Craig and Smokey are two guys in Los Angeles hanging out on their porch on a Friday afternoon, smoking and looking for something to do. Encounters with neighbors and other friends over the ... See full summary »
Craig and Day Day have finally moved out of their parents houses and into their own crib. The cousins work nights at a local mall as security guards. When their house is robbed on Christmas... See full summary »
"Don't Be a Menace to South Central While Drinking your Juice in the Hood" is a parody of a lot of black U.S. movies, for instance "Boyz n the Hood", "South Central", "Menace II Society", "... See full summary »
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Tre is given, by Furious, the tedious job of raking the leaves off of his lawn. There is, however, no tree evident in supporting shots or surrounding lawns to indicate where the leaves had come from. See more »
[after all the men shove their way past the women to get to the food first]
Hey, hey! Why don't you all act like gentlemen and let these ladies eat first.
[He motions to Doughboy for assistance]
Yeah. Y'all act like you ain't never had no barbecue before. The ladies eat. Ho's gotta eat too.
Wait a minute, niggah, who you callin' a ho? I ain't no ho!
Oh, I'm sorry bitch.
[She smacks Doughboy]
Hey, hey! Watch your mouth.
I'm just playin'!
See more »
After the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen See more »
A movie that takes place in South Central Los Angeles in 1991. I don't know about now but, at that time, that area was crime ridden with drug deals and murders happening almost daily. Father Jason Styles (Larry Fishburne) tries to bring up his son Tre (Cuba Gooding Jr.) correctly despite all the violence around them. It also deals with two friends of Tre--Darin (Ice Cube) an angry young black man and his brother Ricky (Morris Chestnut) who wants to go to college. It all leads up to a truly harrowing ending.
Director John Singleton's first movie is incredibly powerful and still his best movie (so far). From what I've heard he captured exactly what it was like to grow up in that area. It's a little dated though--the guy sucking on the pacifier confuses some people but that was a big fad back in 1991. It's just unbelievable that kids grew up in an area like that and survived. The story itself is a little too simplistic (the good and bad brothers) and it's basically just the story of a teenager coming of age--but it still works. Singleton wisely doesn't accuse anyone of how the situation is and offers no solutions. He just presents it in a matter of fact way which makes this all the more powerful.
The acting is just great. Fishburne and Gooding play a father and son perfectly. Fishburne is just incredible--Gooding falters a few times (and it's obvious that he's no teenager) but he's still very good. Ice Cube is a little one note in his character (always angry and sullen) but it fits. Chestnut is just great.
People should be warned--there's tons of profanity (but that is how kids talk) and the ending gets very bloody and disturbing. I still remember people crying out loud in the audience back in 1991. A powerful film and well worth seeing.
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