Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Elise and Didier fall in love at first sight, in spite of their differences. He talks, she listens. He's a romantic atheist, she's a religious realist. When their daughter becomes seriously ill, their love is put on trial.
Felix van Groeningen
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Adèle is a high school student who is beginning to explore herself as a woman. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire. She dreams of something more. She meets Emma who is a free spirited girl whom Adèle's friends reject due to her sexuality, and by association most begin to reject Adèle. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Together, Adèle and Emma explore social acceptance, sexuality, and the emotional spectrum of their maturing relationship. Written by
A scene in which Adele's parents walk in on her and Emma in bed together and kick them out of the house was filmed, but ultimately cut out of the theatrical cut. See more »
In one of the classroom scenes when Adele is walking down an aisle of desks there is a bump from the mic pack in the bottom of the back. In the next shot there is a glimpse of the mic pack moved to her left hip. See more »
One of the best films I have ever seen. Go immediately.
I saw this film as a preview, at 11am on a Sunday morning, whilst nursing a horrible cold and it was the best decision I have made in a long time.
The film offers several basic and well used premises: the Eliza Doolittle/Henry Higgins: why won't you let me educate you thing, a dichotomy between big city and small city ideas and ideals and the well trotted out first love idea. However, the way this film is presented is entirely original. Kechiche sets it in Lille, a town in Northern France, full of provincial living and entirely captures how it is in general in this town - when the characters walk around you feel that he understands what he is talking about.
The film is about desire, desire to eat, desire to sleep with someone, desire to dance and it is portrayed within a first relationship between two women. The two women are fantastic and the plot has amusing little french jokes interspersed between the very emotionally demanding relationship that has you gasping at points. However the story is largely about one of them, Adele - and you feel over the three hours, that you get to know her, what she is about, what she finds attractive, what she wants (or what she thinks she wants). The actress playing her has a wonderfully expressive face and she needs it for the amount that happens. When she cries, when she eats, when she sleeps you believe her.
Much has been said about the sex scenes, which are very graphic, however these are entirely relevant to the plot and the furore seems to be about the actors criticising the director for pushing them too far, however, without this pushing this film wouldn't be nearly as good.
When it finished, and I realised that it had been three hours I couldn't believe it.
It was a revelation.
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