The three best of the disbanded Musketeers - Athos, Porthos, and Aramis - join a young hotheaded would-be-Musketeer, D'Artagnan, to stop the Cardinal Richelieu's evil plot: to form an ... See full summary »
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The three best of the disbanded Musketeers - Athos, Porthos, and Aramis - join a young hotheaded would-be-Musketeer, D'Artagnan, to stop the Cardinal Richelieu's evil plot: to form an alliance with enemy England by way of the mysterious Milady. Rochefort, the Cardinal's right-hand man, announces the official disbanding of the King's Musketeers. Three, however, refuse to throw down their swords - Athos the fighter and drinker, Porthos the pirate and lover, and Aramis the priest and poet. Arriving in Paris to join the Musketeers, D'Artagnan uncovers the Cardinal's plans, and the four set out on a mission to protect King and Country. Written by
The throwing weapon with cords and weights that Porthos uses to catch the guard during the fight at the convent is real. It is called "bolas" or "boleadora" and was used by Patagonian gauchos, in modern day Argentina. As for the time of the film these weren't known in Europe, this could support Porthos' claims of his many travels and adventures, despite generally being considered as fabricated. See more »
When D'Artagnan jumps down from the carriage to unhitch the horses, he throws the reins forward over the nearest horse's back. A few moments later Porthos grabs the reins which are now resting on the driver's seat, and throws them forward again. See more »
[Porthos stabs a man he is fighting with a blade attached to a gun]
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This is a very ordinary version of The Three Musketeers. Film versions of classic novels should at least bear some resemblance to the plot of the novel from which they are adapted, even if they are just pot-boilers intended for a family audience like this one, and not meant to be taken too seriously. But this is a very loose adaptation indeed.
The acting is just up to the level required and the dialogue is a mix of pseudo-17th century and contemporary Americanisms which fail to convince the viewer that he/she is watching a picture set in 17th century France. Though the production is quite a handsome one, with the sets, locations, and costumes all nice to look at, the characters are not well-drawn, in particular those of Cardinal Richlieu, portrayed as an out and out villain, admittedly enjoyably, but with little depth, and D'Artagnan who is played as naive, arrogant and pompous and not as a particularly likable character.
Other comments stress that this is a Disney picture made for the family, but that should not save it from criticism. Compare it with Disney's Treasure Island, or Kidnapped, both much superior adaptations. Nor have they helped children understand the novel. Because it is so loosely based they would hardly recognise it as The Three Musketeers if the characters' names had been changed, though I do agree that film adaptations don't have to follow the source novel absolutely faithfully.
But is it entertaining? Yes and no. The villains are hiss-able, Aramis, Arthos and Porthos are sometimes entertaining, despite the questionable dialogue they are given, and Richlieu, though often over the top, has his moments. The action scenes are OK but not done with any great verve compared with the Richard Lester version. Milady does not feature as a really central character in the plot as she should and in fact many of the novels' characters do not appear in the film at all.
Read the book and see the 1973 version and forget this one if you are over 16.
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