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Waltz with Bashir (2008)

Vals Im Bashir (original title)
Trailer
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An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

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Nominated for 1 Oscar. Another 43 wins & 56 nominations. See more awards »

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Cast

Complete credited cast:
...
Himself (voice)
Ori Sivan ...
Himself - Interviewee (voice)
Ronny Dayag ...
Himself - Interviewee (voice)
Shmuel Frenkel ...
Himself - Interviewee (voice)
Zahava Solomon ...
Herself - Interviewee (voice) (as Prof. Zahava Solomon)
Ron Ben-Yishai ...
Himself - Interviewee (voice)
Dror Harazi ...
Himself - Interviewee (voice)
Mickey Leon ...
Boaz Rein-Buskila (voice) (as Miki Leon)
...
Carmi Cna'an (voice)
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Storyline

One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there's a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can't remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images. Written by intlpress@aol.com

Plot Summary | Add Synopsis

Plot Keywords:

interview | lebanon | dog | bar | nightmare | See All (57) »

Taglines:

We may forget the past, but the past won't forget us. [Theatrical trailer.]


Motion Picture Rating (MPAA)

Rated R for some disturbing images of atrocities, strong violence, brief nudity and a scene of graphic sexual content | See all certifications »

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Details

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Release Date:

12 June 2008 (Israel)  »

Also Known As:

Waltz with Bashir  »

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend:

£113,087 (UK) (21 November 2008)

Gross:

$2,283,276 (USA) (8 May 2009)
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Company Credits

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Technical Specs

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1.85 : 1
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Did You Know?

Trivia

The film took four years to complete. See more »

Goofs

The song used in the film, "This Is Not A Love Song" by Public Image Ltd., came out in 1983, even though the war and the massacres depicted in the film happened in 1982. See more »

Quotes

Boaz Rein-Buskila: Do you ever have flashbacks from Lebanon?
Ari Folman: No. No, not really.
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Connections

References The Love Boat (1977) See more »

Soundtracks

Incubator
Originally Performed by The Clique
Written by Dani Dotan (as Dani Dothan)
Composed by Eli Abramov
Performed by Nitzan Rimon
Guitars by Nitzan Rimon
Bass by Dar Nahmias
Drums by Ofer Harrari
Produced and Recorded by Dar Nahmias
Recorded at Ambience Studios, Israel
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Frequently Asked Questions

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User Reviews

 
Great, personal film about the horrors of war
12 January 2009 | by (Studio City, CA, USA) – See all my reviews

I saw this film at the AFI Film Festival a couple of months ago and it stayed with me since then. This is not your typical war movie, nor is it your typical animated film. I'd say its kind of a cross between Waking Life and Grave of the Fireflies.

The film takes place in the present. The film's director, Ari Folman, comes to the realization that he cannot remember anything from the time he served in the Israeli army during the 1982 Lebanon War. The bulk of the movie are his interviews with his old army friends where he asks them what they remember from that time. Folman tries to see in their memories something in himself that has been missing, deadened, or dulled. Like Waking Life, there is no "plot." The filmmaker prefers a more interview-based film. This is an "idea film," a poetic film, and traditional narrative style takes a back seat.

Like Grave of the Fireflies, the animation in Waltz With Bashir shows the horror of war and its effect on individuals in ways that a live action recreation could never replicate. The film's themes of human memory and its elasticity are served well by this technique. Rather than a soldier escaping death by hiding in the sea, we get the larger-than-life memory of a soldier escaping death that would look too "real" in a live action reenactment.


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