals.
In an explosive interview, Thomas Bidegain revealed what really went wrong between him and Jake. Thomas shared several anecdotes that led to his fallout with Jake, which compelled him to rewrite the script in French.
Jake Gyllenhaal’s Unreasonable Demands
In an interview with Technikart, Thomas Bidegain shares that he was initially happy to have Jake Gyllenhaal in his film. Initially, things went well. However, when they reached Iceland for the shoot, Jake made some demands. According to Bidegain, the Zodiac actor demanded a car that’s neither red nor white.
- 2/2/2024
- by Pooja Darade
- KoiMoi
An in-depth report paints a portrait of star power run amok on the set of Suddenly – a Jake Gyllenhaal drama that fell apart days before filming.
Whether it’s Val Kilmer’s antics on the set of The Island Of Doctor Moreau or Sly Stallone demanding last-minute changes during the filming of Rambo 3, cinema history is littered with stories of star power gone wild. According to a report in France’s Technikart magazine (and spotted by World of Reel) we can add the Jake Gyllenhaal-starring survival drama Suddenly to the list.
The film – essentially a two-hander about a pair of lovers trapped on an inhospitably cold island – was originally due to begin filming in the autumn of 2021. It was to be directed by Thomas Bidegain, with the script co-written by newcomer Valentine Monteil. For Bidegain, known for writing such films as A Prophet and Rust And Bone, it would...
Whether it’s Val Kilmer’s antics on the set of The Island Of Doctor Moreau or Sly Stallone demanding last-minute changes during the filming of Rambo 3, cinema history is littered with stories of star power gone wild. According to a report in France’s Technikart magazine (and spotted by World of Reel) we can add the Jake Gyllenhaal-starring survival drama Suddenly to the list.
The film – essentially a two-hander about a pair of lovers trapped on an inhospitably cold island – was originally due to begin filming in the autumn of 2021. It was to be directed by Thomas Bidegain, with the script co-written by newcomer Valentine Monteil. For Bidegain, known for writing such films as A Prophet and Rust And Bone, it would...
- 1/31/2024
- by Ryan Lambie
- Film Stories
Already one of France’s most beloved and bankable actors (“The Stronghold”), Gilles Lellouche is about to graduate as a big-shot filmmaker five years after delivering his sophomore outing, “Sink or Swim,” a B.O. hit which lured more than four million moviegoers (over $35 million) in theaters.
His next movie, “Beating Hearts” (“L’amour Ouf”), budgeted in the €30 million range, is epic in many ways. And not just because of its breadth and running time exceeding three hours. A crime romance loosely based on Neville Thompson’s 1997 novel “Jackie Loves Johnser Ok,” the movie is an emotional rollercoaster spanning over 15 years in the lives of star-crossed lovers. It took Lellouche over a decade to write (alongside Audrey Diwan and Ahmed Hamidi) and four months to shoot with a cast mixing rising and famous actors, a pulsating soundtrack of cult 1980s and 1990s songs, topnotch key crew and dream-like musical interludes created by (La) Horde.
His next movie, “Beating Hearts” (“L’amour Ouf”), budgeted in the €30 million range, is epic in many ways. And not just because of its breadth and running time exceeding three hours. A crime romance loosely based on Neville Thompson’s 1997 novel “Jackie Loves Johnser Ok,” the movie is an emotional rollercoaster spanning over 15 years in the lives of star-crossed lovers. It took Lellouche over a decade to write (alongside Audrey Diwan and Ahmed Hamidi) and four months to shoot with a cast mixing rising and famous actors, a pulsating soundtrack of cult 1980s and 1990s songs, topnotch key crew and dream-like musical interludes created by (La) Horde.
- 1/20/2024
- by Elsa Keslassy
- Variety Film + TV
French filmmaker Quentin Dupieux has been creating some pretty surreal masterpieces over the years, including Deerskin, in which Jean Dujardin’s Georges is obsessed with the tasselled loveliness of a suede jacket, and the utterly bonkers and highly entertaining Mandibles, in which two jokers find a giant fly which they hope will make them their fortune. So it was just a matter of time before this master of madness should focus his attention on the grand master of Surrealism, Salvador Dalí, the two coming together in the perfect storm that is Daaaaaali!
The film takes place in the 1980s and follows journalist Judith (Anaïs Demoustier) as she tries to pin down the artist and get an interview out of him for her documentary. Much of the film takes place in the hotel where said interview is to take place and the scenes in the hotel corridor are a joy to behold.
The film takes place in the 1980s and follows journalist Judith (Anaïs Demoustier) as she tries to pin down the artist and get an interview out of him for her documentary. Much of the film takes place in the hotel where said interview is to take place and the scenes in the hotel corridor are a joy to behold.
- 1/17/2024
- by Jo-Ann Titmarsh
- HeyUGuys.co.uk
Studiocanal is launching sales on Marjane Satrapi’s dark comedy Dear Paris headlined by Monica Bellucci and Rossy De Palma, Pablo Agüero’s Saint-Exupéry starring Louis Garrel, Diane Kruger and Vincent Cassel, Herve Mimran’s buddy comedy The Scammers and Gilles Lellouche’s anticipated epic love story Beating Hearts at the Rendez-Vous in Paris this week.
Satrapi’s Dear Paris is a love letter to Paris and intertwines the story of Bellucci’s narcissistic Italian opera singer, De Palma’s eccentric elderly Colombian woman, and Ben Aldridge;s British stuntman. Eduardo Noriega, André Dussollier, Alex Lutz and Roschdy Zem co-star...
Satrapi’s Dear Paris is a love letter to Paris and intertwines the story of Bellucci’s narcissistic Italian opera singer, De Palma’s eccentric elderly Colombian woman, and Ben Aldridge;s British stuntman. Eduardo Noriega, André Dussollier, Alex Lutz and Roschdy Zem co-star...
- 1/17/2024
- by Rebecca Leffler
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.