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A Prophet (2009)
"Un prophète" (original title)

R  |   |  Crime, Drama  |  26 March 2010 (USA)
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Ratings: 7.9/10 from 73,976 users   Metascore: 90/100
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A young Arab man is sent to a French prison where he becomes a mafia kingpin.



(screenplay), (screenplay), 2 more credits »
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Nominated for 1 Oscar. Another 49 wins & 37 nominations. See more awards »



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Cast overview, first billed only:
Adel Bencherif ...
Hichem Yacoubi ...
Jean-Philippe Ricci ...
Gilles Cohen ...
Pierre Leccia ...
Antoine Basler ...
Foued Nassah ...
Jean-Emmanuel Pagni ...
Frédéric Graziani ...
Rabah Loucif ...
L'avocat de Malik
Slimane Dazi ...


Nineteen year-old Franco-Arab Malik El Djebena is just starting his six year prison sentence in Brécourt. Although he has spent the better part of his life in juvenile detention, this stint is his first in an adult prison. Beyond the division of Corsicans and Muslims in the prison (the Corsicans who with their guard connections rule what happens in the prison), he has no known friends or enemies inside. He is just hoping to serve his time in peace and without incident, despite having no prospects once he's out of jail since he's illiterate and has no support outside of the prison. Due to logistics, the head of Corsican inmates, a sadistic mafioso named César Luciani, co-opts Malik as part of the Corsicans' activities, not only regarding what happens inside the prison, but also continued criminal activities outside. The innocent Malik has no idea what to do but cooperate. This move does not sit well with the other Corsicans, who only see Malik as a dirty Arab, and the Muslims who now ... Written by Huggo

Plot Summary | Plot Synopsis


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, sexual content, nudity, language and drug material | See all certifications »

Parents Guide:






| |

Release Date:

26 March 2010 (USA)  »

Also Known As:

A Prophet  »

Box Office


€12,000,000 (estimated)

Opening Weekend:

£312,237 (UK) (22 January 2010)


$2,084,637 (USA) (25 June 2010)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Prior to making this film, Jacques Audiard had screened a film for prisoners in France. Shocked by the prison conditions, he decided his next film would take place in one. See more »


[first lines]
Prisoner: Take these handcuffs off!
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User Reviews

Watch the Renaissance of French Cinema - a Must-See
12 January 2010 | by See all my reviews

One of the biggest surprises of 2009, Jacques Audiard's 'Un Prophète' is the best French film in a decade, garnering strong critical and word-of-mouth support and winning the Grand Prix in Cannes (which for years now means that it's the actual festival winner). The surprise is that the story is far from being original: a young Arab sentenced to (adult) prison for the first time is forced by a Corsican mafia boss running the strings there to do his bidding. By and by, he manages to use his underling position to his own advantage. So it's a typical hard-boiled underdog story - what makes it so great then?

'Un Prophète' doesn't differ much in style from the French films of late, which were often so hell-bent on displaying life as a gritty and boring affair, and resorted to radical violence to underscore this point, that spectators were almost forced to feel disgusted, which was then claimed to be a denominator of the film's artistic success. This phenomenon has been called 'New French Extremity'. What Jacques Audiard has done is to combine the aesthetics of this trend with the traditions which once made the French film industry the most power- and meaningful in Europe, namely to focus on the relationship of the leading actors. The result is a film that is totally engaging from the first minute, because it entrusts the actors with the task of transforming the script into something of their own making.

And boy oh boy, Tahar Rahim does that job. A newcomer with a little bit of TV experience, his performance carries 'Un Prophète' with amazing vigor. It's a big chance, and he takes it. Would this be an English-language film, he'd be a surefire contender for the awards. His nemesis is portrayed by Niels Arestrup in an equally flawless, yet much more routinized way, which juxtaposes the two characters perfectly. Add to this the sophisticated editing already present in Audiard's last film 'De battre mon coeur s'est arreté' (2005), and you have the best European film of 2009, in spite of a story that you will most likely have seen dozens of times already.

If you usually don't like European movies, or if you have only time to see one a year, watch this one - you won't regret it.

93 of 111 people found this review helpful.  Was this review helpful to you?

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THAT VERY SCENE Turned my blood to ICE frenchfriess
No way... Just no way. forever_mclaren
Seductive but shallow? birthdaynoodle
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