A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
John Singleton's portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together 'in the 'hood.' Half-brothers Doughboy and Ricky Baker are foils for each other's personality, presenting very different approaches to the tough lives they face. Ricky is the 'All-American' athlete, looking to win a football scholarship to USC and seeks salvation through sports, while 'Dough' succumbs to the violence, alcohol, and crime surrounding him in his environment, but maintains a strong sense of pride and code of honor. Between these two is their friend Tre, who is lucky to have a father, 'Furious' Styles, to teach him to have the strength of character to do what is right and to always take responsibility for his actions. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In terms of investment, this was 1991's most financially successful film, making $56.1 million from a budget of only $6.5 million. See more »
When Tre drives up to pick up Ricky, the windows on his car are down on both sides. After Ricky gets in, the shot from inside the car shows the window closed. See more »
We got a problem here? We got a problem, nigga?
[Ferris and gang take a step back]
Put the gun away, nigga.
Female Club Member:
Can we have one night where there ain't no fightin'; nobody gets shot?
Shut up, bitch!
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After the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen See more »
Growin' Up in the Hood
Written by MC Eiht (as Aaron Tyler), The Unknown D.J. (as Andre Manuel) and D.J. Slip (as Terry Allen)
Produced by D.J. Slip and The Unknown D.J.
Performed by Compton's Most Wanted
Courtesy of Orpheus Records See more »
John Singleton's best film also proved to be one of my favorite movies about life in the streets. Cuba Gooding, Jr. displayed early on he was going to be a respectable actor. The power of the film has yet to be matched as most modern interpretations of street life prove to be violent stylizations. While Singleton has taken a couple missteps along the way, this film still stands up rather well by today's standards. The motives and actions appear realistic, especially Doughboy's thirst for revenge. A good film, which not only helped improve Laurence Fishburne's career, but introduced us to Gooding.
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