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Magnolia (1999)

 -  Drama  -  7 January 2000 (USA)
8.0
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Ratings: 8.0/10 from 209,262 users   Metascore: 77/100
Reviews: 1,404 user | 217 critic | 34 from Metacritic.com

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.

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Title: Magnolia (1999)

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Nominated for 3 Oscars. Another 26 wins & 42 nominations. See more awards »

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Cast

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Burt Ramsey / Narrator
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Luis (as Luis Guzman)
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Storyline

24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Things fall down. People look up. And when it rains, it pours.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong language, drug use, sexuality and some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

7 January 2000 (USA)  »

Also Known As:

Mag·no'li·a  »

Filming Locations:

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Box Office

Budget:

$37,000,000 (estimated)

Opening Weekend:

£371,023 (UK) (24 March 2000)

Gross:

$22,450,975 (USA) (12 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Mason symbol is on various walls in the WDKK studio. When Jimmy Gator's producer puts his hand on his shoulder, before the show starts, we see he is wearing a ring with the Mason's symbol on it. Similar to the Masonic farewell, "We met upon the level and we're parting on the square", the phrase is a Kipling quote, "tried on the square" is part of the official Masonic farewell. One of Stanley's library books is "A History of Masonry". The 82nd Mason lodge (8 and 2 being prominently featured throughout the film) is located in Magnolia, Arkansas. See more »

Goofs

When Linda Partridge is swallowing pills in her car, it's raining outside. A few minutes later, when she's passed out, the car is bone dry. See more »

Quotes

[first lines]
Narrator: In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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Crazy Credits

Pedestrian #2 is incorrectly spelled Pedistrian #2. See more »

Connections

Featured in Zomergasten: Episode #22.4 (2009) See more »

Soundtracks

Momentum
Written by Aimee Mann
Performed by Aimee Mann
Courtesy of Superego Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Autopsy of the Human Condition

A film such as Magnolia does not come around often enough. Though I felt that Boogie Nights attempted the same effect: exposing the base, unrelenting, human desires of Angelinos, it failed in several ways. Magnolia does not. Mr. Anderson sets out to show the underbelly of Americana, much like Mr. Mendes has done spectacularly with American Beauty. At the end of the century, these two films stand as landmarks in the evolution of the American. What we pursue in name only, piety, commonness with our fellow man, family, fame, fortune, and peace of mind, come crashing together in Magnolia, in an apex of misfortune, misunderstanding, forgiveness and renewal. These two films should scare the living daylights out of Americans, especially those living in Los Angeles. The stories show us that merely giving lip service to morals, self-improvement and camaraderie is not enough, we can fake it for only so long, before life overtakes us in a deluge of happenstance and retribution. Mr. Anderson is a wonderful storyteller, and Magnolia is the most visually and aurally satisfying film in years. Ms. Mann's music and the ensemble acting are symphonic. This movie is as tightly composed as any work in cinema one can remember. Obviously, I highly recommend it.


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