A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky. Written by
The Mason symbol is on various walls in the WDKK studio. When Jimmy Gator's producer puts his hand on his shoulder, before the show starts, we see he is wearing a ring with the Mason's symbol on it. Similar to the Masonic farewell, "We met upon the level and we're parting on the square", the phrase is a Kipling quote, "tried on the square" is part of the official Masonic farewell. One of Stanley's library books is "A History of Masonry". The 82nd Mason lodge (8 and 2 being prominently featured throughout the film) is located in Magnolia, Arkansas. See more »
When Linda Partridge is swallowing pills in her car, it's raining outside. A few minutes later, when she's passed out, the car is bone dry. See more »
In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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Pedestrian #2 is incorrectly spelled Pedistrian #2. See more »
A film such as Magnolia does not come around often enough. Though I felt that Boogie Nights attempted the same effect: exposing the base, unrelenting, human desires of Angelinos, it failed in several ways. Magnolia does not. Mr. Anderson sets out to show the underbelly of Americana, much like Mr. Mendes has done spectacularly with American Beauty. At the end of the century, these two films stand as landmarks in the evolution of the American. What we pursue in name only, piety, commonness with our fellow man, family, fame, fortune, and peace of mind, come crashing together in Magnolia, in an apex of misfortune, misunderstanding, forgiveness and renewal. These two films should scare the living daylights out of Americans, especially those living in Los Angeles. The stories show us that merely giving lip service to morals, self-improvement and camaraderie is not enough, we can fake it for only so long, before life overtakes us in a deluge of happenstance and retribution. Mr. Anderson is a wonderful storyteller, and Magnolia is the most visually and aurally satisfying film in years. Ms. Mann's music and the ensemble acting are symphonic. This movie is as tightly composed as any work in cinema one can remember. Obviously, I highly recommend it.
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